The musician claims she has completed enough albums to get out of her contract with her label, which she has a “tortured” history with.
Megan Thee Stallion Fights Out of Contract
With her latest release “Truamazine” on shelves and streaming platforms, Megan Thee Stallion filed a legal complaint arguing she has fulfilled her contract with her record label, and therefore should be able to leave the label behind.
The filing, which was obtained by People Magazine and outlined in a Monday report, is the latest in an ongoing legal battle between the artist, whose real name is Megan Pete, and 1501 Certified Entertainment. Earlier this year, she sued the label over the definition of an “album” after 1501 refused to qualify her “Something For the Hotties” release as one.
Because “Something For Thee Hotties” meets the required time length of an album, Pete says it should count towards fulfilling her contract’s album quota. 1501, however, argued that its use of archival material makes it ineligible.
According to documents previously filed by Pete, 1501 waited until several months after the debut of “Something For The Hotties” to raise concerns over it not counting as an album. Her lawyers argued that the label’s refusal is in “bad faith.”
At the time “Something For Thee Hotties” came out, Pete said she had only one album left until she should be considered free from her contract. Now that she released “Traumazine” earlier this month, she claims she has fully completed her contractual duties.
Seeking $1 Million
Pete initially sought non-monetary relief, but changed her tune in her latest filing, and is now seeking $1,000,000.
“Over the past two (2) years, Pete and 1501 shared a long and tortured history of disputes with each other concerning Pete’s recording agreement, including the unconscionability of the agreement in its original form, as well as disputes concerning the release of Pete’s music,” the complaint said via People.
“The two have been able to resolve some of the disputes through the issuance of multiple temporary restraining orders against Defendants from this Court. But a new dispute has arisen requiring further assistance from the Court,” the filing reportedly continued.
Pete previously sued 1501 in 2020, alleging it was not allowing her to release music amid contract disputes. She has since accused the label of other bad practices, like offering one-sided contracts and essentially trying to keep her in a contract for longer than necessary.
Steven M. Zager, an attorney for 1501, said the label has not changed its mind and believes Pete still owes “one more album, at least.”
“We’re evaluating ‘Traumazine,’” Zager told People. “But there’s no way ‘Something for Thee Hotties’ qualifies as an album as that term is defined under her recording commitment in her various contracts with 1501.”
According to Rolling Stone, a trial for the case would likely not begin until May of 2023.
See what others are saying: (People) (Rolling Stone) (A.V. Club)
Halyna Hutchins Family Settles With “Rust” Production, Filming to Resume in 2023
Alec Baldwin said everyone involved was motivated by the “desire to do what is best for Halyna’s son.”
The family of cinematographer Halyna Hutchins, who was fatally shot on the set of “Rust” last year, reached a settlement with the production over a wrongful death lawsuit on Wednesday.
The lawsuit was filed in February, several months after Hutchins’ death in New Mexico last October. The cast and crew were rehearsing a scene that involved producer and actor Alec Baldwin pointing a gun toward the camera. Baldwin claims he did not know it was loaded when it fired, killing Hutchins and injuring director Joel Souza.
The actor also claims he did not actually pull the trigger, but investigators determined it must have been pulled.
Hutchins’ husband Matthew filed the wrongful death suit on behalf of himself and his young son. It claimed that the production did not follow proper safety procedures and endangered the crew via reckless cost-cutting measures. Baldwin was listed as a defendant, as well as the set’s armorer, Hannah Gutierrez-Reed, first assistant director, Dave Halls, and others involved with the film.
The amount of the settlement was not disclosed, but as part of the agreement, the production of “Rust” will resume in January 2023. The late cinematographer’s husband will join the project as an executive producer.
“I have no interest in engaging in recriminations or attribution of blame (to the producers or Mr. Baldwin),” he said in a statement. “All of us believe Halyna’s death was a terrible accident. I am grateful that the producers and the entertainment community have come together to pay tribute to Halyna’s final work.”
A Tribute to Hutchins
Souza will return as the director. In a statement, he said his “every effort on this film will be devoted to honoring” Hutchins.
For his part, Baldwin shared the news of the settlement on his Instagram Wednesday morning.
“Throughout this difficult process, everyone has maintained the specific desire to do what is best for Halyna’s son,” he wrote. “We are grateful to everyone who contributed to the resolution of this tragic and painful situation.”
There is still an ongoing criminal probe happening separately from this lawsuit. It is unclear what impact the settlement will have on that, if any.
Last month, Santa Fe District Attorney Mary Carmack-Altwies sent a letter to the New Mexico Board of Finance seeking additional funding to prosecute up to four people over the incident, including Baldwin. So far, no charges have been filed.
In April, the New Mexico Occupational Health and Safety Bureau fined the production after it found multiple safety violations on set.
See what others are saying: (The Los Angeles Times) (The Hollywood Reporter) (Deadline)
The Try Guys Address Removal of Ned Fulmer: “We Had No Idea This Was Going On”
The group said that by severing ties with Fulmer, it felt like they were losing a friend.
“That Is Not What We Stand For”
Digital comedy and sketch group The Try Guys posted a video on Monday night explaining the recent removal of member Ned Fulmer.
Last week, the Internet was filled with speculation that Fulmer, who is married with children, was having an affair with a staffer for The Try Guys. Fulmer confirmed the reports, claiming he had a “consensual workplace relationship.” The Try Guys quickly announced that Fulmer would no longer be working with the group as the result of an internal review.
In Monday’s video, the remaining three members, Eugene Lee Yang, Zach Kornfeld, and Keith Habersberger, explained what led to their decision to remove Fulmer. While the trio noted there were legal issues that prevented them from sharing certain details, they wanted to be as transparent as possible.
“On Labor Day weekend, multiple fans alerted us that they had seen Ned and an employee engaging in public romantic behavior,” Habersberger explained. “We reached out to check on that employee and Ned confirmed the reports, and since confirmed that this had been going on for some time, which was obviously very shocking to us.”
He emphasized that the rest of the group “had no idea this was going on.”
After this, The Try Guys reached out to a variety of lawyers and HR professionals to make sure they handled the situation correctly.
“This is something we took very seriously,” Yang said. “We refused to sweep things under the rug. That is not who we are, and that is not what we stand for.”
Removing Fulmer From Content
They decided to immediately remove Fulmer from work activities and hired an HR rep to conduct a review. Fulmer was also withdrawn from releases pending the results of that review.
As part of this, his video section was erased, he was digitally taken out of some content, and he was not included in merch drops. The Try Guys said this was a long and tedious process.
“Honestly, I want to give major props to our editing staff for how deftly they handled that,” Kornfeld said. “There are several videos that we have deemed as fully unreleasable, you will never see them, and that is due to his involvement. And that is a decision that has cost us lots of money.”
“We will not be able to recoup that money,” he continued. “But it’s a decision we stand by proudly.”
The group declined to share details of the review but claimed it found that Fulmer engaged in “conduct unbecoming” of the team. Because of this, Yang, Kornfeld, and Habersberger gave written consent on Sept. 16 to ax Fulmer as a manager and employee of The Try Guys company.
The three said they were always planning to make a public statement about their decision, but were initially waiting out of respect to the families and employees involved. As online speculation arose, they chose to deal with it sooner.
“We’re losing a friend, we’re losing someone we built a company with, we have countless memories with, we just made a TV show together,” Kornfeld said. “I’m sure many of you feel the same way.”
According to the group, some upcoming videos featuring Fulmer will be edited to remove him. They said they are currently taking time to reimagine their channel.
Bruce Willis Denies Rumors He Sold His Likeness For Deepfake Use
Deepfakes face criticism from Hollywood to social media.
Willis Debunks Rumors
Actor Bruce Willis denied rumors over the weekend that he sold his likeness to the deepfake company DeepCake.
Willis agreed last year for his face to be used in a commercial for a Russian telecoms company. For this commercial, DeepCake digitally edited Willis’ face onto a Russian actor. This sparked rumors that Willis had sold the rights to his likeness for the company to use in future projects.
However, both management for Willis and DeepCake itself denied any partnership or agreement for these rights.
“Bruce couldn’t sell anyone any rights, they are his by default,” DeepCake said.
Agreements for the AI generation of actors have been heard of before, however. Recently, actor James Earl Jones agreed for his voice to be technologically generated for the voice of Darth Vader in the Star Wars franchise.
This comes as deepfakes are facing mounting criticism online, including from prominent YouTube personality and author, Hank Green. He recently tweeted about a channel that uses similar deepfake technology and AI-voice generation to parody popular YouTube creators. He stressed his concern that while the channel in question may not be nefarious, this technology could end up being harmful.
“There are ways to do this that would be much worse, more mean spirited, and more exploitative than this,” Green said. “And I’m very worried about what that will look like, because if this is working (and allowed), people will do it.”
Among other issues, Green mentioned these videos could abuse monetization and sponsorship opportunities while exploiting someone else’s face and brand. Green even implored YouTube to evaluate its terms of service as the popularity of deepfakes rise.