The comedian was accused of sexual misconduct in 2017.
Louis C.K. Nabs Grammy
Louis C.K. picked up a Grammy award on Sunday night, almost five years after admitting to sexual misconduct allegations.
C.K. won Best Comedy Album for “Sincerely Louis C.K.,” which was his first release since his offenses came to public light. He joked about the scandal in his set.
The New York Times published a piece detailing the misconduct in 2017 around the height of the #MeToo movement. Five women told the outlet that C.K. masturbated in front of them.
“The power I had over these women is that they admired me,” he said in a statement admitting to the claims. “And I wielded that power irresponsibly.”
He vowed to take a “step back” but returned to performance venues in 2018. He announced a tour in 2021.
Win Sparks Backlash
C.K.’s Grammy win has sparked backlash online from those who are frustrated that his work is being celebrated so soon after he admitted to sexual misconduct. Many argued that the “cancel culture” comedians so frequently bemoan does not actually exist.
“The reason Louis CK winning accolades is particularly egregious is because we’re not talking about allegations; we’re talking about acts of sexual assault that he admitted to,” one person wrote. “He is not innocent, by his own admission.”
Many also claimed that while C.K. and other alleged abusers have resumed their careers, the people who levied accusations against them often face more challenges rebounding from the controversy.
“I wonder if the careers of the women comedians Louis CK forced to watch him masturbate—who were allegedly threatened by CK’s manager—have recovered from the stigma of coming forward,” Moira Donegan, a gender and politics columnist at The Guardian tweeted. “Louis CK’s own career seems to have bounced back very well.”
Comparisons to Will Smith’s Oscars Slap and Hollywood Response
Others were also swift to compare C.K.’s win to the response to Will Smith slapping Chris Rock at the Oscars last week. The actor resigned from The Academy, and Netflix and Sony have reportedly put upcoming projects with Smith on pause. Many comedians reacted to the incident by claiming they feared how Smith’s actions could inspire copycat incidents in comedy clubs.
Because so many believe that Smith’s actions, though wrong, were not as heinous as C.K.’s, social media users argued that the backlash Smith has received is disproportionately severe.
“Remember when male comedians this week were like ‘Chris Rock got slapped!! Comedy is in danger!’ They never gave a fuck about those of us in comedy who were always in danger,” stand-up comic Jen Kirkman tweeted. “They’re SILENT 2nite on Louie CK winning a Grammy for an album where he jokes about his assaults.”
Comedian Megan Gailey pointed to the signs comedy clubs began hanging discouraging people from slapping performers in the wake of the Oscars slap.
“Okay but when will the comedy clubs put up signs to not sexually assault women?” she tweeted.
Others simply argued there was a double standard in the way Hollywood responded to Smith’s slap and C.K.’s multiple sexual misconduct claims.
“Louis CK just won a whole ass Grammy while y’all are either calling for Will Smith’s head or crying about cancel culture,” one person added. “There are no consequences for white cishet men.”
See what others are saying: (NPR) (The Hollywood Reporter) (The Daily Beast)
“Dahmer” Series Breaks Netflix Records Amid Backlash For Exploiting Victims’ Stories
Family members of some of the murderer’s victims say the program is “retraumatizing.”
“Dahmer” Lands Successful Week on Netflix
While criticisms mount against “Dahmer – Monster: The Jeffrey Dahmer Story,” the true crime series broke Netflix’s record as the most-watched first week for a series debut.
According to data provided by the streaming giant, the Evan Peters-led show was watched for over 196 million hours between its release on Sept. 21 and Sept. 25.
“Dahmer” is the newest of several pieces of fiction and media based on the famous serial killer. Created by Ryan Murphy and Ian Brennan, the series quickly generated a lot of attention online, primarily from those concerned the show is exploiting a gruesome true story.
Critics have echoed those fears, giving the show a mixed 50% rating on Rotten Tomatoes. The “Critic’s Consensus” blurb on the site states that while the show is “seemingly self-aware of the peril in glorifying Jeffrey Dahmer” the story still “tilts this horror story into the realm of queasy exploitation.”
Victims’ Families Speak Out
The family of Errol Lindsey, one of Dahmer’s victims, has also spoken out against the series. In a viral tweet, Lindsey’s cousin Eric Perry said his family is “pissed about the show.”
“It’s retraumatizing over and over again, and for what?” he wrote. “How many movies/shows/documentaries do we need?”
In much of the promotion for the series, Netflix claimed it would be told from the perspective of the victims. Perry slammed that narrative, noting that his family was never even contacted by the streamer about the project.
“So when they say they’re doing this ‘with respect to the victims’ or ‘honoring the dignity of the families’, no one contacts them,” he wrote. “My cousins wake up every few months at this point with a bunch of calls and messages and they know there’s another Dahmer show. It’s cruel.”
Lindsey’s sister, Rita Isbell, echoed that claim in an essay she wrote for Insider, noting that Netflix did not notify her of the show, or ask her any questions about her brother.
She said that watching the show “felt like reliving it all over again.”
“It brought back all the emotions I was feeling back then,” she wrote.
“It’s sad that they’re just making money off of this tragedy. That’s just greed,” she continued.
Obsession With Dahmer
Controversy has also grown from some of the responses to the series, as many viewers have posted fan edits of the show that romanticize Dahmer. Some pair clips of Peters’ Dahmer with his victims to love songs or pop ballads, leaving a bad taste in the mouths of those who do not understand why someone would make content glorifying the killer.
Others have responded to the show by calling Dahmer “hot” or posting thirst tweets about his mug shot. This has resulted in a backlash of its own.
“Jeffrey Dahmer molested and murdered people, mostly black men and boys,” one person wrote. “So to see people making edits and thirst traps of him is a little off putting.”
“if I see anyone tweeting thirst tweets about Jeffrey Dahmer I’m immediately unfollowing,” another person said. “That’s so fuckin nasty.”
Concerns that this kind of media results in more people admiring Dahmer are also mounting in Milwaukee, where many of his crimes took place. According to TMZ, the city is considering creating something to honor the victims, but officials fear a physical memorial would turn into a “mecca” for Dahmer’s fans.
YouTube Removes Age Restriction From Nicki Minaj Video After Singer Calls Company a “Bogus Platform”
Even though her video can now be viewed by all YouTuber users, Minaj made it clear she was upset that the age-gate tanked its view count in the first 24 hours.
Nicki Minaj Vs. YouTube
Nicki Minaj called out YouTube on Monday after the platform age-restricted her new music video for “Likkle Miss Remix” featuring Skeng.
By age-restricting a video, YouTube blocks users who are under 18 or not logged into a Google account from viewing the content.
Minaj’s video features close-up shots of people in skimpy outfits twerking, but several videos on YouTube with similar imagery have not been gated. Cardi B and Megan Thee Stallion’s “WAP” video is available for everyone, as is Minaj’s own “Anaconda” video.
In a since-deleted Instagram post, Minaj accused YouTube of being inconsistent and playing favorites.
“They restricted my fucking video but have things a million fucking times worse on their BOGUS FKNG PLATFORM,” she wrote in a post that included a screenshot of YouTube’s age-restriction notice. “This is what they do to keep you from winning while doing ads for another ppl and posting fake fkng stats. Because the same ppl who run YouTube are in bed with a certain record label and mngmnt company.”
Minaj further alleged that YouTube’s actions were done to prevent her from getting a significant number of views in the video’s first 24 hours, which is often the most crucial timeframe for a video’s success. She continued to assert that the Google-owned company has a bias toward certain music labels.
YouTube Walks Back Restriction
“How long have yall been playing the numbers game to lie & pretend ppl r doing ‘good’ when they r not?!?!!” Minaj continued in another post. “How much ad space did these duds purchase to be promoted on my channel in the last 5 years?!??!!!!”
Later on Monday, YouTube removed the restriction from Minaj’s video, per Variety. The company said the content in it did not violate its rules and guidelines.
While Minaj ended up deleting her Instagram posts calling YouTube out, she made it clear she was still frustrated by the debacle.
“FUCK THEM DUDS,” she tweeted. “THEY CANT GIVE US BACK OUR FIRST 24 HOURS CAN THEY?!?!!!”
As of Monday afternoon, her video had been viewed over one million times.
See what others are saying: (Variety) (The Independent) (Billboard)
“Don’t Worry Darling” Tops the Box Office Amid Bad Press
Audiences are already giving the film higher praise than critics did.
Young Women Flock to “Don’t Worry Darling”
Weeks of controversies and rumors did not prevent “Don’t Worry Darling” from finding victory at the box office, with the Olivia Wilde-directed thriller debuting at number one over the weekend and raking in $19.2 million.
Wilde also acted in the mid-century mystery, which starrs Florence Pugh, Harry Styles, Chris Pine, and Gemma Chan.
Women led ticket sales for the picture, comprising 66% of the audience, according to several reports. At least partially due to the appeal of Styles, crowds also skewed young, with over half under the age of 25.
Overseas, the film made over $10 million, bringing its total for the weekend to $30 million. That number is especially impressive since the R-rated drama had a budget of $35 million.
“Don’t Worry Darling” had been plagued with weeks of rumors about behind-the-scenes drama leading up to its release. Among other bouts of gossip, many online speculated that Pugh and Wilde had riffs on set, leading to Pugh’s refusal to promote the project. One report alleged the two got into a screaming match, but sources on set denied it.
Wilde and Shia LeBeouf, who was originally cast in the picture, also got into a public he-said-she-said about whether he quit the film or was fired.
The drama hit a boiling point during its premiere at the Venice Film Festival when Twitter users circulated a video they claimed showed Styles spiting on Pine, though both parties have denied that allegation.
A Film Riddled With Rumors
Furthering the bad press were the bad reviews. Critics largely panned the film, sticking it with a 38% on Rotten Tomatoes. After this first weekend, moviegoers seem to have a more favorable outlook, as it has a 79% audience score as of Monday.
Jeff Goldstein, the distribution chief for Warner Bros., told the Associated Press that “the background noise” caused by these controversies “had a neutral impact” on its box office haul. The studio released a statement saying it was pleased with the movie’s earnings.
Some analysts believe that, if anything, the online gossip and fodder may have aided the film’s box office performance.
In a tweet recapping the weekend’s box office, Paul Dergarabedian, a senior media analyst at Comscore, said the “drama sparked a huge wave of interest.”