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Studios Pause Theatrical Releases in Russia Amid Invasion of Ukraine

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Highly-anticipated pictures like Disney-Pixar’s “Turning Red” and Warner Bros.’ “The Batman” will not hit the big screen in the country as scheduled.


Studios Pull Films From Russia 

Disney, Warner Bros., and other major Hollywood studios are pulling theatrical releases from Russia amid its attack on Ukraine. 

“Given the unprovoked invasion of Ukraine and the tragic humanitarian crisis, we are pausing the release of theatrical films in Russia, including the upcoming ‘Turning Red’ from Pixar,” Disney announced in a statement Monday. “We will make future business decisions based on the evolving situation. In the meantime, given the scale of the emerging refugee crisis, we are working with our NGO partners to provide urgent aid and other humanitarian assistance to refugees.”

“Turning Red” was scheduled for a March release. It is unclear if other upcoming pictures from the studio — like “Doctor Strange in the Multiverse of Madness” and “Lightyear” — will be impacted by the boycott. Each is respectively slated to be released in May and June.

Warner Bros. followed Disney’s lead later Monday evening, announcing that it is pausing its release of “The Batman” in Russia. The Robert Pattinson-led take on the superhero was scheduled to come out on March 3. 

Sony is likewise halting its release of the Marvel film “Morbius.”

“Given the ongoing military action in Ukraine and the resulting uncertainty and humanitarian crisis unfolding in that region, we will be pausing our planned theatrical releases in Russia, including the upcoming release of ‘Morbius,’” a Sony spokesperson said in a statement. “Our thoughts and prayers are with all those who have been impacted and hope this crisis will be resolved quickly.”

Paramount took action on Tuesday by pausing the upcoming Russian releases of “The Lost City” and “Sonic the Hedgehog 2.”

Several reports say that movies that have already been released in Russia will stay in theaters for now, including “Uncharted” and “Death on the Nile.”

Entertainment Industry Faces Pressure to Respond

Hollywood had been facing pressure to respond to Russia’s invasion for the better part of a week as other industries have acted to economically sanction and isolate the country. The Ukrainian Film Academy released a petition last week asking film producers to “terminate all contracts with” Russia.

“The business that will use your films pays taxes to the Russian budget, which finances the army that violated the borders of an independent state, and buys missiles to bomb the civilian population of Europe,” the group wrote. 

The Motion Pictures Associated released a statement Monday backing Ukraine. 

“The Motion Picture Association stands with the international community in upholding the rule of law and condemning Russia’s invasion of Ukraine,” the statement said. “On behalf of our member companies, who lead the film, TV and streaming industry, we express our strongest support for Ukraine’s vibrant creative community who, like all people, deserve to live and work peacefully.”

The movie industry is not the only entertainment sphere responding to the conflict. Russia was recently barred from competing at the 2022 Eurovision Song Contest. The Union of European Football Associations and FIFA also suspended Russian clubs and national teams from competitions, while music acts like Green Day and Louis Tomlinson have canceled upcoming performances in Russia.

See what others are saying: (IndieWire) (Variety) (The Hollywood Reporter)

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Joe Rogan Faces Backlash For Promoting Antisemitic Stereotypes

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His comments come as antisemitic hate incidents have increased both online and in the real world.


Rogan’s Antisemitic Comments

Joe Rogan is facing backlash over a Saturday episode of his podcast where he claimed that “the idea that Jewish people are not into money is ridiculous.”

While the “Joe Rogan Experience” episode was posted to Spotify on Feb. 3, the controversial podcaster’s comments did not receive criticism until clips started circulating around social media on Tuesday. Rogan was speaking with “Breaking Points” hosts Krystal Ball and Saagar Enjeti when the subject of Rep. Ilhan Omar’s recent removal from the Foreign Affairs Committee came up.

Omar was ousted over a 2019 tweet where she said that American support of Isreal was “all about the Benjamins,” referring to a slang term for money. After she was condemned for promoting antisemitic tropes, she apologized. Some Democrats have accused Republicans of hypocrisy for removing Omar over the remark. 

“She’s apologizing for talking about ‘It’s all about the Benjamins,’ which is just about money,” Rogan said of the incident. “She’s talking about money.”

“She shouldn’t have apologized,” Ball responded. 

“That’s not an antisemitic statement, I don’t think that it is,” Rogan continued. “Benjamins are money. The idea that Jewish people are not into money is ridiculous. That’s like saying Italians aren’t into pizza. It’s fucking stupid.”

Condemned for “Vicious Lies”

His comments were condemned after several Twitter users shared clips of the podcast on the platform. Jonathan Greenblatt, the CEO of the Anti-Defamation League, said it was “disturbing” that Rogan chose to spread antisemitic stereotypes “at a time of rising anti-Jewish violence, when growing numbers of Americans believe in antisemitic conspiracy theories.”

“For centuries, people have used these longstanding tropes to spread vicious lies about the Jewish people,” Greenblatt wrote.

“The thing is, Joe Rogan, Italians were never slaughtered because of the pizza stereotype,” writer and essayist Howard Lovy tweeted. “But because idiots like you believe Jews are into money,’ we have been marginalized, brutalized, and murdered for thousands of years.”

“The ‘Jews are into money’ thing is a generation-spanning smear used as the basis to discriminate against Jews the world over,” attorney Bradley P. Moss added. “Everyone is into money. But we have been accused of secretly hoarding $ to control everything.”

Writer David Baddiel noted how alarming it was that Rogan was able to “breezily” spew “a racist myth.”

“One of the biggest podcasts in the world and no one gives a fuck,” he wrote. 

Rogan’s comments come as antisemitism has been increasingly present in media and everyday life for Jewish people. 

Upon billionaire Elon Musk’s takeover of Twitter, the platform saw an increase in racial slurs and hate speech, including language targeted at Jewish people. The Center for the Study of Hate and Extremism found in December that antisemitic hate crimes rose between 2021 and 2022 in major cities like New York and Los Angeles. 

Kanye West also made headlines late last year for going on several antisemitic rants, including one where he praised Hitler. While he was dropped by major brands like Adidas over his comments, his words have amplified dangerous conspiracy theories far and wide. He even inspired several neo-Nazis to hang “Kanye is Right” banners in Los Angeles, among other antisemitic actions.

See what others are saying: (The Daily Beast) (Variety) (The Independent)

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“Seinfeld” AI Parody Suspended From Twitch After AI Wrote Transphobic Jokes

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The parody’s version of Jerry asked if he should make jokes about “how being transgender is actually a mental illness.”


“Nothing, Forever” Suspended

What’s the deal with AI?

While that has been a big question in the media world for the last few weeks, it is being raised yet again after AI software wrote transphobic jokes for an AI parody of the hit sitcom “Seinfeld.”

Titled “Nothing, Forever,” the heavily pixelated program runs 24/7 on Twitch, using Open AI to create endless “Seinfeld” parody content. In this AI version, Jerry is called Larry Feinberg. Larry’s friends, Yvonne, Fred, and Zoltare — who are stands-ins for Elaine, George, and Kramer — often sit around Larry’s apartment, just like in the NBC series. 

Also mirroring “Seinfeld,” Larry is a stand-up comedian who does a cold-open set of jokes in front of a brick wall. On Monday morning, he asked if anyone had suggestions for jokes before going on a transphobic rant. 

“I’m thinking about doing a bit about how being transgender is actually a mental illness,” Larry said. “Or how all liberals are secretly gay and want to impose their will on everyone. Or something about how transgender people are ruining the fabric of society. But no one is laughing, so I’m going to stop.”

“Thanks for coming out tonight. See you next time,” he continued. “Where’d everybody go?”

Plans to Return

The bit could almost come across as self-aware commentary about how pervasive transphobia is in stand-up comedy, but it’s unclear what the AI’s intent was or if it deserves that much credit. 

Soon after the jokes aired, the “Nothing, Forever” Twitch page was closed, showing only a message announcing the channel “is temporarily unavailable due to a violation of Twitch’s Community Guidelines.” It did not specify what rule was broken, but Twitch does have a Hateful Conduct policy that bars attacks against someone’s gender, gender identity, sexual orientation, and other protected identities. 

Skyler Hartle, one of the co-creators of “Nothing, Forever,” told The Washington Post that the team was “super embarrassed” by the transphobic rant, which “in no way reflects the values or opinions of our staff.”

Hartle said they hope to resume airing the AI parody with new safeguards in place soon. According to The Post, the suspension will last for 14 days. 

See what others are saying: (The Washington Post) (NBC News) (The Verge)

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Grammy Awards Face Backlash For Snubbing Beyoncé of Top Prize

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This marks the fourth time the “Renaissance” singer has lost Album of the Year.


Beyoncé Loses Top Awards

Beyoncé may have broken the record for the most Grammy wins on Sunday night, but her snub for the top prize of Album of the Year has left music fans outraged.

Beyoncé nabbed Best Dance Recording, Best Dance/Electronica Album, Best Traditional R&B Vocal Performance, and Best R&B Song on Sunday night, all related to her latest album, “Renaissance.” While that crossed her Grammy total to a record-breaking 32 trophies, she was shut out of all the major categories she was nominated in: Record, Song, and Album of the Year. 

This was the fourth time Beyoncé was nominated for and lost Album of the Year, largely considered the show’s most coveted prize. This year, Harry Styles took home the Grammy for “Harry’s House.”

In his speech, Styles said, he has been “so inspired by every artist in this category” and claimed there is no “best” in music. People in the crowd were heard shouting “Beyonce!” while he spoke, outraged the singer had lost the award yet again.

The moment was reminiscent of the 2017 Grammy Awards when Adele’s “25” beat out Beyoncé’s “Lemonade” for the same category. While accepting the prize, Adele suggested that the “Lemonade” should have gotten the gold. 

“The ‘Lemonade’ album was just so monumental, Beyoncé, it was so monumental,” Adele said on stage. 

Beyoncé’s History of Grammy Losses

This is part of a long trend in Beyoncé’s Grammy history, as she is almost always shut out of the major categories. Of her 32 Grammys, only one belongs to one of the top slots: her Song of the Year win in 2010 for “Single Ladies.” She has yet to ever win Record or Album of the Year, and most of her wins come from genre categories like R&B.

Many fans think that is an abysmal record for an artist who is considered one of the primary musical talents of her generation. Compare those stats to the similarly-adored Taylor Swift, who has three Album of the Year wins out of 12 Grammy trophies, and it’s not hard to see their point.

“Beyoncé represents every Black woman that is constantly applauded for their work but when it comes to promotion time their white colleague gets it instead,” culture reporter Ada Enechi tweeted in response to Sunday night’s snub.

The Grammy Awards have long been accused of having a racial bias, especially when it comes to Black women. In Beyoncé’s case, every time she has lost Album of the Year, she lost to a white artist. 

Even some of the progress made during Sunday night’s telecast only proved how frequently Black women are excluded from major awards. For example, Lizzo won Record of the Year for “About Damn Time,” marking the first time a Black woman has won that award since Whitney Houston in 1994. That’s a nearly 30-year gap.

Backlash From Music Fans

Beyoncé’s repeated snubs have consistently been used as a prime example of the strides yet to be made in the music industry. 

“Renaissance not winning AOTY is another example how of a Black woman can consistently deliver excellence, reinvent the wheel + shake the culture, AND still not be recognised to the extent that she deserves,” another person said on Twitter.

“Absolutely wild that the person with the most Grammys ever is still the underdog who was robbed,” BuzzFeed News reporter David Mack pointed out.

Podcaster Sam Sanders called her loss “criminal.”

See what others are saying: (Rolling Stone) (People) (The Washington Post)

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