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Joe Rogan Responds to Spotify’s Misinformation Controversy

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After singer Neil Young left the platform over misinformation on Rogan’s podcast, the host said he was “not trying to be controversial.” 


Joe Rogan Addresses Controversy

Podcaster Joe Rogan said he would invite “more experts with differing opinions” onto his show after a slew of musicians left Spotify over the misinformation he touts on the platform. 

“I’m not trying to promote misinformation. I’m not trying to be controversial,” Rogan said in a 10-minute video posted to Instagram Sunday. “I’ve never tried to do anything with this podcast other than just talk to people.” 

The controversy took off last week when “Heart of Gold” singer Neil Young asked his management to remove his catalog from Spotify “because [the company] is spreading fake information about vaccines.” Young specifically cited Rogan, who has repeatedly faced backlash for promoting vaccine misinformation on his self-titled podcast, which exclusively airs on Spotify. Spotify ended up pulling Young’s music. Since then, singer Joni Mitchell and guitarist Nils Lofgren have likewise asked for their songs to be removed from the platform. 

“I’m very sorry they feel that way,” Rogan said of the artists that are boycotting the audio streaming service. “I most certainly don’t want that. I’m a Neil Young fan.”

While Rogan has been widely criticized for a myriad of comments he has made about the vaccine for the better part of a year, he claimed most of the outrage stemmed from two specific episodes where he interviewed controversial scientific figures, Dr. Robert Malone and Dr. Peter McCullough. Both have shared contentious and disputed theories regarding COVID-19 and vaccines.

“I wanted to hear what their opinion is,” Rogan said of the two. “I had them on and because of that, those episodes, in particular, were labeled as being dangerous. They had dangerous misinformation in them.”

“The problem I have with the term ‘misinformation,’ especially today, is that many of the things we thought of as misinformation just a short while ago are now accepted as fact,” he continued. 

Rogan went on to claim that a little less than a year ago, someone would likely get “banned” from social media for saying that a vaccinated person could get or spread COVID-19, even though now we know breakthrough infections can happen. While there is more information about the vaccine now than in winter and early spring of last year, there were still plenty of health experts noting last year that a vaccinated person could still get COVID-19 and that the inoculation was meant to lessen the severity of their case. Many also said it could be possible for a vaccinated person to spread it, but at the time, the science was less certain. 

Rogan Pledges to Balance Show Out

Regarding Dr. Malone and Dr. McCullough, Rogan admitted that he did not know if the two were “right” in their controversial assertions.

“I don’t know because I’m not a doctor. I’m not a scientist,” he explained. “I’m just a person who sits down and talks to people and has conversations with them. Do I get things wrong? Absolutely. But I try to correct them.” 

Rogan says that going forward, he will prioritize having experts with differing and balancing opinions on “The Joe Rogan Experience.”

“If there’s anything that I’ve done that I could do better, it’s having more experts with differing opinions right after I have the controversial ones,” he said. “I would most certainly be open to doing that.” 

Spotify Plans to Add Content Labels

Spotify CEO Daniel Ek also addressed the controversy, writing an open letter Sunday regarding the company’s rules and approach when it comes to COVID-19.

“We know we have a critical role to play in supporting creator expression while balancing it with the safety of our users,” Ek said. “In that role, it is important to me that we don’t take on the position of being content censor while also making sure that there are rules in place and consequences for those who violate them.”

According to Ek, Spotify has long had content policies in place, but the company has not been transparent about them. He promised this would change in the future. 

“Based on the feedback over the last several weeks, it’s become clear to me that we have an obligation to do more to provide balance and access to widely-accepted information from the medical and scientific communities guiding us through this unprecedented time,” he wrote. 

Ek said that Spotify will address user concerns by publicizing its Platform Rules, adding a content advisory to any podcast episode that discusses COVID, and testing ways to highlight these rules for creators to help them understand what is acceptable and what they should be held accountable for when it comes to their content.

See what others are saying: (NPR) (The New York Times) (The Hollywood Reporter)

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Twitch Faces Backlash After Booking Megan Thee Stallion At TwitchCon Amid Creator Pay Cuts

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The cut in revenue share has ignited severe backlash on Twitch, where users argue pay for creators should be increased, not slashed. 


Revenue Share Shake Up

Twitch users are criticizing the company for hiring artist Megan Thee Stallion to perform at TwitchCon just one week after announcing cutbacks to top creator pay.

Last week, the video and streaming platform said that starting in June of next year, some creators will receive less revenue from their subscriptions. While the standard split for subscription revenue is 50/50, some major streamers previously received a more favorable 70/30 share in premium agreement terms. 

Many creators have long argued that everyone should get that 70/30 share, but Twitch took a step in the opposite direction. In the future, streamers with premium terms will only get the 70/30 slice for their first $100,000 from subscription revenue. After that, they will get bumped down to the regular 50/50 cut. 

The company argued the move was necessary as the premium terms previously lacked transparency and consistency, insisting it tried to modify the policy in a way that impacted the least amount of creators. According to Twitch’s statement, 90% of streamers on standard agreements will not even be impacted by the change.

Still, this move outraged Twitch users who were furious the company was not investing more in the creators that bring so many viewers to its platform. Those frustrations were exacerbated on Wednesday when the company announced Megan Thee Stallion would make an appearance at TwitchCon, a weekend-long event set to take place in San Diego in early October. 

Backlash Continues to Mount

While no details of Megan Thee Stallion’s agreement to perform have been disclosed, one can assume she charges a pretty penny to book at an event of this nature. Critics argued that if Twitch is willing to spend money on her, it should be willing to spend it on its own streamers. 

“So Twitch can’t afford to pay their creators 70/30, can’t fix their media player that crashes after each ad, can’t enforce their policies so people aren’t doing inappropriate things on stream, but they can afford paying celebrities to promote their streaming site?” one person wrote. 

“It’s weird that a company that just announced a bunch of budget cuts due to infrastructure costs goes out and grabs an A-list musician instead of promoting their own musicians that run on their platform,” another person claimed.

“Instead of giving your creators a cut they deserve when they do so much work, this is what you do…?” one user asked. “Maybe give your creators a better deal instead of wasting their hard earned money on things we don’t even want.”

Twitch has not responded to the outrage, but Megan Thee Stallion was not the only music act the Amazon-owned service booked for the event. Kim Petras and Meet Me at the Altar will also take the stage at TwitchCon. 

The backlash comes as concerns have been mounting against Twitch for a plethora of reasons including creator pay, gambling streams, and more. 

In recent months, some of the platform’s biggest names have left Twitch in favor of rival services like YouTube Gaming. 

See what others are saying: (Dexerto) (The Verge) (Metro)

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“Dahmer” Series Breaks Netflix Records Amid Backlash For Exploiting Victims’ Stories

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Family members of some of the murderer’s victims say the program is “retraumatizing.”


“Dahmer” Lands Successful Week on Netflix

While criticisms mount against “Dahmer – Monster: The Jeffrey Dahmer Story,” the true crime series broke Netflix’s record as the most-watched first week for a series debut.

According to data provided by the streaming giant, the Evan Peters-led show was watched for over 196 million hours between its release on Sept. 21 and Sept. 25.

“Dahmer” is the newest of several pieces of fiction and media based on the famous serial killer. Created by Ryan Murphy and Ian Brennan, the series quickly generated a lot of attention online, primarily from those concerned the show is exploiting a gruesome true story. 

Critics have echoed those fears, giving the show a mixed 50% rating on Rotten Tomatoes. The “Critic’s Consensus” blurb on the site states that while the show is “seemingly self-aware of the peril in glorifying Jeffrey Dahmer” the story still “tilts this horror story into the realm of queasy exploitation.”

Victims’ Families Speak Out

The family of Errol Lindsey, one of Dahmer’s victims, has also spoken out against the series. In a viral tweet, Lindsey’s cousin Eric Perry said his family is “pissed about the show.”

“It’s retraumatizing over and over again, and for what?” he wrote. “How many movies/shows/documentaries do we need?”

In much of the promotion for the series, Netflix claimed it would be told from the perspective of the victims. Perry slammed that narrative, noting that his family was never even contacted by the streamer about the project.

“So when they say they’re doing this ‘with respect to the victims’ or ‘honoring the dignity of the families’, no one contacts them,” he wrote. “My cousins wake up every few months at this point with a bunch of calls and messages and they know there’s another Dahmer show. It’s cruel.”

Lindsey’s sister, Rita Isbell, echoed that claim in an essay she wrote for Insider, noting that Netflix did not notify her of the show, or ask her any questions about her brother. 

She said that watching the show “felt like reliving it all over again.”

“It brought back all the emotions I was feeling back then,” she wrote. 

“It’s sad that they’re just making money off of this tragedy. That’s just greed,” she continued. 

Obsession With Dahmer

Controversy has also grown from some of the responses to the series, as many viewers have posted fan edits of the show that romanticize Dahmer. Some pair clips of Peters’ Dahmer with his victims to love songs or pop ballads, leaving a bad taste in the mouths of those who do not understand why someone would make content glorifying the killer. 

Others have responded to the show by calling Dahmer “hot” or posting thirst tweets about his mug shot. This has resulted in a backlash of its own. 

“Jeffrey Dahmer molested and murdered people, mostly black men and boys,” one person wrote. “So to see people making edits and thirst traps of him is a little off putting.”

“if I see anyone tweeting thirst tweets about Jeffrey Dahmer I’m immediately unfollowing,” another person said. “That’s so fuckin nasty.”

Concerns that this kind of media results in more people admiring Dahmer are also mounting in Milwaukee, where many of his crimes took place. According to TMZ, the city is considering creating something to honor the victims, but officials fear a physical memorial would turn into a “mecca” for Dahmer’s fans. 

See what others are saying: (Insider) (IndieWire) (Vox)

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YouTube Removes Age Restriction From Nicki Minaj Video After Singer Calls Company a “Bogus Platform”

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Even though her video can now be viewed by all YouTuber users, Minaj made it clear she was upset that the age-gate tanked its view count in the first 24 hours.


Nicki Minaj Vs. YouTube

Nicki Minaj called out YouTube on Monday after the platform age-restricted her new music video for “Likkle Miss Remix” featuring Skeng. 

By age-restricting a video, YouTube blocks users who are under 18 or not logged into a Google account from viewing the content. 

Minaj’s video features close-up shots of people in skimpy outfits twerking, but several videos on YouTube with similar imagery have not been gated. Cardi B and Megan Thee Stallion’s “WAP” video is available for everyone, as is Minaj’s own “Anaconda” video. 

In a since-deleted Instagram post, Minaj accused YouTube of being inconsistent and playing favorites. 

“They restricted my fucking video but have things a million fucking times worse on their BOGUS FKNG PLATFORM,” she wrote in a post that included a screenshot of YouTube’s age-restriction notice. “This is what they do to keep you from winning while doing ads for another ppl and posting fake fkng stats. Because the same ppl who run YouTube are in bed with a certain record label and mngmnt company.”

Minaj further alleged that YouTube’s actions were done to prevent her from getting a significant number of views in the video’s first 24 hours, which is often the most crucial timeframe for a video’s success. She continued to assert that the Google-owned company has a bias toward certain music labels.

YouTube Walks Back Restriction

“How long have yall been playing the numbers game to lie & pretend ppl r doing ‘good’ when they r not?!?!!” Minaj continued in another post. “How much ad space did these duds purchase to be promoted on my channel in the last 5 years?!??!!!!”

Later on Monday, YouTube removed the restriction from Minaj’s video, per Variety. The company said the content in it did not violate its rules and guidelines. 

While Minaj ended up deleting her Instagram posts calling YouTube out, she made it clear she was still frustrated by the debacle. 

“FUCK THEM DUDS,” she tweeted. “THEY CANT GIVE US BACK OUR FIRST 24 HOURS CAN THEY?!?!!!”

As of Monday afternoon, her video had been viewed over one million times.

See what others are saying: (Variety) (The Independent) (Billboard)

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