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Rita Moreno Defends Lin-Manuel Miranda Amid “In The Heights” Colorism Criticism

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“You can never do right, it seems,” the actress said during an appearance on “The Late Show” Tuesday night.


Lin-Manuel Miranda Addresses “In The Heights” Controversy

Actress Rita Moreno defended multi-hyphenate Lin-Manuel Miranda on Tuesday after the film “In The Heights,” which is based on his Tony Award-winning musical, faced criticism for its lack of representation within the Afro-Latino community. 

While the musical has been met with wide critical acclaim, it has also faced backlash for its casting. The story takes place in the predominantly Latino New York neighborhood of Washington Heights, however many were upset that it largely represents lighter-skinned members of the Latino community and excludes darker-skinned members of the Afro-Latino community. 

Miranda, who was also a producer for the film, addressed the controversy in a Twitter statement on Monday. He said he wrote “In The Heights” because he felt he had never been seen and wanted that to change for others who felt the same way. 

“I can hear the hurt and frustration over colorism, of feeling unseen in the feedback,” he wrote. “I hear that, without sufficient dark-skinned Afro-Latino representation, the world feels extractive of the community we wanted so much to represent with pride and joy.”

“In trying to paint a mosaic of this community, we fell short,” he continued. “I’m truly sorry…I’m trying to hold space for both the incredible pride in the movie we made and be accountable for our shortcomings.”

Rita Moreno Defends Miranda

Moreno — whose stage and screen credits include “West Side Story,” “Singin’ in the Rain,” and “The Ritz” —defended Miranda during her Tuesday appearance on “The Late Show,” implying that the playwright had nothing to be sorry for. 

“You can never do right, it seems,” she told host Stephen Colbert. “This is the man who literally has brought Latino-ness and Puerto Rican-ness to America.” 

“I’m simply saying, can’t you just wait a while and leave it alone?” she continued. “There’s a lot of people who are Puerto Rican who are also from Guatemala who are dark and who are also fair. We are all colors in Puerto Rico. This is how it is.”

“It would be so nice if they hadn’t come up with that and left it alone, just for now. They’re really attacking the wrong person.”

Her response ignited backlash on Twitter, where she was a trending topic on Wednesday morning. Many were upset that she not only brushed the criticism aside but seemingly told Afro-Latinos to “wait a while” when it comes to representation.

Cast and Director Speak Out

Since “In The Heights” came out last week, issues of colorism have dominated conversations about the film on Twitter. Members of the cast have addressed the situation in an interview with Felice León at The Root. 

“I didn’t realize until making this movie that I didn’t really get to see myself or people that looked like my siblings, that are darker than me, onscreen,” said Leslie Grace, who plays Nina in the film and is Afro-Latina. 

“I hope that this is cracking that glass ceiling because I do hope to see my brothers and sisters that are darker than me lead these movies,” she later added. 

Melissa Barrera, a Mexican-born actress who plays Vanessa told León that during the audition process, there were many darker-skinned Afro-Latino people being considered, but production ended up going with the actors they felt aligned most with the characters. 

“I think they were looking for just the right people for the roles,” she explained. “For the person that embodied each character in the fullest extent.” 

Director Jon Chu, who previously faced similar criticism regarding colorism in his film “Crazy Rich Asians,” acknowledged that he learned a lot in the process of making the film and is open to learning more.

“That’s a fair conversation to have,” he said. “I mean listen, we’re not going to get everything right in a movie. We try our best on all fronts of it.” 

Chu’s response received some criticism, as at one point he mentioned the diversity of the background dancers to León.

“Those are roles that historically, we’ve been able to fill,” León, who is Black and Cuban, explained. “Right, we’ve been able to be the dancers and we’ve been able to be in the hair salons, and this and that”

“But a lead, that’s the breakthrough,” she continued. “You want to see Black people in the Heights. We want to see Afro-Panamanians, Black Cubans, Black Dominicans. That’s what we want to see and that’s what we were yearning for and hoping for.”

“I hope that at least encourages more people to tell more stories and get out there and do it right then,” Chu added.

See what others are saying: (Deadline) (NPR) (HuffPost)

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“Dahmer” Series Breaks Netflix Records Amid Backlash For Exploiting Victims’ Stories

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Family members of some of the murderer’s victims say the program is “retraumatizing.”


“Dahmer” Lands Successful Week on Netflix

While criticisms mount against “Dahmer – Monster: The Jeffrey Dahmer Story,” the true crime series broke Netflix’s record as the most-watched first week for a series debut.

According to data provided by the streaming giant, the Evan Peters-led show was watched for over 196 million hours between its release on Sept. 21 and Sept. 25.

“Dahmer” is the newest of several pieces of fiction and media based on the famous serial killer. Created by Ryan Murphy and Ian Brennan, the series quickly generated a lot of attention online, primarily from those concerned the show is exploiting a gruesome true story. 

Critics have echoed those fears, giving the show a mixed 50% rating on Rotten Tomatoes. The “Critic’s Consensus” blurb on the site states that while the show is “seemingly self-aware of the peril in glorifying Jeffrey Dahmer” the story still “tilts this horror story into the realm of queasy exploitation.”

Victims’ Families Speak Out

The family of Errol Lindsey, one of Dahmer’s victims, has also spoken out against the series. In a viral tweet, Lindsey’s cousin Eric Perry said his family is “pissed about the show.”

“It’s retraumatizing over and over again, and for what?” he wrote. “How many movies/shows/documentaries do we need?”

In much of the promotion for the series, Netflix claimed it would be told from the perspective of the victims. Perry slammed that narrative, noting that his family was never even contacted by the streamer about the project.

“So when they say they’re doing this ‘with respect to the victims’ or ‘honoring the dignity of the families’, no one contacts them,” he wrote. “My cousins wake up every few months at this point with a bunch of calls and messages and they know there’s another Dahmer show. It’s cruel.”

Lindsey’s sister, Rita Isbell, echoed that claim in an essay she wrote for Insider, noting that Netflix did not notify her of the show, or ask her any questions about her brother. 

She said that watching the show “felt like reliving it all over again.”

“It brought back all the emotions I was feeling back then,” she wrote. 

“It’s sad that they’re just making money off of this tragedy. That’s just greed,” she continued. 

Obsession With Dahmer

Controversy has also grown from some of the responses to the series, as many viewers have posted fan edits of the show that romanticize Dahmer. Some pair clips of Peters’ Dahmer with his victims to love songs or pop ballads, leaving a bad taste in the mouths of those who do not understand why someone would make content glorifying the killer. 

Others have responded to the show by calling Dahmer “hot” or posting thirst tweets about his mug shot. This has resulted in a backlash of its own. 

“Jeffrey Dahmer molested and murdered people, mostly black men and boys,” one person wrote. “So to see people making edits and thirst traps of him is a little off putting.”

“if I see anyone tweeting thirst tweets about Jeffrey Dahmer I’m immediately unfollowing,” another person said. “That’s so fuckin nasty.”

Concerns that this kind of media results in more people admiring Dahmer are also mounting in Milwaukee, where many of his crimes took place. According to TMZ, the city is considering creating something to honor the victims, but officials fear a physical memorial would turn into a “mecca” for Dahmer’s fans. 

See what others are saying: (Insider) (IndieWire) (Vox)

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YouTube Removes Age Restriction From Nicki Minaj Video After Singer Calls Company a “Bogus Platform”

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Even though her video can now be viewed by all YouTuber users, Minaj made it clear she was upset that the age-gate tanked its view count in the first 24 hours.


Nicki Minaj Vs. YouTube

Nicki Minaj called out YouTube on Monday after the platform age-restricted her new music video for “Likkle Miss Remix” featuring Skeng. 

By age-restricting a video, YouTube blocks users who are under 18 or not logged into a Google account from viewing the content. 

Minaj’s video features close-up shots of people in skimpy outfits twerking, but several videos on YouTube with similar imagery have not been gated. Cardi B and Megan Thee Stallion’s “WAP” video is available for everyone, as is Minaj’s own “Anaconda” video. 

In a since-deleted Instagram post, Minaj accused YouTube of being inconsistent and playing favorites. 

“They restricted my fucking video but have things a million fucking times worse on their BOGUS FKNG PLATFORM,” she wrote in a post that included a screenshot of YouTube’s age-restriction notice. “This is what they do to keep you from winning while doing ads for another ppl and posting fake fkng stats. Because the same ppl who run YouTube are in bed with a certain record label and mngmnt company.”

Minaj further alleged that YouTube’s actions were done to prevent her from getting a significant number of views in the video’s first 24 hours, which is often the most crucial timeframe for a video’s success. She continued to assert that the Google-owned company has a bias toward certain music labels.

YouTube Walks Back Restriction

“How long have yall been playing the numbers game to lie & pretend ppl r doing ‘good’ when they r not?!?!!” Minaj continued in another post. “How much ad space did these duds purchase to be promoted on my channel in the last 5 years?!??!!!!”

Later on Monday, YouTube removed the restriction from Minaj’s video, per Variety. The company said the content in it did not violate its rules and guidelines. 

While Minaj ended up deleting her Instagram posts calling YouTube out, she made it clear she was still frustrated by the debacle. 

“FUCK THEM DUDS,” she tweeted. “THEY CANT GIVE US BACK OUR FIRST 24 HOURS CAN THEY?!?!!!”

As of Monday afternoon, her video had been viewed over one million times.

See what others are saying: (Variety) (The Independent) (Billboard)

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“Don’t Worry Darling” Tops the Box Office Amid Bad Press

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Audiences are already giving the film higher praise than critics did.


Young Women Flock to “Don’t Worry Darling” 

Weeks of controversies and rumors did not prevent “Don’t Worry Darling” from finding victory at the box office, with the Olivia Wilde-directed thriller debuting at number one over the weekend and raking in $19.2 million. 

Wilde also acted in the mid-century mystery, which starrs Florence Pugh, Harry Styles, Chris Pine, and Gemma Chan.

Women led ticket sales for the picture, comprising 66% of the audience, according to several reports. At least partially due to the appeal of Styles, crowds also skewed young, with over half under the age of 25.

Overseas, the film made over $10 million, bringing its total for the weekend to $30 million. That number is especially impressive since the R-rated drama had a budget of $35 million.

“Don’t Worry Darling” had been plagued with weeks of rumors about behind-the-scenes drama leading up to its release. Among other bouts of gossip, many online speculated that Pugh and Wilde had riffs on set, leading to Pugh’s refusal to promote the project. One report alleged the two got into a screaming match, but sources on set denied it. 

Wilde and Shia LeBeouf, who was originally cast in the picture, also got into a public he-said-she-said about whether he quit the film or was fired. 

The drama hit a boiling point during its premiere at the Venice Film Festival when Twitter users circulated a video they claimed showed Styles spiting on Pine, though both parties have denied that allegation. 

A Film Riddled With Rumors 

Furthering the bad press were the bad reviews. Critics largely panned the film, sticking it with a 38% on Rotten Tomatoes. After this first weekend, moviegoers seem to have a more favorable outlook, as it has a 79% audience score as of Monday. 

Jeff Goldstein, the distribution chief for Warner Bros., told the Associated Press that “the background noise” caused by these controversies “had a neutral impact” on its box office haul. The studio released a statement saying it was pleased with the movie’s earnings. 

Some analysts believe that, if anything, the online gossip and fodder may have aided the film’s box office performance.

In a tweet recapping the weekend’s box office, Paul Dergarabedian, a senior media analyst at Comscore, said the “drama sparked a huge wave of interest.”

See what others are saying: (Associated Press) (Box Office Mojo) (New York Times)

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