- Actress Carey Mulligan criticized Variety’s review of “Promising Young Woman” for taking jabs at her appearance and suggesting Margot Robbie would have looked better in the role.
- Variety issued an apology in response, which Mulligan said she was both surprised and happy to receive.
- During a Variety Actors on Actors conversation Tuesday, Mulligan noted that it was “nerve-racking” to go after such a major publication. Still, she feels it’s important to call out this type of behavior otherwise people will continue to accept criticism of a woman’s looks as valid.
Carey Mulligan Calls Out Variety Review
Actress Carey Mulligan has accepted Variety’s apology for language used in its review of her film, “Promising Young Woman,” which criticized her physical appearance.
“Mulligan, a fine actress, seems a bit of an odd choice as this admittedly many-layered apparent femme fatale,” Dennis Harvey wrote in his review after the film screened at Sundance in January 2020.
“Margot Robbie is a producer here, and one can (perhaps too easily) imagine the role might once have been intended for her. Whereas with this star, Cassie wears her pickup-bait gear like bad drag; even her long blonde hair seems a put-on,” he continued.
Mulligan read the review and told the New York Times in December that it shocked her.
“It felt like it was basically saying that I wasn’t hot enough to pull off this kind of ruse,” she explained.
“It wasn’t some sort of ego-wounding thing — like, I fully can see that Margot Robbie is a goddess,” she continued. “It drove me so crazy. I was like, ‘Really? For this film, you’re going to write something that is so transparent? Now? In 2020?’ I just couldn’t believe it.”
“Promising Young Woman” deals heavily with the male gaze and societal expectations for women. The film contains many spoilers and twists, however, it starts by following Mulligan’s character, Cassie, as she struggles with past traumas and attempts to heal them by seeking vengeance on men who take advantage of women at bars.
The film takes the playful frills of femininity and underscores them with tragedy and dark humor. One of its most powerful themes warns that even the smallest transgressions from seemingly harmless men can ultimately signal something very dangerous.
Mulligan’s performance, which is getting praised and could land her an Oscar nomination, specifically works to deconstruct the way men treat and expoloit women.
“We don’t allow women to look normal anymore, or like a real person. Why does every woman who’s ever onscreen have to look like a supermodel?” Mulligan added in her interview with the Times. “That has shifted into something where the expectation of beauty and perfection onscreen has gotten completely out of control.”
Variety ended up agreeing with the star’s frustrations and added an editor’s note to their review apologizing for some of its language.
“Variety sincerely apologizes to Carey Mulligan and regrets the insensitive language and insinuation in our review of “Promising Young Woman” that minimized her daring performance,” the note says.
On Tuesday, Mulligan appeared on Variety’s Actors on Actors series in a conversation with “Euphoria” actress Zendaya. She addressed the outlet’s apology during their chat.
“It made me concerned that in such a big publication an actress’s appearance could be criticized and it could be accepted as completely reasonable criticism. And I think it’s important to call out those things,” Mulligan said.
“It’s sort of nerve-racking to rock the boat with a big publication,” she continued. “But at the same time, it feels like, you know, you’ve got to stand up for these things. Otherwise, it continues and then you’re essentially part of it. So I was really, really surprised and thrilled, and happy to have received an apology.”
In an excerpt that was cut from the video but published by Variety, she said it was moving to “have drawn a line under that in a good way, and know that that had an impact in a way.”
See what others are saying: (Variety) (Los Angeles Times) (People)
Twitch Faces Backlash After Booking Megan Thee Stallion At TwitchCon Amid Creator Pay Cuts
The cut in revenue share has ignited severe backlash on Twitch, where users argue pay for creators should be increased, not slashed.
Revenue Share Shake Up
Twitch users are criticizing the company for hiring artist Megan Thee Stallion to perform at TwitchCon just one week after announcing cutbacks to top creator pay.
Last week, the video and streaming platform said that starting in June of next year, some creators will receive less revenue from their subscriptions. While the standard split for subscription revenue is 50/50, some major streamers previously received a more favorable 70/30 share in premium agreement terms.
Many creators have long argued that everyone should get that 70/30 share, but Twitch took a step in the opposite direction. In the future, streamers with premium terms will only get the 70/30 slice for their first $100,000 from subscription revenue. After that, they will get bumped down to the regular 50/50 cut.
The company argued the move was necessary as the premium terms previously lacked transparency and consistency, insisting it tried to modify the policy in a way that impacted the least amount of creators. According to Twitch’s statement, 90% of streamers on standard agreements will not even be impacted by the change.
Still, this move outraged Twitch users who were furious the company was not investing more in the creators that bring so many viewers to its platform. Those frustrations were exacerbated on Wednesday when the company announced Megan Thee Stallion would make an appearance at TwitchCon, a weekend-long event set to take place in San Diego in early October.
Backlash Continues to Mount
While no details of Megan Thee Stallion’s agreement to perform have been disclosed, one can assume she charges a pretty penny to book at an event of this nature. Critics argued that if Twitch is willing to spend money on her, it should be willing to spend it on its own streamers.
“So Twitch can’t afford to pay their creators 70/30, can’t fix their media player that crashes after each ad, can’t enforce their policies so people aren’t doing inappropriate things on stream, but they can afford paying celebrities to promote their streaming site?” one person wrote.
“It’s weird that a company that just announced a bunch of budget cuts due to infrastructure costs goes out and grabs an A-list musician instead of promoting their own musicians that run on their platform,” another person claimed.
“Instead of giving your creators a cut they deserve when they do so much work, this is what you do…?” one user asked. “Maybe give your creators a better deal instead of wasting their hard earned money on things we don’t even want.”
Twitch has not responded to the outrage, but Megan Thee Stallion was not the only music act the Amazon-owned service booked for the event. Kim Petras and Meet Me at the Altar will also take the stage at TwitchCon.
The backlash comes as concerns have been mounting against Twitch for a plethora of reasons including creator pay, gambling streams, and more.
In recent months, some of the platform’s biggest names have left Twitch in favor of rival services like YouTube Gaming.
“Dahmer” Series Breaks Netflix Records Amid Backlash For Exploiting Victims’ Stories
Family members of some of the murderer’s victims say the program is “retraumatizing.”
“Dahmer” Lands Successful Week on Netflix
While criticisms mount against “Dahmer – Monster: The Jeffrey Dahmer Story,” the true crime series broke Netflix’s record as the most-watched first week for a series debut.
According to data provided by the streaming giant, the Evan Peters-led show was watched for over 196 million hours between its release on Sept. 21 and Sept. 25.
“Dahmer” is the newest of several pieces of fiction and media based on the famous serial killer. Created by Ryan Murphy and Ian Brennan, the series quickly generated a lot of attention online, primarily from those concerned the show is exploiting a gruesome true story.
Critics have echoed those fears, giving the show a mixed 50% rating on Rotten Tomatoes. The “Critic’s Consensus” blurb on the site states that while the show is “seemingly self-aware of the peril in glorifying Jeffrey Dahmer” the story still “tilts this horror story into the realm of queasy exploitation.”
Victims’ Families Speak Out
The family of Errol Lindsey, one of Dahmer’s victims, has also spoken out against the series. In a viral tweet, Lindsey’s cousin Eric Perry said his family is “pissed about the show.”
“It’s retraumatizing over and over again, and for what?” he wrote. “How many movies/shows/documentaries do we need?”
In much of the promotion for the series, Netflix claimed it would be told from the perspective of the victims. Perry slammed that narrative, noting that his family was never even contacted by the streamer about the project.
“So when they say they’re doing this ‘with respect to the victims’ or ‘honoring the dignity of the families’, no one contacts them,” he wrote. “My cousins wake up every few months at this point with a bunch of calls and messages and they know there’s another Dahmer show. It’s cruel.”
Lindsey’s sister, Rita Isbell, echoed that claim in an essay she wrote for Insider, noting that Netflix did not notify her of the show, or ask her any questions about her brother.
She said that watching the show “felt like reliving it all over again.”
“It brought back all the emotions I was feeling back then,” she wrote.
“It’s sad that they’re just making money off of this tragedy. That’s just greed,” she continued.
Obsession With Dahmer
Controversy has also grown from some of the responses to the series, as many viewers have posted fan edits of the show that romanticize Dahmer. Some pair clips of Peters’ Dahmer with his victims to love songs or pop ballads, leaving a bad taste in the mouths of those who do not understand why someone would make content glorifying the killer.
Others have responded to the show by calling Dahmer “hot” or posting thirst tweets about his mug shot. This has resulted in a backlash of its own.
“Jeffrey Dahmer molested and murdered people, mostly black men and boys,” one person wrote. “So to see people making edits and thirst traps of him is a little off putting.”
“if I see anyone tweeting thirst tweets about Jeffrey Dahmer I’m immediately unfollowing,” another person said. “That’s so fuckin nasty.”
Concerns that this kind of media results in more people admiring Dahmer are also mounting in Milwaukee, where many of his crimes took place. According to TMZ, the city is considering creating something to honor the victims, but officials fear a physical memorial would turn into a “mecca” for Dahmer’s fans.
YouTube Removes Age Restriction From Nicki Minaj Video After Singer Calls Company a “Bogus Platform”
Even though her video can now be viewed by all YouTuber users, Minaj made it clear she was upset that the age-gate tanked its view count in the first 24 hours.
Nicki Minaj Vs. YouTube
Nicki Minaj called out YouTube on Monday after the platform age-restricted her new music video for “Likkle Miss Remix” featuring Skeng.
By age-restricting a video, YouTube blocks users who are under 18 or not logged into a Google account from viewing the content.
Minaj’s video features close-up shots of people in skimpy outfits twerking, but several videos on YouTube with similar imagery have not been gated. Cardi B and Megan Thee Stallion’s “WAP” video is available for everyone, as is Minaj’s own “Anaconda” video.
In a since-deleted Instagram post, Minaj accused YouTube of being inconsistent and playing favorites.
“They restricted my fucking video but have things a million fucking times worse on their BOGUS FKNG PLATFORM,” she wrote in a post that included a screenshot of YouTube’s age-restriction notice. “This is what they do to keep you from winning while doing ads for another ppl and posting fake fkng stats. Because the same ppl who run YouTube are in bed with a certain record label and mngmnt company.”
Minaj further alleged that YouTube’s actions were done to prevent her from getting a significant number of views in the video’s first 24 hours, which is often the most crucial timeframe for a video’s success. She continued to assert that the Google-owned company has a bias toward certain music labels.
YouTube Walks Back Restriction
“How long have yall been playing the numbers game to lie & pretend ppl r doing ‘good’ when they r not?!?!!” Minaj continued in another post. “How much ad space did these duds purchase to be promoted on my channel in the last 5 years?!??!!!!”
Later on Monday, YouTube removed the restriction from Minaj’s video, per Variety. The company said the content in it did not violate its rules and guidelines.
While Minaj ended up deleting her Instagram posts calling YouTube out, she made it clear she was still frustrated by the debacle.
“FUCK THEM DUDS,” she tweeted. “THEY CANT GIVE US BACK OUR FIRST 24 HOURS CAN THEY?!?!!!”
As of Monday afternoon, her video had been viewed over one million times.