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Carey Mulligan Responds To Variety’s Apology After Its Review Criticized Her Looks

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  • Actress Carey Mulligan criticized Variety’s review of “Promising Young Woman” for taking jabs at her appearance and suggesting Margot Robbie would have looked better in the role.
  • Variety issued an apology in response, which Mulligan said she was both surprised and happy to receive.
  • During a Variety Actors on Actors conversation Tuesday, Mulligan noted that it was “nerve-racking” to go after such a major publication. Still, she feels it’s important to call out this type of behavior otherwise people will continue to accept criticism of a woman’s looks as valid.

Carey Mulligan Calls Out Variety Review

Actress Carey Mulligan has accepted Variety’s apology for language used in its review of her film, “Promising Young Woman,” which criticized her physical appearance.

“Mulligan, a fine actress, seems a bit of an odd choice as this admittedly many-layered apparent femme fatale,” Dennis Harvey wrote in his review after the film screened at Sundance in January 2020.

“Margot Robbie is a producer here, and one can (perhaps too easily) imagine the role might once have been intended for her. Whereas with this star, Cassie wears her pickup-bait gear like bad drag; even her long blonde hair seems a put-on,” he continued.

Mulligan read the review and told the New York Times in December that it shocked her. 

“It felt like it was basically saying that I wasn’t hot enough to pull off this kind of ruse,” she explained.

“It wasn’t some sort of ego-wounding thing — like, I fully can see that Margot Robbie is a goddess,” she continued. “It drove me so crazy. I was like, ‘Really? For this film, you’re going to write something that is so transparent? Now? In 2020?’ I just couldn’t believe it.”

“Promising Young Woman” deals heavily with the male gaze and societal expectations for women. The film contains many spoilers and twists, however, it starts by following Mulligan’s character, Cassie, as she struggles with past traumas and attempts to heal them by seeking vengeance on men who take advantage of women at bars.

The film takes the playful frills of femininity and underscores them with tragedy and dark humor. One of its most powerful themes warns that even the smallest transgressions from seemingly harmless men can ultimately signal something very dangerous. 

Mulligan’s performance, which is getting praised and could land her an Oscar nomination, specifically works to deconstruct the way men treat and expoloit women. 

“We don’t allow women to look normal anymore, or like a real person. Why does every woman who’s ever onscreen have to look like a supermodel?” Mulligan added in her interview with the Times. “That has shifted into something where the expectation of beauty and perfection onscreen has gotten completely out of control.”

Variety Apologizes

Variety ended up agreeing with the star’s frustrations and added an editor’s note to their review apologizing for some of its language.

“Variety sincerely apologizes to Carey Mulligan and regrets the insensitive language and insinuation in our review of “Promising Young Woman” that minimized her daring performance,” the note says.

On Tuesday, Mulligan appeared on Variety’s Actors on Actors series in a conversation with “Euphoria” actress Zendaya. She addressed the outlet’s apology during their chat. 

“It made me concerned that in such a big publication an actress’s appearance could be criticized and it could be accepted as completely reasonable criticism. And I think it’s important to call out those things,” Mulligan said. 

“It’s sort of nerve-racking to rock the boat with a big publication,” she continued. “But at the same time, it feels like, you know, you’ve got to stand up for these things. Otherwise, it continues and then you’re essentially part of it. So I was really, really surprised and thrilled, and happy to have received an apology.” 

In an excerpt that was cut from the video but published by Variety, she said it was moving to “have drawn a line under that in a good way, and know that that had an impact in a way.”

See what others are saying: (Variety) (Los Angeles Times) (People)

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Joe Rogan Faces Backlash For Promoting Antisemitic Stereotypes

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His comments come as antisemitic hate incidents have increased both online and in the real world.


Rogan’s Antisemitic Comments

Joe Rogan is facing backlash over a Saturday episode of his podcast where he claimed that “the idea that Jewish people are not into money is ridiculous.”

While the “Joe Rogan Experience” episode was posted to Spotify on Feb. 3, the controversial podcaster’s comments did not receive criticism until clips started circulating around social media on Tuesday. Rogan was speaking with “Breaking Points” hosts Krystal Ball and Saagar Enjeti when the subject of Rep. Ilhan Omar’s recent removal from the Foreign Affairs Committee came up.

Omar was ousted over a 2019 tweet where she said that American support of Isreal was “all about the Benjamins,” referring to a slang term for money. After she was condemned for promoting antisemitic tropes, she apologized. Some Democrats have accused Republicans of hypocrisy for removing Omar over the remark. 

“She’s apologizing for talking about ‘It’s all about the Benjamins,’ which is just about money,” Rogan said of the incident. “She’s talking about money.”

“She shouldn’t have apologized,” Ball responded. 

“That’s not an antisemitic statement, I don’t think that it is,” Rogan continued. “Benjamins are money. The idea that Jewish people are not into money is ridiculous. That’s like saying Italians aren’t into pizza. It’s fucking stupid.”

Condemned for “Vicious Lies”

His comments were condemned after several Twitter users shared clips of the podcast on the platform. Jonathan Greenblatt, the CEO of the Anti-Defamation League, said it was “disturbing” that Rogan chose to spread antisemitic stereotypes “at a time of rising anti-Jewish violence, when growing numbers of Americans believe in antisemitic conspiracy theories.”

“For centuries, people have used these longstanding tropes to spread vicious lies about the Jewish people,” Greenblatt wrote.

“The thing is, Joe Rogan, Italians were never slaughtered because of the pizza stereotype,” writer and essayist Howard Lovy tweeted. “But because idiots like you believe Jews are into money,’ we have been marginalized, brutalized, and murdered for thousands of years.”

“The ‘Jews are into money’ thing is a generation-spanning smear used as the basis to discriminate against Jews the world over,” attorney Bradley P. Moss added. “Everyone is into money. But we have been accused of secretly hoarding $ to control everything.”

Writer David Baddiel noted how alarming it was that Rogan was able to “breezily” spew “a racist myth.”

“One of the biggest podcasts in the world and no one gives a fuck,” he wrote. 

Rogan’s comments come as antisemitism has been increasingly present in media and everyday life for Jewish people. 

Upon billionaire Elon Musk’s takeover of Twitter, the platform saw an increase in racial slurs and hate speech, including language targeted at Jewish people. The Center for the Study of Hate and Extremism found in December that antisemitic hate crimes rose between 2021 and 2022 in major cities like New York and Los Angeles. 

Kanye West also made headlines late last year for going on several antisemitic rants, including one where he praised Hitler. While he was dropped by major brands like Adidas over his comments, his words have amplified dangerous conspiracy theories far and wide. He even inspired several neo-Nazis to hang “Kanye is Right” banners in Los Angeles, among other antisemitic actions.

See what others are saying: (The Daily Beast) (Variety) (The Independent)

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“Seinfeld” AI Parody Suspended From Twitch After AI Wrote Transphobic Jokes

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The parody’s version of Jerry asked if he should make jokes about “how being transgender is actually a mental illness.”


“Nothing, Forever” Suspended

What’s the deal with AI?

While that has been a big question in the media world for the last few weeks, it is being raised yet again after AI software wrote transphobic jokes for an AI parody of the hit sitcom “Seinfeld.”

Titled “Nothing, Forever,” the heavily pixelated program runs 24/7 on Twitch, using Open AI to create endless “Seinfeld” parody content. In this AI version, Jerry is called Larry Feinberg. Larry’s friends, Yvonne, Fred, and Zoltare — who are stands-ins for Elaine, George, and Kramer — often sit around Larry’s apartment, just like in the NBC series. 

Also mirroring “Seinfeld,” Larry is a stand-up comedian who does a cold-open set of jokes in front of a brick wall. On Monday morning, he asked if anyone had suggestions for jokes before going on a transphobic rant. 

“I’m thinking about doing a bit about how being transgender is actually a mental illness,” Larry said. “Or how all liberals are secretly gay and want to impose their will on everyone. Or something about how transgender people are ruining the fabric of society. But no one is laughing, so I’m going to stop.”

“Thanks for coming out tonight. See you next time,” he continued. “Where’d everybody go?”

Plans to Return

The bit could almost come across as self-aware commentary about how pervasive transphobia is in stand-up comedy, but it’s unclear what the AI’s intent was or if it deserves that much credit. 

Soon after the jokes aired, the “Nothing, Forever” Twitch page was closed, showing only a message announcing the channel “is temporarily unavailable due to a violation of Twitch’s Community Guidelines.” It did not specify what rule was broken, but Twitch does have a Hateful Conduct policy that bars attacks against someone’s gender, gender identity, sexual orientation, and other protected identities. 

Skyler Hartle, one of the co-creators of “Nothing, Forever,” told The Washington Post that the team was “super embarrassed” by the transphobic rant, which “in no way reflects the values or opinions of our staff.”

Hartle said they hope to resume airing the AI parody with new safeguards in place soon. According to The Post, the suspension will last for 14 days. 

See what others are saying: (The Washington Post) (NBC News) (The Verge)

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Grammy Awards Face Backlash For Snubbing Beyoncé of Top Prize

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This marks the fourth time the “Renaissance” singer has lost Album of the Year.


Beyoncé Loses Top Awards

Beyoncé may have broken the record for the most Grammy wins on Sunday night, but her snub for the top prize of Album of the Year has left music fans outraged.

Beyoncé nabbed Best Dance Recording, Best Dance/Electronica Album, Best Traditional R&B Vocal Performance, and Best R&B Song on Sunday night, all related to her latest album, “Renaissance.” While that crossed her Grammy total to a record-breaking 32 trophies, she was shut out of all the major categories she was nominated in: Record, Song, and Album of the Year. 

This was the fourth time Beyoncé was nominated for and lost Album of the Year, largely considered the show’s most coveted prize. This year, Harry Styles took home the Grammy for “Harry’s House.”

In his speech, Styles said, he has been “so inspired by every artist in this category” and claimed there is no “best” in music. People in the crowd were heard shouting “Beyonce!” while he spoke, outraged the singer had lost the award yet again.

The moment was reminiscent of the 2017 Grammy Awards when Adele’s “25” beat out Beyoncé’s “Lemonade” for the same category. While accepting the prize, Adele suggested that the “Lemonade” should have gotten the gold. 

“The ‘Lemonade’ album was just so monumental, Beyoncé, it was so monumental,” Adele said on stage. 

Beyoncé’s History of Grammy Losses

This is part of a long trend in Beyoncé’s Grammy history, as she is almost always shut out of the major categories. Of her 32 Grammys, only one belongs to one of the top slots: her Song of the Year win in 2010 for “Single Ladies.” She has yet to ever win Record or Album of the Year, and most of her wins come from genre categories like R&B.

Many fans think that is an abysmal record for an artist who is considered one of the primary musical talents of her generation. Compare those stats to the similarly-adored Taylor Swift, who has three Album of the Year wins out of 12 Grammy trophies, and it’s not hard to see their point.

“Beyoncé represents every Black woman that is constantly applauded for their work but when it comes to promotion time their white colleague gets it instead,” culture reporter Ada Enechi tweeted in response to Sunday night’s snub.

The Grammy Awards have long been accused of having a racial bias, especially when it comes to Black women. In Beyoncé’s case, every time she has lost Album of the Year, she lost to a white artist. 

Even some of the progress made during Sunday night’s telecast only proved how frequently Black women are excluded from major awards. For example, Lizzo won Record of the Year for “About Damn Time,” marking the first time a Black woman has won that award since Whitney Houston in 1994. That’s a nearly 30-year gap.

Backlash From Music Fans

Beyoncé’s repeated snubs have consistently been used as a prime example of the strides yet to be made in the music industry. 

“Renaissance not winning AOTY is another example how of a Black woman can consistently deliver excellence, reinvent the wheel + shake the culture, AND still not be recognised to the extent that she deserves,” another person said on Twitter.

“Absolutely wild that the person with the most Grammys ever is still the underdog who was robbed,” BuzzFeed News reporter David Mack pointed out.

Podcaster Sam Sanders called her loss “criminal.”

See what others are saying: (Rolling Stone) (People) (The Washington Post)

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