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Tom Cruise’s Rant to Crewmembers Breaking COVID Safety Rules Divides Internet

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  • In an audio clip obtained by The Sun, actor Tom Cruise can be heard yelling at crewmembers on the set of “Mission: Impossible 7” for not following COVID-19 guidelines. Cruise said their guidelines are a “gold standard” for Hollywood and that the industry as a whole could be impacted by this film. 
  • In the over three-minute clip, Cruise says, “They’re back there in Hollywood making movies right now because of us!…You can tell it to the people that are losing their fucking homes because our industry is shut down…That’s what I sleep with every night. The future of this fucking industry.”
  • The clip sparked debate online, as some thought it was completely unjustifiable and inappropriate for Cruise to yell at people on set in this way. 
  • Others agreed with him and found catharsis in a powerful figure taking COVID-19 and the economic devastation it has caused seriously, especially since the pandemic has left thousands in the field without work. 

Tom Cruise’s Rant Goes Viral

“Mission: Impossible” star Tom Cruise yelled at crewmembers who were not following coronavirus guidelines on the set of the seventh installment of the film series, according to now-viral audio featuring an expletive-laden rant that has drawn both praise and criticism online. 

The over three-minute clip was obtained and published first by The Sun on Monday and other major outlets have since confirmed its validity. It is unclear when exactly Cruise lashed out, but The Sun says it happened after two crewmembers were standing close to each other while looking at a computer. This violates the social distancing rules for the production, which is currently taking place in the United Kingdom. 

With a raised voice and colorful vocabulary, Cruise did not mince words when he told those workers that if they were to break the rules again, they would be let go from the set. He said that “Mission: Impossible 7” should serve as the “gold standard” for Hollywood right now and claimed that the success of the industry as a whole is riding on the success of this movie. 

“They’re back there in Hollywood making movies right now because of us! Because they believe in us and what we’re doing!” Cruise said. “I’m on the phone with every fucking studio at night, insurance companies, producers, and they’re looking at us and using us to make their movies. We are creating thousands of jobs you motherfuckers.” 

“You can tell it to the people that are losing their fucking homes because our industry is shut down,” he added. “It’s not going to put food on their table or pay for their college education.” 

The pandemic first caused production of the movie to shut down in February while filming was taking place in Italy. It picked up again in September, filming in Italy, Norway and the U.K. Reports indicate it had to briefly pause in October because of a positive case. 

According to The Sun, Cruise has been taking safety precautions seriously and wears a mask on set. He is allegedly trying to prevent future shutdowns and is on the constant lookout for anyone who might bend the rules. 

“That’s what I sleep with every night. The future of this fucking industry… We are not shutting this fucking movie down,” he continued

“If I see it again you’re fucking gone, and you are, so you’re going to cost him his job. If I see it on the set you’re gone and you’re gone.” 

Internet Reacts to Rant

This is far from the first time Cruise one of Hollywood’s most bankable and controversial stars has lost his temper, but this rant struck a chord with those who found his anger to be cathartic, as well as those who thought it was out of line.  

“I understand that we are in a pandemic and the stakes, both physically and professionally, are high, but that outburst is not OK.,” wrote NPR’s Aisha Harris. “You can translate the urgency of your message without going full-on Bale.”

Daily Beast writer Marlow Stern published a piece titled: “Stop Praising Tom Cruise for Berating His Crew.” 

“The Hollywood superstar — and leading Scientologist — was merely punching down and putting on a show,” Stern wrote. 

The piece then dove into an in-depth exploration of his relationship with the Church of Scientology, the disturbing actions Cruise has possibly okayed, and the power dynamics within the system. Through that lense, as well as the intensity of his rant, it argues that both his tirade and any attempt to defend it are unjustifiable. 

Others, including those who may not necessarily support Cruise or his ties to the Church, admired his frustration. While many powerful and wealthy people seem to not understand the loss and economic hardship people have suffered throughout the pandemic, Cruise expressed that he did and that he wanted to be part of putting that suffering to an end. 

“I don’t like rich people yelling at people who are less powerful than they are and I’m not wild about him in general, BUT if you’re going to yell at people, make it about something worthwhile,” wrote NPR writer and host Linda Holmes. 

His message is effective at being both self-interested (I don’t want us to shut this movie down) and community-minded (people are counting on us),” she added. “And weirdly, I think finding that balance in public messaging has been hard.”

“Tom Cruise is right and he should say it,” said Vanity Fair writer Joanna Robinson. 

Others said that Cruise should deliver this speech to anti-maskers. Some also thought this kind of anger should be a more standard response to those who break safety protocols right now. 

“If only more people saw the bigger picture that Tom is highlighting here,” wrote critic and podcaster John Rocha. 

COVID Impact on Film Industry

That big picture is striking. In the U.S. alone, 300,000 people have died from COVID-19. Even more people have suffered from joblessness and other financial hardships because of the pandemic.

Over 19 million people in the United States are receiving some kind of unemployment benefits. The entertainment industry was among the many fields hit hard by the coronavirus, though estimations on how many people were impacted vary. According to the LA Times, in California alone, 284,000 creative jobs were lost in the pandemic. This includes jobs in entertainment, digital media and art, and fashion. The International Alliance of Theatrical Stage Employees estimates that around 120,000 jobs in Hollywood have been lost by members of their union.

Productions are resuming, but many have to shut down due to outbreaks on set. Filming for “Batman” halted when star Robert Pattinson tested positive, Olivia Wilde’s latest flick starring Harry Styles was forced to shut down, and Aubrey Plaza recently revealed that while filming “Happiest Season,” Kristen Stewart and several others caught coronavirus, leading to a pause. The same issue has occurred for television productions. The sets of “The Flash,” “The Witcher,” “Mr. Mayor” and two separate Real Housewives franchises have had to close because of COVID-19 cases, and the list goes on. 

The idea that the virus is spreading on sets means that less people will be hired to work on them so crews can remain smaller. It also means that studios might send fewer projects into production right now, meaning the mass unemployment will only last longer. 

The pandemic has put the entertainment in a vulnerable and fragile place for many reasons. 

Since employment in film is rare right now, some in the industry supported Cruise’s choice to lash out against those who took it for granted.

“Anyone lucky enough to be working right now who can’t follow safety guidelines is spitting in the face of ALL the colleagues who have been unemployed since March, had to sell their homes, move back in with their parents etc,” wrote actor Roger Clark. 

See what others are saying: (The Sun) (IndieWire) (Variety)

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D.A.R.E. Accuses HBO’s “Euphoria” of Glorifying Drug Use

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The organization believes the drama series could have “negative consequences on school-age children who today face unparalleled risks and mental health challenges.


D.A.R.E. Slams “Euphoria”

HBO’s “Euphoria” has become synonymous with its explicit depictions of teen sex, violence, and addiction. The substance abuse awareness organization D.A.R.E. condemned the series for its lurid content, arguing that it glorifies drug use. 

While drugs can weasel their way into any aspect of the show at a moment’s notice, the primary storyline around addiction follows Rue, a high schooler who often resists the help she needs to recover. Zendaya won an Emmy for portraying the struggling protagonist in 2020. 

D.A.R.E., also known as Drug Abuse Resistance Education, told TMZ on Wednesday that “Euphoria” is reckless in its handling of such weighted subject matter.  

“Rather than further each parent’s desire to keep their children safe from the potentially horrific consequences of drug abuse and other high-risk behavior, HBO’s television drama, Euphoria, chooses to misguidedly glorify and erroneously depict high school student drug use, addiction, anonymous sex, violence, and other destructive behaviors as common and widespread in today’s world,” a representative for the group told the outlet. 

“It is unfortunate that HBO, social media, television program reviewers, and paid advertising have chosen to refer to the show as ‘groundbreaking,’ rather than recognizing the potential negative consequences on school-age children who today face unparalleled risks and mental health challenges,” the representative continued. 

“Euphoria” Cast and Creator Speak on Heavy Subject Matter

Ahead of the season two premiere, Zendaya warned her followers that much of the content in “Euphoria” is not suitable for all viewers. 

“I know I’ve said this before, but I do want to reiterate to everyone that Euphoria is for mature audiences,” she wrote on Instagram. “This season, maybe more so than the last, is deeply emotional and deals with subject matter that can be triggering and difficult to watch. Please only watch it if you feel comfortable.”

Sam Levinson, the creator of “Euphoria,” has been open about his own experience with addiction. Now over a decade sober, Levinson struggled with substance abuse as a teenager, much like Zendaya’s Rue. He feels a personal connection to the story, and therefore, a responsibility to honestly represent the tribulations of addiction.

“The hardest thing about portraying a drug addict is — there are a lot of cautionary tales, there are a lot of after-school specials — but what I really wanted to get to the core of is the pain and the shame about what you’re doing and you’re inability to get clean despite the havoc and destruction you’re wreaking around you,” Levinson said of the show during the ATX Television Festival in 2019, per Deadline.

Levinson noted that he does have to be “mindful of” the risk of glamorizing drug use “just by the sheer nature of it being on screen.” 

“We have to be authentic about it,” he explained. “If we’re pulling our punches and we’re not showing the relief that drugs can bring it starts to lose its impact. Drugs are not the solution but they can feel like it at times, and that’s what makes them so destructive.”

Drug Use on Euphoria

Still, D.A.R.E. is far from the first group to express concern over the impact “Euphoria” might have on younger viewers. Before the second season debuted earlier this month, the Parents Television and Media Council released a statement warning of the show’s “imminent threat to the health and well-being of children.”

Before each episode of “Euphoria” airs, HBO flashes a warning to alert viewers of the drug abuse, language, violence, nudity, and sex that will appear in the program. The show might be cavalier in the casual and frequent manner it depicts drug use and other dangerous behavior, but more often than not, characters await the consequences of their actions. 

In the most recent episode of “Euphoria,” Rue’s addiction lands her in a visceral screaming match with her sister. The scene underscores the tragic and harsh reality of substance abuse.

While critics push back against the show for a variety of other reasons, they generally praise Rue’s arc, largely thanks to Zendaya’s gripping performance. 

But D.A.R.E. argued that the show goes a bridge too far and offered to meet with HBO to hash out the issues. 

“We would welcome the opportunity for our team, including members of our high school-aged Youth Advocacy Board, to meet with individuals at HBO who are involved with producing Euphoria to present our concerns directly,” D.A.R.E.’s representative told TMZ.

HBO has not publicly responded to the criticisms.

See what others are saying: (TMZ) (Vanity Fair) (Complex)

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Neil Young Asks For His Music to Be Removed From Spotify Over Vaccine Misinformation

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The “Harvest Moon” singer told his representatives that the streaming service “can have Rogan or Young. Not both.” 


Neil Young Wants Music His Off Of Spotify

Musician Neil Young wrote an open letter to his management and record label demanding that his music be taken down from Spotify over concerns about vaccine misinformation. 

The “Heart of Gold” singer initially posted the letter on his website, but it has since been removed. According to Rolling Stone, which reported on the document before it was taken down, Young specifically took issue with podcast host Joe Rogan. 

“I want you to let Spotify know immediately TODAY that I want all my music off their platform,” he wrote. “They can have Rogan or Young. Not both.” 

“The Joe Rogan Experience” is exclusive to Spotify and was the most popular podcast on the platform in 2021. Rogan has regularly received criticism for spreading COVID-19 misinformation that contradicts public health recommendations, specifically when it comes to COVID-19 vaccines. 

Rogan previously said that young people should not worry about getting vaccinated against the coronavirus. He has also regularly cited faulty studies questioning their efficacy and interviewed controversial medical personalities who are known for promoting conspiracy theories about the vaccine. 

Young said he is afraid of the ramifications of these kinds of remarks.

“I am doing this because Spotify is spreading fake information about vaccines – potentially causing death to those who believe the disinformation being spread by them,” the singer wrote. “Please act on this immediately today and keep me informed of the time schedule.”

Concerns About Joe Rogan’s Vaccine Comments

Young’s manager, Frank Gironda, conf​​rimed the authenticity of the letter to The Daily Beast.

“It’s something that’s really important to Neil,” Gironda said.  “He’s very upset about this disinformation. We’re trying to figure this out right now.”

Young is far from the first person to express frustrations over the anti-vax views on the audio streaming service platforms. Earlier this month, a group of doctors and other medical professionals wrote a letter to Spotify urging the company to implement a policy to fight disinformation.

“We are calling on Spotify to take action against the mass-misinformation events which continue to occur on its platform,” the letter said. “With an estimated 11 million listeners per episode, [The Joe Rogan Experience] is the world’s largest podcast and has tremendous influence. Though Spotify has a responsibility to mitigate the spread of misinformation on its platform, the company presently has no misinformation policy.”

“This is not only a scientific or medical concern; it is a sociological issue of devastating proportions and Spotify is responsible for allowing this activity to thrive on its platform,” the expert cautioned. 

Spotify has not made a public statement regarding Young’s letter.

See what others are saying: (Rolling Stone) (The Daily Beast) (The Verge)

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Ana de Armas Fans Sue Universal For Removing Actress From “Yesterday” Film

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The fans argue that because there were no scenes with de Armas as promised in the trailer, “consumers were not provided with any value for their rental or purchase.”


Ana de Armas Scenes Cut From “Yesterday”

Two fans of Ana de Armas are suing Universal Pictures for including the actress in a trailer for the 2019 film “Yesterday” even though she does not appear in the final cut of the picture. 

In a class-action lawsuit filed in California, Conor Woulfe and Peter Michael Rosza said they each spent $3.99 to watch the film after viewing the accompanying trailer on Amazon. They argue the studio’s “advertising and promotion of the movie Yesterday is false, misleading, and deceptive.”

The Danny Boyle-directed comedy follows a man, played by Himesh Patel, who wakes up in a world where no one knows who The Beatles are but him, so he starts playing their music and claiming it as his own. De Armas appears briefly in the trailer as a character competing with the primary love interest, played by Lily James. Writer Richard Curtis said they had to cut de Armas’ part to strengthen the character arcs.

“That was a very traumatic cut, because she was brilliant in it,” Curtis previously told Cinema Blend. “I mean really radiant. And [that] turned out to be the problem…I think the audience did not like the fact that his eyes even strayed. Because then some people would go, ‘Oh, he really doesn’t deserve her. He really doesn’t deserve Lily.’ You know, it’s one of those things where it’s some of our favorite scenes from the film, but we had to cut them for the sake of the whole.”

For Woulfe and Rosza, the choice to cut de Armas is a dealbreaker. They are seeking $5 million on behalf of all impacted consumers. 

Fans File Lawsuit Against Universal

“Because consumers were promised a movie with Ana De Armas by the trailer for Yesterday, but did not receive a movie with any appearance of Ana De Armas at all, such consumers were not provided with any value for their rental or purchase,” the lawsuit states. 

Patel and James each had credits of their own prior to the release of “Yesterday.” Still, the fans believe that Universal instead used the star power of De Armas, who had recently appeared in “Blade Runner 2049,” to “entice viewership.”

Unable to rely on fame of the actors playing Jack Malik or Ellie to maximize ticket and movie sales and rentals, Defendant consequently used Ms. De Armas’s fame, radiance and brilliance to promote the film,” the suit continued. 

Just a few months after the release of “Yesterday,” de Armas would go on to receive critical acclaim for her role in “Knives Out.” She has since appeared in the latest James Bond film, “No Time to Die.”

Now a much bigger name than in spring of 2019, the lawsuit claims de Armas still appears in trailers on services like Amazon and Google.

“Despite knowing that Ms. De Armas was not in the released version of the movie Yesterday, Defendant has consistently promoted Ms. De Armas as a character starring in the film, by including her scenes in Yesterday’s movie trailers,” the suit states. “Indeed, Defendant continues to promote Ms. De Armas as appearing in the film more than two years after its initial release, in advertisements for movie sales and rentals.”

Universal has not released a statement in response to the lawsuit.

See what others are saying: (Deadline) (Variety) (IndieWire)

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