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Why The Weeknd, Justin Bieber, and Nicki Minaj Are Slamming the Grammy Nominations

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  • The Weeknd accused the Grammys of corruption and a lack of transparency after he was snubbed with zero nominations this year.
  • Reports suggested that talks between the singer and the Recording Academy regarding his performance at the show and the Super Bowl turned sour, but the president of the Academy denies that it had anything to do with his lack of nominations.
  • Justin Bieber also slammed the Grammys for nominating him in pop categories when considered his album R&B. While genre is often a point of contention at the show, many think that his placement in pop is not unfounded.
  • Nicki Minaj also brought up her 2012 Best New Artist loss, when Bon Iver beat her out for the trophy. She pointed to this moment as an example of the Grammy’s history of exclusion when it comes to women and artists of color, which the show promises it is working on.

The Weeknd’s Major Snubs

Major artists including The Weeknd, Justin Bieber and Nicki Minaj slammed the Grammy Awards on Tuesday after the Recording Academy released their 2021 nominations. 

Heading into the announcement, The Weeknd was a favorite to be nominated in major categories for his album “After Hours” and his song “Blinding Lights” after both received huge critical and commercial success. “Blinding Lights” has broken Billboard records and The Weeknd is slated to perform at the Super Bowl, making him the perfect candidate not just for nominations, but for wins as well. So, when he ended up with a whopping zero nominations, it was largely considered the biggest snub of the day.

Kid Cudi took to Twitter to say the singer was “robbed” and Elton John wrote on Instagram that The Weeknd should have won Song and Record of the Year. The Weeknd chimed in himself, writing that the Grammys “remain corrupt.”

You owe me, my fans and the industry transparency,” he added.

The Grammys are no stranger to criticism of this kind and have long faced accusations of corruption for having “boys club” leadership and for excluding women and artists of color in nominations and performances. In this case, reports indicate that The Weeknd may have been referring to a specific situation regarding the potential of him performing at the show and how that may have clashed with his spot on the Super Bowl lineup. 

“There were many conversations between the Grammys and the Weeknd team about his performance slated for the 2021 Grammys,” a source told Rolling Stone. “There was an ultimatum given resulting in a struggle over him also playing the Super Bowl that went on for some time and was eventually agreed upon that he would perform at both events.”

A source told TMZ that the Grammys were the party that handed out that ultimatum, essentially saying “it’s us or it’s the Super Bowl.” While they did reach a place where both could happen, the talks were allegedly testy, and come nomination day, The Weeknd was left empty-handed.

As for why talks of this nature could get heated, the Grammys is a concert just as much as it is an awards show. Their slate of performers is arguably more precious than their nominations because those performances are what draw in the show’s much sought after viewers. Why the Recording Academy may have viewed The Weeknd’s Super Bowl performance as a threat to this is unclear, but its Chair and Interim President and CEO Harvey Mason Jr. denied that these discussions had anything to do with The Weeknd’s lack of nods.

“We understand that the Weeknd is disappointed at not being nominated. I was surprised and can empathize with what he’s feeling,” he told Rolling Stone.

“We would have loved to have him also perform on the Grammy stage the weekend before [the Super Bowl]. Unfortunately, every year, there are fewer nominations than the number of deserving artists,” he added. “To be clear, voting in all categories ended well before The Weeknd’s performance at the Super Bowl was announced, so in no way could it have affected the nomination process.”

For what it’s worth, The Weeknd and other industry insiders likely knew about the Super Bowl performance prior to the public announcement, though exactly when is of course unknown. But Mason Jr. maintains that the nominations were not impacted by this. 

Still, The Weeknd took to Twitter again on Wednesday further expressing his frustrations by the ordeal. 

“Collaboratively planning a performance for weeks to not being invited?  In my opinion zero nominations = you’re not invited!” he wrote.

He also is receiving a lot of support for his comments. His initial tweet about the situation has over 1 million likes as of Wednesday morning, and his Instagram post saying the same thing has over 2 million. Big names including Justin Timberlake, Miley Cyrus, Katy Perry, and Pharrell Williams are among those who liked his Instagram post.  

Justin Bieber’s Genre Placement

Justin Bieber also called the show out, though not because he was not nominated, but instead because of what he was nominated for. Bieber landed a handful of nominations, including Best Pop Vocal Album for “Changes” and Best Pop Solo Performance for “Yummy.” He took to Instagram to express that pop is not where he would have placed his work.

“To the Grammys I am flattered to be acknowledged and appreciated for my artistry. I am very meticulous and intentional about my music,” he wrote. “With that being said I set out to make an R&B album. ‘Changes’ was and is an R&B album. It is not being acknowledged as an R&B album which is very strange to me.”

“For this not to be put into that category feels weird considering from the chords to the melodies to the vocal style, all the way down to the hip-hop drums that were chosen, it is undeniably, unmistakably an R&B album!” he argued. 

Though, his complaints were met with less support than The Weeknd’s. Reviews for “Changes” were mixed at best. While both Rolling Stone and Pitchfork identified it as an album persuaded by both pop and R&B, the latter outlet said “Changes” “has all the glow and eroticism of an airport terminal.”

When it comes down to what genre an artist is placed in, that choice is made by experts in each genre, which include producers, artists and more. 

“Pop is a field that is often a point of contention or confusion: An artist who is popular, like Post Malone or Macklemore, may be rejected by a genre committee, like Rap, because the people on that committee consider them to be Pop artists,” Jem Aswad explained for Variety.  “In that context, it is difficult to imagine the R&B committee considering Bieber’s lite take on R&B music to be suitable for the category.”

Aswad also said that genre confusion and overlap could have contributed to some of The Weeknd’s snubs. However, Bieber and this year’s nominations aside, genre placement, in general, has historically been a hot topic when it comes to the Grammys, specifically when it comes to how artists of color are treated and excluded. Many artists have spoken out about this, including Tyler the Creator, who chimed in on the subject after the 2020 show. 

“It sucks that whenever we — and I mean guys that look like me — do anything that’s genre-bending or that’s anything they always put it in a rap or urban category,” he said. “I don’t like that ‘urban’ word — it’s just a politically correct way to say the n-word to me.”

The “Urban” category has since been renamed to “Progressive R&B” but the conversation about these categories and what they mean is still very much ongoing. Regarding where Bieber fits into this narrative of issues with genre at the show, many thought a pop placement for him was fair and some even mocked him online for complaining. Mason Jr. also defended the genre and nomination process while speaking to Variety

“The people [in the committees] are music professionals — they are excellent, at the top of their craft in songwriting and producing, and there are a lot of artists,” he explained. “They critically [listen] to every song that comes across their desks.”

Nicki Minaj Talks Diversity

The Grammys are still not in the clear when it comes to their issues with representation and diversity. Rapper Nicki Minaj tweeted about her Best New Artist loss in 2012, which many feel showcases the issues the Recording Academy still has.

“Never forget the Grammys didn’t give me my best new artist award when I had 7 songs simultaneously charting on billboard & bigger first week than any female rapper in the last decade- went on to inspire a generation,” she wrote. “They gave it to the white man Bon Iver.”

While you could argue whether or not Bon Iver, Nicki Minaj, or any of the other nominees that year deserved the trophy, what can’t be argued is the show’s history with a lack of representation when it comes to celebrating women and people of color in music. This is something the Grammys claims to be working on.  According to the L.A. Times, the Academy invited over 2,000 new voters this year that were 48% women and 37% from traditionally underrepresented communities.

“It’s really a new era for us and a time of transformative change,” Kelley Purcell, the Academy’s Senior Director of Member Outreach told the outlet. “It’s important for us to not only be reflective of what’s happening in the music industry but also to be a leader and to set a positive example for the music industry.”

For what it’s worth, some of the nominations this year do show progress, particularly with gender inclusion. For the first time ever, all the nominees in Best Rock Performance are female. Female-led acts also took up every nomination in Best Country Album, and dominated other country categories. 

See what others are saying: (Rolling Stone) (Variety) (Los Angeles Times)

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Affidavit Outlines Alleged Events That Lead Up to Fatal Shooting on “Rust” Set

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Before the tragic incident that resulted in the death of the film’s cinematographer, actor Alec Baldwin was allegedly assured that the gun he was handed on set was not loaded.


Details of Events Leading Up to Shooting

An affidavit alleges that actor Alec Baldwin was rehearsing a scene that involved him pointing a gun at the camera when he misfired the weapon last week, killing the production’s cinematographer, Halyna Hutchins, and injuring director Joel Souza. 

Multiple outlets obtained the affidavit from the Santa Fe County Sheriff’s Office on Sunday. The document details the alleged events that resulted in Thursday’s tragedy on the set of “Rust.” Souza told investigators that during a firearms safety announcement, he heard the prop weapon referred to as a “cold gun,” a term that means the gun is not loaded.

According to Souza, the guns on set were usually checked by two people: armorer Hannah Guttierrez-Reed and assistant director Dave Halls. Halls was in charge of giving the guns to actors, though sources said both Guttierrez-Reed and Halls did so at various times.

The affidavit said that Halls handed the gun to Baldwin while announcing it as a “cold gun.” Investigators say investigators that Halls got the revolver from a tray set up by Gutierrez-Reed.

Souza said the crew had spent part of the day preparing for a scene in a church and later left to take a lunch break at another location. He said he was unsure if the firearm had been checked again after returning from lunch. 

When the accident happened. Souza said he heard what “sounded like a whip and then loud pop.” He first noticed Hutchins grabbing her midsection and stumbling back before realizing he had been hit in the shoulder. 

The incident came after six camera crew workers reportedly walked off the set in protest of unfair and unsafe working conditions. According to the affidavit, a replacement crew had quickly been hired, but production on the day of the accident was off to a late start because of related issues. Regarding general on-set behavior, Souza claimed that “everyone was getting along” and that there had been “no altercations” to his knowledge.

The affidavit’s walkout claim backed up previous reporting from The Los Angeles Times. Sources from the set of “Rust” told the outlet on Friday that half a dozen workers left the set because they were frustrated by safety issues, long hours, long commutes, and a long wait for their paychecks. 

Safety Issues on Set of “Rust”

According to the report, standard industry safety protocols “were not strictly followed,” and at least one worker complained specifically about gun safety. Some sources told The Times that there had already been at least two accidental discharges of a prop gun. Around a week before the fatal accident, Baldwin’s stunt double allegedly fired two rounds after being told a gun was cold. 

“There should have been an investigation into what happened,” one source told the outlet.  “There were no safety meetings. There was no assurance that it wouldn’t happen again. All they wanted to do was rush, rush, rush.”

Another source told The Times that “corners were being cut” on set. 

The report also claimed that Hutchins was among those advocating for her team to have safer work conditions. 

Rust Movie Productions released a statement saying safety “is the top priority of Rust Productions and everyone associated with the company.” 

“Though we were not made aware of any official complaints concerning weapon or prop safety on set, we will be conducting an internal review of our procedures while production is shut down,” the statement continued. 

Baldwin, for his part, sent his condolences to Hutchins’ family on Friday. At the time, he said he was cooperating with the ongoing investigation. 

Vigils have been held in New Mexico and Hollywood to honor Hutchins. The American Film Institute also made a memorial scholarship in her name.

See what others are saying: (Los Angeles Times) (The New York Times) (The Hollywood Reporter)

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Ruby Rose Details Abusive and Unsafe Work Conditions on Set of “Batwoman” Series

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Rose said she and other crew members were seriously injured while filming, but executives insisted that production continue.


Ruby Rose Details Injuries During “Batwoman” Production

Actor Ruby Rose alleged in Instagram Story posts Wednesday that she and other crew members on the set of CW’s “Batwoman” series were seriously injured and subjected to abusive treatment during production.

Rose, who uses she/they pronouns, exited the series in 2020 but did not give explicit details as to why at the time. Now, they are accusing showrunner Caroline Dries, producers Sarah Schechter and Greg Berlanti, and former WBTV executive Peter Roth of fostering a toxic and dangerous work environment.

The original star of “Batwoman” tagged Dries, Schechter, and Berlanti in her Story posts, writing “enough is enough.”

“I’m going to tell the whole world what really happened on that set,” Rose continued. “I will come for you so what happened to me never happens to another person again. And so I can finally take back my life and the truth. Shame on you.”

Rose shared a video of a doctor detailing rib injuries she received on set. She claimed she had enough footage to make an hour-long documentary about these injuries, which allegedly also included a “broken neck,” a “rib split in two” and a “tumor.” In a later post, Rose wrote that in another instance she “got cut in the face so close to my eye in a stunt I could have been blind.”

Rose also shared footage of a surgery they underwent, claiming they had to return to set just 10 days after the operation otherwise “the whole crew and cast would be fired.”

Rose Claims Executives Fostered Dangerous Workplace

“Please to my dear, dear fans stop asking if I will return to that awful show,” Rose continued. “I wouldn’t return for any amount of money nor if a gun were to my head…NOR DID I QUIT. They ruined Kate Kane and they destroyed batwoman, not me.”

Rose added that they were not the only one who sustained traumatic injuries during filming. Rose claimed that the series “lost two stunt doubles” and that one crew member received severe third-degree burns all over his body while the cast and crew watched.

“We were given no therapy after witnessing his skin fall off his face,” Rose wrote. 

Rose even wrote that a woman “was left quadriplegic” during an accident but executives tried “to blame it on her being on her phone.”

“She’s a PA, they work via phones,” Rose continued. “Her accident occurred because our show refused to shut down when everyone else did because of Covid.”

Rose’s allegations regarding mishandling the COVID-19 pandemic continued from there. She wrote that Dries only visited the show’s set four times a year, but still insisted that production continue as COVID posed a threat. Rose said “Batwoman” continued running while other sets, including those of CW productions, were shutting down. 

“[Dries] has no heart and wanted us to finish the season throughout the pandemic and I told her it was a bad idea,” Rose wrote. “I told her everyone was too distracted, constantly checking Covid updates checking on friends.”

Rose claims that when production did finally halt, it was not because a production assistant had been severely injured but because “the government pulled it.”

Separately, Rose accused Roth of having young women steam the crotch area of his pants while he was wearing them. She also alleged that Roth sent a private investigator after her and that Dries encouraged her to comply with him. 

Rose admitted that they “fought people” on set, but claimed they only did so to advocate for safety. Rose said they never raised their voice, unlike fellow actor Dougray Scott, who they accused of going on abusive tirades.  

“Dougray hurt a female stunt double,” Rose claimed. “He yelled like a little bitch at women and was a nightmare. He left when he wanted and arrived when he wanted he abused women and in turn as a lead of a show I sent an email out asking for a no yelling policy, they declined.”

WBTV responded to the allegations Wednesday. The network gave a statement to Deadline accusing Rose of sharing a “revisionist history” that implicates “producers, the cast and crew, the network, and the Studio.”

“The truth is that Warner Bros. Television had decided not to exercise its option to engage Ruby for season two of Batwoman based on multiple complaints about workplace behavior that were extensively reviewed and handled privately out of respect for all concerned,” the statement continued.

See what others are saying: (Rolling Stone) (The Wrap) (Screen Rant)

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Netflix Reinstates Employee Who Crashed Director-Level Meeting After Criticizing Dave Chapelle

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Terra Field had publicly accused Chappelle of making transphobic remarks in his new stand-up special “The Closer” just days before she was suspended.


Netflix Reinstates Terra Field

Netflix reinstated a transgender employee who was critical of Dave Chappelle’s new stand-up special after suspending her for attending a director-level meeting without an invitation. 

Terra Field tweeted on Tuesday that she was reinstated once the company determined “there was no ill-intent in” her decision to attend the meeting.

“I’m going to take a few days off to decompress and try to figure out where I’m at,” she added. “At the very least, I feel vindicated.”

Field also shared an email Netflix sent her regarding her suspension being lifted. 

“Our investigation did not find that you joined the QBR meeting with any ill intent and that you genuinely didn’t think there was anything wrong with seeking access to this meeting,” the email said. “Additionally, when a Director shared the link it further supported that this was a meeting you could attend.”

Field’s suspension came just days after she tweeted a viral thread criticizing Chappelle’s latest program on Netflix, “The Closer.” She was one of many activists who claimed Chappelle’s set was transphobic and encouraged Netflix to take action. Field wrote that his comments attacked “the very validity of transness.” Netflix insisted those tweets had nothing to do with her suspension. 

Field reportedly attended the director-level meeting with two other employees who were also suspended. A spokesperson for Netflix told Deadline that those two staffers have likewise been reinstated and the company “will be distributing broader guidance about meetings and clarifying which are for which people.”

Netflix’s Response to Dave Chappelle Controversy

Netflix, for its part, has defended Chappelle and rejected calls to remove “The Closer” from the streaming service.

“It never feels good when people are hurting, especially our colleagues,” Netflix co-CEO Ted Srandos wrote in an internal memo. “You should also be aware that some talent may join third parties in asking us to remove the show in the coming days, which we are not going to do.”

“We don’t allow titles on Netflix that are designed to incite hate or violence, and we don’t believe The Closer crosses that line,” he added. “I recognize, however, that distinguishing between commentary and harm is hard, especially with stand-up comedy which exists to push boundaries. Some people find the art of stand-up to be mean spirited but our members enjoy it, and it’s an important part of our content offering.”

Among other things, Chappelle took time in his special to defend author J.K. Rowling, who previously faced backlash over a series of transphobic remarks she made. Chappelle said he agreed with Rowling.

“I’m team TERF,” he added. “I agree. I agree, man. Gender is a fact.”

Chappelle went on to make jokes about Caitlyn Jenner before comparing the genitalia of transgender women to Beyond and Impossible meat.

Many employees at Netflix are still frustrated with the way the platform has handled the controversy surrounding “The Closer.” According to The Verge, a trans employee resource group is planning a walkout on Oct. 20.

“Trans Lives Matter. Trans Rights Matter,” the group said in a memo. “And as an organization, Netflix has continually failed to show deep care in our mission to Entertain the World by repeatedly releasing content that harms the Trans community and continually failing to create content that represents and uplifts Trans content. We can and must do better!”

See what others are saying: (The Verge) (Deadline) (The New York Times)

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