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Wonder Woman Will Hit Theaters and HBO Max on the Same Day

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  • Wonder Woman 1984″ will hit theaters as planned on Christmas Day, but it will also be released on HBO Max at the same time.
  • Director Patty Jenkins is a huge proponent of theater releases, but said that the time for her film is now. “At some point you have to choose to share any love and joy you have to give, over everything else,” she wrote.
  • WarnerMedia hopes that in addition to giving content to theaters, this strategy will also boost subscriptions to its new streaming service. Experts agree that this could be great for HBO Max, as “Wonder Woman” is a strong franchise and many will bend over backwards to see it.
  • Other critics think that for a movie with the potential to gross $1 billion, it might be better to hold for theaters. Others also think that a singular movie is not enough for a new streaming service to retain the subscribers it is seeking.

Wonder Woman Dual Release

“Wonder Woman 1984” will hit HBO Max on Christmas Day, the same day it will go to theaters in the U.S. 

Warner Bros. announced the strategic move on Wednesday, following months of speculation about what the studio’s plans for the massive blockbuster might be. “Wonder Woman 1984” was supposed to be a summer tentpole but its release was delayed several times due to the pandemic. Many thought Warner Bros. would opt to push it again to summer 2021 when more theaters will be open, full, and more money would be made. Others thought the film would cave into pressure and land on streaming. 

The choice to release the film to both simultaneously gives fresh content to struggling movie theaters and also gives a boost to WarnerMedia’s new streaming platform, which falls behind its competitors in terms of subscriptions. Still, it is seen as a big financial risk. Under normal circumstances, “Wonder Woman 1984” was expected to make $1 billion. This weekend at the box office, the highest grossing film was “Freaky” with a gross of $3.7 million. For comparison, the first “Wonder Woman” brought in $100 million during its opening weekend in 2017.  

But the pandemic has changed the box office game, and studios just don’t know when they will be able to make that much money again, which is why 2020 has put an emphasis on streaming. 

“I can’t tell you how excited I am for all of you to see this movie. It wasn’t an easy decision and we never thought we’d have to hold onto the release for such a long time but Covid rocked all of our worlds,” said lead actress Gal Gadot. “We feel the movie has never been so relevant and we hope it’ll bring you some joy, hope and love to your hearts.”

The film’s director, Patty Jenkins, has been a strong advocate for putting movies in theaters to save and preserve the moviegoing experience, but she said that “the time has come” for audiences to finally see the long awaited sequel.

“At some point you have to choose to share any love and joy you have to give, over everything else,” Jenkins wrote.

On Twitter, Jenkins said that she plans to hold the movie in theaters for “quite a long time.”  She hopes it will still be there by the time theaters open their doors globally. However, it could be a very long time before that happens, as coronavirus cases are on a steep rise in many parts of the world. In fact, in the U.S., it is far more likely that more theaters will be forced to shut down before the Christmas Day release, than that more will open up in the near future. 

Jenkins said they are working on a plan for fans to be able to rent out a theater so they can watch the film just with their family or pod as opposed to a room of strangers. Major theater chains like AMC are already offering a program like this in some capacity, and it appears that Warner Bros. might be teaming with theaters to make one of their own.

AMC Supports the Decision

AMC’s CEO and President, Adam Aron, released a statement supporting Warner Bros.’ decision.

“For many months, AMC has been in active and deep dialogue with Warner Brothers to figure out how best this cinematic blockbuster could be seen at AMC Theatres in these unprecedented times,” Aron said. “Given that atypical circumstances call for atypical economic relationships between studios and theatres, and atypical windows and releasing strategies, AMC is fully onboard for Warner Brothers’ announcement today.”

The circumstances of the pandemic have forced AMC to make a swift 180 from its original feelings on dual theatrical and digital releases at the start of the pandemic. When Universal promised in April to start putting their films on video on demand the same day they hit theaters, AMC initially shot back and said they would not play the studio’s movies. The two eventually patched things up by forging an agreement allowing for digital release.

Many believe that this release method will be a strong subscriber boost for HBO Max. The six-month-old service currently boasts 8.6 million subscribers, or 57 million when combined with HBO subscriptions worldwide. This is nothing on Netflix’s 195 million or even Disney+’s 73 million. Because “Wonder Woman” is a big enough franchise to make people go to large lengths to see it, many believe it will drive their numbers up. Some also think it could be on track to be the most streamed movie of the year. 

Emphasis on Choice

Especially with the lackluster performance of “Tenet,” which was Warner Bros.’ big theater gamble, moving to streaming seems like the best way to actually get a movie in front of audiences. While fans have the option to do either, it seems far more likely that a family might choose to splurge on a subscription service and watch a movie at home for the holidays than venture out to a theater, which might feel less safe. 

WarnerMedia CEO Jason Kilar thinks the best part of this release strategy is the choice it gives to fans.

“We believe this decision will bring several benefits,” he wrote in a blog post. “The first and most important benefit is to the fans in the form of unprecedented choice from day one. The second benefit is to the exhibitors, providing an eagerly anticipated movie at a much-needed time while they take precautions in their operations.”

Kilar hopes that superfans will see the movie both in theaters and via streaming. He is thrilled by the opportunity to measure the performance of a major movie in a new way. 

“A little over four million fans in the U.S. enjoyed the first Wonder Woman movie on its opening day in 2017,” he wrote. “Is it possible for that to happen again this Christmas with Wonder Woman 1984 between theaters and HBO Max? We are so excited to find out, doing everything in our power to provide the power of choice to fans.”

What’s at Stake for HBO Max

Still, some think that WarnerMedia may not reap the rewards this model claims to offer, arguing that one big blockbuster is not what builds a subscription service. While it could be a huge draw, it does not guarantee retention the way television does. 

“Movies don’t make streaming services if you haven’t noticed,” wrote Deadline’s Anthony D’Alessandro. “It’s binge-able series like House of Cards, The Queen’s Gambit, Stranger Things, Mandalorian and Tiger King that keep people addicted to Netflix, Disney+, etc. Didn’t anyone over at HBO Max ever think about launching the service with a Harry Potter TV series?”

HBO Max does have its “Perry Mason” reboot, which was received well by critics but did not generate the same online buzz that a Netflix, Hulu, or Disney+ series might. Starring Tatiana Maslany, John Lithgow and Matthew Rhys as the titular detective, it has decent star power behind it, but did not seem to break through the cracks either because it was underpromoted or because the service just did not have enough subscribers to generate a talkative audience. 

“Wonder Woman 1984” could give the platform the attention that it needs to generate buzz for the service’s catalogue of content. Or, it could result in people paying for the service for a month or so then canceling because exclusive binge-able content is not in abundance on HBO Max.

See what others are saying: (Deadline) (Variety) (The Hollywood Reporter)

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“Emancipation” Producer Apologizes, Hopes He Did Not “Distract” From Film’s Message By Bringing Photo of Enslaved Man to Premiere 

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He said he plans on donating his collection of historical images to appropriate institutions.


McFarland Brings “Whipped Pete” Photo to Premiere 

“Emancipation” producer Joey McFarland apologized on Sunday after facing backlash for bringing the original 1863 photo of the enslaved person the film is based on to the premiere. 

“I wholeheartedly apologize to everyone I have offended by bringing a photograph of Peter to the Emancipation premiere,” he wrote in a statement on Instagram. “My intent was to honor this remarkable man and to remind the general public that his image not only brought about change in 1863 but still resonates and promotes change today.”

The photo, frequently dubbed “Whipped Peter,” is one of the most famous images depicting the gruesome realities of slavery in America. He is facing away from the camera, revealing the severe scarring all across his back. According to the Library of Congress, the formerly enslaved man was actually named Gordon. Will Smith plays him in “Emancipation,” which follows his escape from slavery.

While walking the red carpet of the film’s premiere, McFarland carried the photo with him.  

“I have the photo. This is the original photograph from 1863,” he told Variety. “I wanted it to be here tonight. I wanted a piece of Peter to be here tonight.”

While lamenting the fact that so many historical artifacts have not been properly preserved, McFarland told Variety that he “took it upon [him]self to curate and build a collection for future generations.” He said his collection will be donated after he dies. 

His remarks were met with swift criticism from those who thought it was inappropriate for McFarland to not just own the picture, but to bring it to a Hollywood event. 

“Why do you own the photograph? Why did you bring it to a movie premiere if the intent is to preserve it respectfully?” The Black List founder Franklin Leonard tweeted.

“I don’t know, man, but bringing ‘a piece of Peter’ that you ‘own’ to the red carpet of a movie that’s personally enriching you so that you can collect more slave memorabilia that you’ll keep until your death,” he added along with a giphy of Kenan Thompson saying “yikes.”

McFarland Acknowledges Historical Photos “Belong to the World”

Others argued that the photo should belong to Gordon’s family. 

“Being in possession of a symbol that reflects our trauma is exactly what our oppressor would do. He is his ancestor’s child,” another person added. 

In his apology, McFarland said that he hopes his actions “don’t distract from the film’s message, Peter’s story and just how much impact he had on the world.”

Throughout the development of “Emancipation,” McFarland said he discovered many photos of overlooked individuals with important historical stories. He said he always planned to donate them and believes “there is no better time to begin that process than now.”

“These photographs, which existed before me, will be around long after I am gone; they belong to the world,” he wrote.

See what others are saying: (Variety) (The Hollywood Reporter) (The Daily Beast)

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Joe Rogan Holds Spot As Top Podcaster on Spotify in 2022

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Earlier this year, some threatened to boycott the platform over Rogan and the health misinformation he shared on his show. 


For the third year in a row, “The Joe Rogan Experience” was the number one podcast on Spotify, the company revealed in its yearly “Wrapped” feature on Wednesday. 

“The Joe Rogan Experience” became exclusive to Spotify in 2020 after the host signed a lucrative deal with the audio streaming platform. “Call Her Daddy” by Alex Cooper, also a Spotify exclusive, followed Rogan on the charts. “Anything Goes With Emma Chamberlain,” which will become exclusive to the service next year, came in third.

Rogan’s podcast has made several headlines over the last year as the podcaster faced backlash from medical professionals and major musicians for touting COVID-19 misinformation. Niel Young asked to have his music removed from Spotify in protest of the company’s deal with Rogan, and several other artists soon followed. 

Just a few days later, several clips resurfaced of Rogan using a racial slur. Many called to boycott Spotify for platforming Rogan, but his popularity did not seem to fade by the year’s end. 

There are over four million podcasts available to stream on Spotify and over the last year, the platform has expanded into new markets. 

It also has started launching podcasts from several high-profile figures, including Kim Kardashian’s “The System,” and Meghan Markle’s “Archetypes.” Both of those debuted mid-year and did not crack the annual top-five list.

See what others are saying: (Spotify) (Variety) (Forbes)

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Comedian Gives David Beckham Ultimatum: Exit Role at Qatar World Cup Or £10K in Donations Gets Shredded

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“Not just the money, but also your status as a gay icon will be shredded,” Joe Lycett said in a video.


Pressure on Beckham

Comedian Joe Lycett posted a video on Sunday saying he would shred £10,000 if soccer star David Beckham does not pull out of his deal to be an ambassador for the Qatar World Cup. 

Ahead of the event, which kicks off on Nov. 20, many have been raising concerns about human rights abuses in Qatar. The country criminalizes homosexuality, and it can be punishable by death. 

Beckham’s deal to represent the country was reportedly worth £10 million, and many are frustrated that the athlete took such a big check from a country with known anti-LGBTQ laws. In his video, Lycett noted that Beckham has been openly supportive of his gay fans and was the first premiere footballer to do a photoshoot with a gay magazine. 

In an attempt to get Beckham to bow out of his role, Lycett, who is pansexual, offered an ultimatum.  

“If you end your relationship with Qatar, I’ll donate this £10,000 of my own money, that’s a grand for every million you’re reportedly getting, to charities that support queer people in football,” he stated. “However, if you do not, at midday next Sunday, I will throw this money into a shredder.” 

“Not just the money, but also your status as a gay icon will be shredded.” 

Beckham’s Reputation “Shredded”

Lycett said he would livestream the money shredding if that’s what the situation comes to. If Beckham does not back out of the World Cup, Lycett noted he will be forced to “commit what might be a crime,” as destroying legal tender is against the law in the U.K.

“Although even then, I reckon I’ll get off more lightly than I would if I got caught whacking off a lad in Doha,” Lycett quipped.

Lycett then linked to a website titled https://benderslikebeckham.com/, which includes a written version of his message, as well as a countdown to when he will either shred the cash or send it to a non-profit. 

Lycett is not the only U.K star to raise concerns about issues in Qatar. Singer Dua Lipa shut down speculation that she would be performing at the World Cup over the weekend by saying she has no intentions to visit the country until “it has fulfilled all the human rights pledges it made when it won the right to host” the event. 

Other stars, however, including BTS’s Jung Kook, are slated to take the stage. 

See what others are saying: (CNN) (The Hollywood Reporter) (BBC News)

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