Connect with us

Entertainment

Disney Prioritizes Streaming as Theater Industry Falls Further Behind

Published

on

  • Disney announced major restructuring plans Monday aimed at prioritizing streaming, a major move to come from one of the most powerful studios in the entertainment industry.
  • Under its new structure, Disney will form a whole new arm called Media and Entertainment Distribution Organization, which will be responsible for distribution and ad sales as well as overseeing the company’s streaming services.
  • CEO Bob Chapek says this is in line with how consumers want to take in content. While many see it as a knee-jerk reaction to the coronavirus pandemic, he said the decision was actually more of an effort to move towards the future of content viewing.
  • Regardless of the reasons behind it, Disney’s move towards streaming is a blow to theaters, which are already suffering during the pandemic. Early Tuesday, AMC predicted it could be out of money by the year’s end as studios continually choose to push back their movie release dates, or release them through VOD or streaming platforms.

Disney Prioritizes Streaming

Disney announced major restructuring plans Monday aimed at prioritizing distribution and content creation for its streaming platforms. 

The company is forming a new Media and Entertainment Distribution Organization, which will be responsible for distribution and ad sales as well as overseeing the company’s streaming services. On the content creation side, responsibilities for funneling programming to distribution will fall on three divisions at Disney.

Studios will focus on branded theatrical and episodic content based on franchises for theatrical exhibition and streaming services like Disney+; general entertainment will work on episodic and original long-form content for streaming, cable, and broadcast; and sports will focus on live sports and other related content.

The Media and Entertainment Distribution Organization will be headed up by Kareem Daniel, who has been working at the mouse house. Disney CEO Bob Chapek said this new strategy will support its plans to accelerate its direct-to-consumer business. 

“Managing content creation distinct from distribution will allow us to be more effective and nimble in making the content consumers want most, delivered in the way they prefer to consume it,” he said in a press release. 

This is a huge announcement to come from one of the leading box office giants. Putting streaming ahead of movie theaters is a grave sign for theaters, which are already severely struggling during the coronavirus pandemic. However, while speaking to CNBC, Chapek claimed that COVID-19 complications were not the driving force in this decision, consumer preferences were. 

“Right now, [consumers] are voting with their pocketbooks and they’re voting very heavily towards Disney+. What we want to do is make sure we’re going to go the way that consumers want us to go,” Chapek explained.

“As you mentioned, COVID-19 impacted all of our traditional distribution businesses, but this is even more than reactionary, this is really progressive, this is looking out with a vision towards where we see the world going and to where we see consumers interacting with Disney+, ESPN+ and Hulu and where it’s going to go in the future.” 

Chapek believes this strategy allows Disney to make more objective decisions when it comes to distribution, as opposed to seeing content as predetermined to either land in theaters, on a network, or elsewhere. 

Streaming Becomes Dominant

Disney is also not the first major studio to recently shift to prioritizing streaming. Back in August, WarnerMedia announced a huge management shakeup as well as the departure of top executives all in an effort to put their streaming service, HBOMax, first. 

Movie theaters are not exactly pleased with moves like this since they are banking on studios for new content so they can stay alive through the pandemic. But studios have constantly been either delaying films far down their release calendars, or opting to release them through VOD or streaming, something that those in the theater industry have been vocally against.

Disney recently faced backlash from The International Union of Cinemas after announcing that one of its biggest ticket pictures, the new Pixar film “Soul” would be going directly to Disney+. 

“The decision on Soul is doubly frustrating for operators who were counting on the release after the film was previewed at a number of key European film festivals,” the union wrote in a statement. 

“Decisions to postpone titles, to bypass cinemas and the value they create are extremely disappointing – and concerning – and will only delay the day that the whole industry is able to put this crisis behind it,” the union continued.

“It is not only cinemas and audiences who are missing out – this situation must surely also be deeply frustrating for the creators and talents who want to see their films on the Big Screen.”

Issues for Movie Theaters

The fight theaters are being forced to confront cannot be understated. The pandemic is making it nearly impossible for the industry to rebound from its financial losses. On Tuesday morning, AMC said in a public filings report that it could run out of money by the year’s end. 

“Given the reduced movie slate for the fourth quarter, in the absence of significant increases in attendance from current levels or incremental sources of liquidity, at the existing cash burn rate, the Company anticipates that existing cash resources would be largely depleted by the end of 2020 or early 2021,” the top movie chain wrote. 

AMC said that theatergoing at its sites is down 85% compared to this time last year. On top of social distancing requirements meaning that theaters can only be partially filled, the desire to go to theaters is also lacking. A poll from Variety showed that as of October, just over 20% of adults in the U.S. feel very or somewhat comfortable going to the movies. While this is an increase from how many felt comfortable earlier in the pandemic, it is still not enough to fill seats.

See what others are saying: (IndieWire) (CNBC) (Variety)

Entertainment

“Dahmer” Series Breaks Netflix Records Amid Backlash For Exploiting Victims’ Stories

Published

on

Family members of some of the murderer’s victims say the program is “retraumatizing.”


“Dahmer” Lands Successful Week on Netflix

While criticisms mount against “Dahmer – Monster: The Jeffrey Dahmer Story,” the true crime series broke Netflix’s record as the most-watched first week for a series debut.

According to data provided by the streaming giant, the Evan Peters-led show was watched for over 196 million hours between its release on Sept. 21 and Sept. 25.

“Dahmer” is the newest of several pieces of fiction and media based on the famous serial killer. Created by Ryan Murphy and Ian Brennan, the series quickly generated a lot of attention online, primarily from those concerned the show is exploiting a gruesome true story. 

Critics have echoed those fears, giving the show a mixed 50% rating on Rotten Tomatoes. The “Critic’s Consensus” blurb on the site states that while the show is “seemingly self-aware of the peril in glorifying Jeffrey Dahmer” the story still “tilts this horror story into the realm of queasy exploitation.”

Victims’ Families Speak Out

The family of Errol Lindsey, one of Dahmer’s victims, has also spoken out against the series. In a viral tweet, Lindsey’s cousin Eric Perry said his family is “pissed about the show.”

“It’s retraumatizing over and over again, and for what?” he wrote. “How many movies/shows/documentaries do we need?”

In much of the promotion for the series, Netflix claimed it would be told from the perspective of the victims. Perry slammed that narrative, noting that his family was never even contacted by the streamer about the project.

“So when they say they’re doing this ‘with respect to the victims’ or ‘honoring the dignity of the families’, no one contacts them,” he wrote. “My cousins wake up every few months at this point with a bunch of calls and messages and they know there’s another Dahmer show. It’s cruel.”

Lindsey’s sister, Rita Isbell, echoed that claim in an essay she wrote for Insider, noting that Netflix did not notify her of the show, or ask her any questions about her brother. 

She said that watching the show “felt like reliving it all over again.”

“It brought back all the emotions I was feeling back then,” she wrote. 

“It’s sad that they’re just making money off of this tragedy. That’s just greed,” she continued. 

Obsession With Dahmer

Controversy has also grown from some of the responses to the series, as many viewers have posted fan edits of the show that romanticize Dahmer. Some pair clips of Peters’ Dahmer with his victims to love songs or pop ballads, leaving a bad taste in the mouths of those who do not understand why someone would make content glorifying the killer. 

Others have responded to the show by calling Dahmer “hot” or posting thirst tweets about his mug shot. This has resulted in a backlash of its own. 

“Jeffrey Dahmer molested and murdered people, mostly black men and boys,” one person wrote. “So to see people making edits and thirst traps of him is a little off putting.”

“if I see anyone tweeting thirst tweets about Jeffrey Dahmer I’m immediately unfollowing,” another person said. “That’s so fuckin nasty.”

Concerns that this kind of media results in more people admiring Dahmer are also mounting in Milwaukee, where many of his crimes took place. According to TMZ, the city is considering creating something to honor the victims, but officials fear a physical memorial would turn into a “mecca” for Dahmer’s fans. 

See what others are saying: (Insider) (IndieWire) (Vox)

Continue Reading

Entertainment

YouTube Removes Age Restriction From Nicki Minaj Video After Singer Calls Company a “Bogus Platform”

Published

on

Even though her video can now be viewed by all YouTuber users, Minaj made it clear she was upset that the age-gate tanked its view count in the first 24 hours.


Nicki Minaj Vs. YouTube

Nicki Minaj called out YouTube on Monday after the platform age-restricted her new music video for “Likkle Miss Remix” featuring Skeng. 

By age-restricting a video, YouTube blocks users who are under 18 or not logged into a Google account from viewing the content. 

Minaj’s video features close-up shots of people in skimpy outfits twerking, but several videos on YouTube with similar imagery have not been gated. Cardi B and Megan Thee Stallion’s “WAP” video is available for everyone, as is Minaj’s own “Anaconda” video. 

In a since-deleted Instagram post, Minaj accused YouTube of being inconsistent and playing favorites. 

“They restricted my fucking video but have things a million fucking times worse on their BOGUS FKNG PLATFORM,” she wrote in a post that included a screenshot of YouTube’s age-restriction notice. “This is what they do to keep you from winning while doing ads for another ppl and posting fake fkng stats. Because the same ppl who run YouTube are in bed with a certain record label and mngmnt company.”

Minaj further alleged that YouTube’s actions were done to prevent her from getting a significant number of views in the video’s first 24 hours, which is often the most crucial timeframe for a video’s success. She continued to assert that the Google-owned company has a bias toward certain music labels.

YouTube Walks Back Restriction

“How long have yall been playing the numbers game to lie & pretend ppl r doing ‘good’ when they r not?!?!!” Minaj continued in another post. “How much ad space did these duds purchase to be promoted on my channel in the last 5 years?!??!!!!”

Later on Monday, YouTube removed the restriction from Minaj’s video, per Variety. The company said the content in it did not violate its rules and guidelines. 

While Minaj ended up deleting her Instagram posts calling YouTube out, she made it clear she was still frustrated by the debacle. 

“FUCK THEM DUDS,” she tweeted. “THEY CANT GIVE US BACK OUR FIRST 24 HOURS CAN THEY?!?!!!”

As of Monday afternoon, her video had been viewed over one million times.

See what others are saying: (Variety) (The Independent) (Billboard)

Continue Reading

Entertainment

“Don’t Worry Darling” Tops the Box Office Amid Bad Press

Published

on

Audiences are already giving the film higher praise than critics did.


Young Women Flock to “Don’t Worry Darling” 

Weeks of controversies and rumors did not prevent “Don’t Worry Darling” from finding victory at the box office, with the Olivia Wilde-directed thriller debuting at number one over the weekend and raking in $19.2 million. 

Wilde also acted in the mid-century mystery, which starrs Florence Pugh, Harry Styles, Chris Pine, and Gemma Chan.

Women led ticket sales for the picture, comprising 66% of the audience, according to several reports. At least partially due to the appeal of Styles, crowds also skewed young, with over half under the age of 25.

Overseas, the film made over $10 million, bringing its total for the weekend to $30 million. That number is especially impressive since the R-rated drama had a budget of $35 million.

“Don’t Worry Darling” had been plagued with weeks of rumors about behind-the-scenes drama leading up to its release. Among other bouts of gossip, many online speculated that Pugh and Wilde had riffs on set, leading to Pugh’s refusal to promote the project. One report alleged the two got into a screaming match, but sources on set denied it. 

Wilde and Shia LeBeouf, who was originally cast in the picture, also got into a public he-said-she-said about whether he quit the film or was fired. 

The drama hit a boiling point during its premiere at the Venice Film Festival when Twitter users circulated a video they claimed showed Styles spiting on Pine, though both parties have denied that allegation. 

A Film Riddled With Rumors 

Furthering the bad press were the bad reviews. Critics largely panned the film, sticking it with a 38% on Rotten Tomatoes. After this first weekend, moviegoers seem to have a more favorable outlook, as it has a 79% audience score as of Monday. 

Jeff Goldstein, the distribution chief for Warner Bros., told the Associated Press that “the background noise” caused by these controversies “had a neutral impact” on its box office haul. The studio released a statement saying it was pleased with the movie’s earnings. 

Some analysts believe that, if anything, the online gossip and fodder may have aided the film’s box office performance.

In a tweet recapping the weekend’s box office, Paul Dergarabedian, a senior media analyst at Comscore, said the “drama sparked a huge wave of interest.”

See what others are saying: (Associated Press) (Box Office Mojo) (New York Times)

Continue Reading