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Joe Rogan Denies Spotify Censorship Rumors, According to Alex Jones

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  • The full library of “The Joe Rogan Experience” was set to debut on Spotify Tuesday following Rogan’s licensing deal with the platform in May, valued at more than $100 million. 
  • However, many noticed that dozens of episodes featuring controversial and far-right guests were missing, including Alex Jones, Milo Yiannopoulos, and others. 
  • While some called this censorship, others hesitated and were confused by missing episodes of guests like actor Tommy Chong and comedian Nick Kroll.
  • Alex Jones issued a statement saying he spoke to Rogan, who said Spotify is not censoring him and explained that there were migration issues with corrupted files.
  • Jones also claimed more content will be migrated over, but after the podcast moves exclusively to Spotify on Dec. 31, 100 of Rogan’s favorite episodes will remain on YouTube, where Rogan believes they’ll probably get more views.

Fans Notice Missing Episodes of “The Joe Rogan Experience” on Spotify 

Podcast host Joe Rogan has denied claims that Spotify is censoring his content after rumors circulated online Tuesday, according to controversial far-right personality Alex Jones.

Rogan’s podcast, “The Joe Rogan Experience,” finally debuted on Spotify earlier that day as part of his exclusive deal with the platform– a deal worth more than $100 million. However, the debut was met with a ton of frustration after fans noticed that dozens of episodes were missing from his podcast catalog.

This was a bit confusing since Rogan had previously said his entire library of podcasts would be available starting September 1 before becoming fully exclusive to Spotify by the end of the year. 

Several news outlets and listeners claimed that the missing episodes seemed to be some of his most controversial interviews with far-right figures like Jones, Milo Yiannopoulos, Gavin McInnes, and others. 

Other excluded episodes featured non-political figures like comedian Chris D’Elia, who was recently accused of sexual misconduct involving minors, as well as comedian and podcast regular Joey Diaz, who came under fire when comments from an old podcast surfaced about him coercing female comics into performing oral sex. 

After noticing who was missing, many began calling it censorship, wondering if it was Spotify’s choice or Rogan’s. For example, Mikhaila Peterson, daughter of controversial professor Jordan Peterson, tweeted about her episode’s exclusion, saying: “This is straight up censorship. This is absolutely ridiculous.”

She and several others began sharing lists of all the guests who were left out, which seemed to align with this theory about censoring controversial voices. However, she did note that it was the first day the podcasts were available, leaving some room for an explanation. 

The censorship claims are a huge point of frustration for people because Rogan is known for talking to people from across the political spectrum. When he first announced his deal, he even noted that his show wouldn’t change.

It’s just a licensing deal, so Spotify won’t have any creative control over the show. They want me to just continue doing it the way I’m doing it right now,” he said.  

We’re going to be working with the same crew doing the exact same show,” he continued in his announcement video.

These missing episodes had people worried about the show’s future, but others hesitated to call it censorship after finding a couple excluded guests confusing and not in line with the censorship narrative. For instance, missing episodes also included those of actor Tommy Chong, who is also a prominent cannabis rights activist, as well as comedian Nick Kroll.

Rogan Denies Claims 

Later in the day, Peterson updated her Twitter thread to say, “Alex Jones says these episodes will be uploaded at a later date and it is not censorship.”

Jones posted a video on his InfoWar’s site offering an explanation after speaking with Rogan. “They’ve got 1500+ files and then some migrating over, and they’ve had a few problems here and there with corrupted files, with the naming of them. And Spotify wants to have a first rollout and then a second rollout,” he said.

“Here’s the key. Joe Rogan’s favorite 100 episodes of the last 10 years or so will be left on YouTube starting December 31 when he goes exclusively to Spotify. For this couple months no man’s land the content will be on both platforms and will be migrating over.”

“And so that’s why the Alex Jones interview is not there. That’s why some of the other interviews aren’t there. Because those are going to be the exclusive interviews that are left on YouTube where, in Joe’s words, they’ll probably get more views than if they were on Spotify.”

Jones also added that he asked Rogan point-blank if Spotify was censoring him and he said, “Absolutely not.” He said Rogan explained that episodes were being organized and migrated over, but that Jones and other guests will on be on the podcast in the near future. 

Peterson also later noted that her episode now appears on Spotify. It seems like a few others are as well, including episodes with Joey Diaz and Tommy Chong.

See what others are saying: (Entertainment Weekly) (Mic) (Digg

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Tech Ethicist Tristan Harris Talks Council For Responsible Social Media, TikTok, Twitter, and More

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Harris is part of a bipartisan group that is aiming to reform social media for good.


The Council For Responsible Social Media 

Tristan Harris, the co-founder of the Center for Humane Technology, understands why many people view TikTok as a harmless app with jokes and dances. Harris, however, sees the Chinese-owned platform as a national security risk. 

“During the Cold War, would you have allowed the Soviet Union to control television programming for the entire western world, including Saturday morning cartoons, the ‘Teletubbies’ and ‘Sesame Street?’” he said during an interview with Rogue Rocket. 

That’s what he argues is happening with TikTok. The app, which is the most downloaded in the world, is owned by ByteDance, a Chinese tech company with ties to the Chinese Communist Party. Harris says we are “effectively outsourcing our media environment to, in the case of the United States, the number one geopolitical competitor.”

National security issues with TikTok, the extreme polarization caused by Facebook and Twitter, and a slew of other issues are among the reasons Harris and several other bipartisan leaders formed The Council For Responsible Social Media last month. 

Co-Chaired by former congressman Dick Gephardt and former Lieutenant Governor of Massachusetts Kerry Healey, the group was made in partnership with the nonprofit IssueOne. Other members include Facebook whistleblower Frances Haugen, former Sen. Claire McCaskill, former Defense Secretary Chuck Hagel, and Harris. 

It aims to pressure tech companies and politicians to make social media less harmful in every facet. 

“What are the wins we can get on the scoreboard?” Harris explained. “Things like, frankly, banning TikTok or otherwise forcing a total sale of TikTok?…Can we do things like pass the Platform Accountability and Transparency Act?” 

The TikTok Problem

When it comes to TikTok, the idea of banning it is not new. Former president Donald Trump attempted to do so in 2020, and earlier this month, a Federal Communications Commission official urged the U.S. to do away with it. 

In Harris’ eyes, the threat posed by TikTok looms much larger than just mindless entertainment.

“When we outsource our media environment to a CCP-controlled company, we are effectively outsourcing our voting machine to the CCP,” Harris said. “How do you know who to vote for? Why is it that you know more about Marjorie Taylor Greene and [Alexandria Ocasio-Cortez] than the other hundreds of members of Congress? Because the attention economy rewards certain people to rise to the top.”

Social media apps, TikTok included, favor people that are more likely to be divisive, on either end of the political spectrum. Harris referred to this as “amplifiganda,” something the CCP can use to interfere with another nation’s political and cultural happenings. 

“It’s strategically amplifying who are the voices I want to hear from and who are the voices I don’t want to hear from,” he added. “Without firing a single shot, without creating a single piece of new propaganda, I can simply amplify the politicians and videos that I want you to be seeing.”

In China, domestic users receive what Harris calls the “spinach” version of the app, that largely includes educational content, science experiments, and patriotism videos. He says it is very different from the scroll-for-hours version the U.S. and other international markets receive.

Harris, however, does not think this was part of “a deliberate plan” or that there’s a “large mustache that’s being twirled somewhere in China.” Rather, this is just an after-the-fact consequence of TikTok succeeding at being highly addictive, and China simply regulating it for itself.

Banning the app is not the only solution, Harris noted. Officials could also attempt to force a purchase of TikTok. A similar case happened in the past with Grindr. After a U.S. foreign investment commission said the app’s Chinese ownership was a security risk, the dating app was sold to a U.S.-based group.

“And now it’s not that the company is partially in China or partially in the U.S., or the data is on an American server while the design decisions are made in Bejing, it’s not like that,” Harris explained. “They forced the entire sale.” 

“Anything less than that with TikTok would be insufficient.”

Legislative Action

Despite the numerous issues posed by nearly every social media platform, enacting meaningful change will be no small feat. The Council For Responsible Social Media has outlined several steps it plans on taking, including awareness campaigns and hearings that could inspire action. 

On the legislative front, this could involve the passage of the aforementioned Platform Accountability and Transparency Act, which was introduced by bipartisan senators last year and would “require social media companies to provide vetted, independent researchers and the public with access to certain platform data.”

Harris does not think this bill is a cure-all, he does think it should be a no-brainer for politicians to pass. 

“It won’t change the DNA of the cancer cell that is social media, it’ll be more like the cancer cell is printing quarterly reports about what it is doing to society, but that’s still a better world than having a cancer cell where you don’t know what it’s doing,” he said. 

Many advocates believe transparency is key when it comes to reforming social media, as it educates the general public about what these apps are really doing. 

The Future of Twitter

Harris thinks education about social media has inadvertently grown over the last several weeks as billionaire Elon Musk took over Twitter. The process has proven to be quite chaotic, but it has also forced people to learn about Twitter’s problems.

“Twitter has already been a chaos-making, inflammation-for-profit machine. Elon buying Twitter doesn’t change that, he’s just running the inflammation-for-profit machine,” Harris said. 

Musk’s acquisition has created a substantial financial bind and forced the mogul into a position where he has to turn engagement and revenue up. This has involved cutbacks on content moderation and laying off staff that worked on trust and safety.

“He has to figure out a way to lower costs and increase revenue, which unfortunately basically moves the whole system into a more and more dangerous direction,” Harris claimed, though he did say he does not view this as a character flaw on Musk’s part, rather just the reality of how these apps operate. 

When it comes to fixing the root problems at Twitter, Harris thinks Musk has his eyes on the wrong target by focusing on censorship and free speech. 

It has to do with Twitter being a bad video game in which citizens earn or score the most points by adding inflammation to cultural fault lines,” he explained.  

“If we’re playing a video game, and you earn the most points by finding a new cultural war faultline and inflaming it better than some other guy, you’re an inflammation entrepreneur,” he continued. “Turning citizens into inflammation entrepreneurs for profit is how we destroy democracies.” 

Harris said that if Musk wants to change Twitter for the better, he has to “change the video game of what Twitter is” so that people are not rewarded for inflammation, but for consensus. 

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Meta Fined $24.7 Million for Campaign Finance Violations As Profits Fall 50%

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A judge found the company violated Washington State’s campaign finance law more than 800 times since 2020 despite having previously settled a lawsuit for identical violations in 2018.


Judge Fines Facebook

A judge in Washington state slapped Meta with a $24.7 million fine on Wednesday after finding it had intentionally violated the state’s campaign finance disclosure laws.

In a statement, Washington Attorney General Bob Ferguson described the judgment as “the largest campaign finance penalty anywhere in the country — ever.”

According to the judge, Meta violated Washington’s Fair Campaign Practices Act 822 times. Each count carries a maximum fine of $30,000. 

The law, which was passed in 1972, requires entities that sell political ads to make certain information public, including the names and addresses of ad buyers, the targets of the ads, how the ads were financed, and the total number of views. While TV stations and newspapers have followed this law for decades in Washington, Meta has continually refused to comply with the law, even arguing unsuccessfully in court that the act is unconstitutional because it “unduly burdens political speech” and is “virtually impossible to fully comply with.”

The matter has been a long, ongoing battle for Meta. In 2018, when Meta was still Facebook, Ferguson sued the platform for violating the same law. As part of a settlement, the social media network agreed to pay $238,000 and commit to transparency in political advertising.

At the time, Facebook said it would rather stop selling ads in Washington state than adhere to the law, but it continued to sell ads while also still refusing to comply. Ferguson responded by filing another suit in 2020, which resulted in the Wednesday ruling.

Meta’s Financial Woes

Although $24.7 million may seem like pocket change to a multi-billion dollar corporation, the fines come as Meta is facing unprecedented financial troubles.

Also on Wednesday, the company reported a 50% drop in profits for the third quarter of 2022. The decline follows a recent trend as Meta’s earnings continue to suffer from slowing ad sales, fierce competition from platforms like TikTok, and CEO Mark Zuckerberg’s decision to spend massive amounts of money on developing the metaverse.

In July, the tech giant posted its first-ever sales decline since becoming a public company. Meta’s stock has also nose-dived over 60% this year. The market reacted poorly to the reported drop in profits Wednesday, sending the stock down nearly 20%.

Despite the fact that the past year has been one of the worse ever for the business following Zuckerberg’s decision to rebrand as Meta and go all-in with the metaverse, his commitment remains fervent.

According to reports, during a call with analysts Wednesday, the CEO argued that people would “look back decades from now” and “talk about the importance of the work that was done here” in regards to the metaverse and virtual reality.

See what others are saying: (The Associated Press) (Axios) (The New York Times)

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ByteDance Looks To Expand Music Streaming Service in Potential Threat to Spotify

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The move could strengthen the power TikTok currently wields over the music industry.


Talks With Music Labels

TikTok parent company ByteDance is looking to expand its music streaming service, Resso, in a move that could shift both music consumption and marketing, according to The Wall Street Journal.

In a report on Wednesday, the Journal said that ByteDance is currently in talks with music labels about bringing Resso to over a dozen new markets. Currently, the platform is only available in Brazil, India, and Indonesia. While the United States would not be part of this next growth phase, the China-based company has its eyes on an eventual global expansion. 

According to the Journal’s sources, in the long run, ByteDance hopes to integrate Resso and TikTok so that users who discover music on the video app can then subscribe and listen on the audio platform. Such a move could pose a threat to audio streaming giants like Spotify.

Over the past several years, TikTok has become increasingly powerful in the music industry. Its short videos paired with snappy soundbites make it prime for songs to go viral, and as a result, it has launched the careers of some of today’s biggest stars. 

Lil Nas X was propelled to fame after releasing “Old Town Road” to TikTok. Millions of users began using the track on the app for their viral videos, leading the song to dominate both radio play and streaming. It eventually broke the record as the longest-running song atop the Billboard 100. 

Likewise, Olivia Rodrigo went from a Disney+ actress to one of the biggest names in music overnight after her debut single “drivers license” blew up on TikTok. That song, as well as her follow-up singles, topped the charts and landed her multiple Grammy Awards. 

Potential Complications

Because TikTok is where so many young people discover music, expanding Resso would allow ByteDance to keep its user base under its own umbrella. It could also consolidate work for artists who already market their music on TikTok.

This expansion, however, will likely not come without complications. Sources told the Journal that even though this could potentially serve as another revenue source for TikTok, the biggest hurdle will be figuring out how much to pay out to labels. Some record companies have even expressed direct doubt about Resso to ByteDance.

While TikTok has seen exponential revenue growth over the years, making money from music streaming is a challenge. As a result, Spotify has had to lean heavily on podcasting. 

When it comes to Resso, reports say most users do not actually pay for it. Like Spotify, it has an ad-supported free tier. According to the Journal, very few free users become paid subscribers. 

The app’s popularity is increasing in the three countries it is available in, though. According to Insider, in Jan. 2021, the app had just a 4.8% market share of monthly active users in music streaming in India. That was just a fraction of the 18% held by Spotify at the time. 

By Jan. 2022, that gap got significantly smaller. Resso’s 17% share is only slightly less than Spotify’s 22.8% share.​​ 

Wednesday’s news about ByteDance’s intentions to grow the app sent Spotify’s stock sliding, though it had picked up again by mid-day Thursday.

See what others are saying: (The Wall Street Journal) (Yahoo News) (Reuters)

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