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TikTok Announces First Wave of Influencers to Get Paid Under its New Creator Fund

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  • Avani Gregg, Michael Le, David Dobrik, and 16 others will be the first to receive money from TikTok’s new Creator Fund, which was established to support creators hoping to earn money for their content.
  • The $200 million fund is expected to grow to over $1 billion in the U.S. over the next three years and TikTok is encouraging eligible creators to apply for the next round of funding when applications open in mid-August. 
  • Many believe this move will help incentivize users to remain loyal to the platform as new competitors emerge. 
  • Others say it could also help TikTok bolster itself as a viable economic platform for Americans as it works to strike a deal with an American company to avoid a U.S. ban. 

What is the Creator Fund?

TikTok announced the first wave influencers who will get paid for their content under its new Creator Fund.

The company first announced it’s $200 million dollar Creator Fund in July, as a way to support “ambitious creators who are seeking opportunities to foster a livelihood through their innovative content.” TikTokers, of course, were pretty excited about that because it meant there was an opportunity for them to get paid directly from the platform they post on.

Responses to the news were so positive that TikTok later updated its announcement to say that it expected the fund to grow to “over $1 billion in the US in the next 3 years, and more than double that globally.”

In a statement released Monday, the company finally announced that 19 creators will be its first recipients. 

Who’s Getting Paid? 

The list includes popular personalities like Avani Gregg, Brittany Tomlinson – who you might know as Kombucha girl, Michael Le, Spencer X, and David Dobrik, to name a few. 

Some of the creators already came from full-time entertainment backgrounds like Dobrik, but others are TikTokers who completely built their massive followings on the app. The full list includes creators from a range of different genres, from comedy to beauty, music, cooking, dancing, and even healthcare. 

Vanessa Pappas, general manager of TikTok U.S., said in the statement, “Each of these creators has shown what it means to be your authentic self, bring joy and inspiration to people, and creatively connect with an audience…From redefining a category to venturing into uncharted waters, these creators are a huge part of TikTok and we’re grateful for their ingenuity and creative spirit.”  

As of now, there are no confirmed details about how much each creator will receive or whether the amount varies from creator to creator. However, The Los Angeles Times reported that at least one creator will receive a six-figure amount, according to a person with knowledge of that agreement.

Still, this is only the beginning of these payments. In its latest announcement, TikTok encouraged others to apply when its in-app application opens in mid-August. To be eligible, users have to meet the minimum eligibility criteria, which includes: being at least 18 years old, having at least 10,000 followers, having accrued at least 10,000 views in the last 30 days, and posting original content in line with Community Guidelines.

“This Fund was created to reward your creativity, your passion, and your tenacious spirit to connect with others. We invite you to turn your creativity into an opportunity to earn a livelihood, pursue another career, or simply, to be rewarded for doing what you love,” TikTok added. 

Potential Competition and Struggles with the U.S. Government

Obviously, the concept of a platform paying its creators is not new. YouTube’s Creator Program is perhaps the most well-known program that exists, and other platforms like Instagram also have some monetization features. 

However, TikTok’s lack of in house monetization has been viewed as a drawback by some, and opportunities for growth and financial gain are a huge reason why TikTokers have been extending themselves off-platform.

Some see these payments as an important move for TikTok that incentivizes big creators to remain focused on the app, while also encouraging smaller creators to remain dedicated to it. 

Stephanie Smith, who works for the digital strategy division of United Talent Agency, said, “It shows that TikTok values their creators and understands that their content is what makes the platform successful.”

“That acknowledgment is critical and will help build long-term loyalty with creators.”

The concept of platform loyalty is interesting to keep in mind when you consider all the emerging competition popping up amid rising tensions between the U.S. government and the app. 

Just last week, Instagram announced Reels, which essentially copies TikTok’s features and is considered one of the app’s biggest threats. According to the LA Times, Instagram has even offered some creators money to post content for Reels. On top of that, some TikTokers have decided to invest in a new music video app called Thriller, citing concerns over how TikTok manages user data. 

Trouble for TikTok escalated last week when President Donald Trump issued an executive order that would outlaw business dealings with TikTok in the U.S. by Sept. 21. That is, at least if its parent company, ByteDance, can’t close a deal with an American buyer for TikTok’s U.S.-based business by then. 

For now, many believe its especially important for TikTok to bolster its image and present itself as a viable economic platform for Americans as it works to avoid a U.S. ban. 

See what others are saying: (The Verge) (The Los Angeles Times(Tubefilter

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TikTok and Twitter Are Now Deleting Videos That Expose Closeted Olympians on Grindr

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On top of outing people who may not be ready to have their sexuality revealed to the world, these videos could have endangered LGBTQ+ athletes from countries where homosexuality is illegal.


Closeted Olympians Being Doxxed

Openly LGBTQ+ Olympians are currently more visible than they have ever been before, but unfortunately, so are closeted ones.

That’s because some people have been using the LGBTQ+ dating app Grindr to try and find Olympians. They’ve been doing so by using the app’s “Explore” feature, which allows people to search and see users in specific locations (ie. Olympic Village).

But some aren’t content with just discovering which athletes belong to the LGBTQ+ community. They’re also sharing that information on platforms like TikTok and Twitter. 

“I used Grindr’s explore feature to find myself [an] Olympian boyfriend,” one TikTok user said in a post that had been viewed 140,000 times, according to Insider

That video reportedly went on to show the poster scrolling through Grindr to expose over 30 users’ full faces. 

As many have argued, not only does this potentially out already-stressed Olympians who may not yet be comfortable sharing their sexuality, it also could put some users at serious risk if they live in countries where being LGBTQ+ is illegal. 

In fact, the video cited by Insider seemingly did just that, as it reportedly shows the face of a user who appears to be from a country “known for its anti-LGBTQ policies.”

Grindr Responds, TikTok and Twitter Take Action

In response, Grindr said the posts violate its rules against “publicly displaying, publishing, or otherwise distributing any content or information” from the app. It then asked the posters to remove the content.

Ultimately, it was TikTok and Twitter themselves that largely took action, with the two deleting at least 14 posts scattered across their platforms.

A Highly-Visible LGBTQ+ Presence at the Games 

According to Outsports, at least 172 of around 11,000 Olympians are openly LGBTQ+. While that number is still well below the statistical average, it’s triple the number of LGBTQ+ athletes that attended Rio’s 2016 Games.

In fact, if they were their own country, openly LGBTQ+ athletes would reportedly rank 11th in medals, according to an Outsports report published Tuesday. 

Among those winners is British diver Tom Daley, who secured his first gold medal on Monday and used his platform to send a hopeful message to LGBTQ+ youth by telling them, “You are not alone.”

After winning a silver medal on Wednesday, U.S. swimmer Erica Sullivan talked about her experience as both a member of the LGBTQ+ community and a person of color. 

Still, the Olympics has faced criticism for its exclusion of intersex individuals, particularly those like South African middle-distance runner Caster Semenya, who won gold medals in both 2012 and 2016. Rules implemented in 2019 now prevent Semenya from competing as a woman without the use of medication to suppress her testosterone levels. 

See what others are saying: (Insider) (Pink News) (Out)

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Jake Paul Launches Anti-Bullying Charity

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The charity, called Boxing Bullies, aims to use the sport to give kids confidence and courage.


Jake Paul Launches Boxing Bullies Foundation

YouTuber Jake Paul — best known as the platform’s boxer, wreckless partier, and general troublemaker — has seemingly launched a non-profit to combat bullying.  

The charity is called Boxing Bullies. According to a mission statement posted on Instagram, it aims to “instill self confidence, leadership, and courage within the youth through the sport of boxing while using our platform, voice, and social media to fight back against bullying.”

If the notion of a Paul-founded anti-bullying charity called “Boxing Bullies” was not already begging to be compared to former First Lady Melania Trump’s “Best Best” initiative, maybe the group’s “Boxing Bullies Commandments” will help connect the dots. Those commandments use an acronym for the word “BOX” to spell out the charity’s golden rules.

Be kind to everyone; Only defend, never initiate; X-out bullying.” 

Paul Hopes To “Inspire” Kids To Stand Up For Themselves

Paul first said he was launching Boxing Bullies during a July 13 interview following a press conference for his upcoming fight against Tyron Woodley.

“I know who I am at the end of the day, which is a good person,” he told reporters. “I’m trying to change this sport, bring more eyeballs. I’m trying to support other fighters, increase fighter pay. I’m starting my charity, I’m launching that in 12 days here called Boxing Bullies and we’re helping to fight against cyberbullying.”

It has not been quite 12 days since the interview, so it’s likely that more information about the organization will be coming soon. Currently, the group has been the most active on Instagram, where it boasts a following of just around 1,200 followers. It has posted once to Twitter, where it has 32 followers; and has a TikTok account that has yet to publish any content. It also has a website, though there is not too much on it as of yet.

On its Instagram, one post introducing Paul as the founder claims the rowdy YouTuber started this charity because he has been on the receiving end of bullying.

Having been a victim of bullying himself, Jake experienced firsthand the impact it has on a person’s life,” the post says. “Jake believes that this is a prevailing issue in society that isn’t talked about enough. Boxing gave Jake the confidence to not care about what others think and he wants to share the sport and the welfare it‘s had on him with as many kids as possible.”

It adds that he hopes his group can“inspire the next generation of kids to be leaders, be athletes, and to fight back against bullying.”

Paul Previously Accused of Being a Bully

While fighting against bullying is a noble cause, it is an ironic project for Paul to start, as he has faced no shortage of bullying accusations. While Paul previously sang about “stopping kids from getting bullied” in the lunchroom, some have alleged he himself was actually a classic high school bully who threw kids’ backpacks into garbage cans. 

This behavior allegedly continued into his adulthood, as a New York Times report from earlier this year claimed he ran his Team 10 house with a culture of toxicity and bullying. Among other things, sources said he involved others in violent pranks, pressured people into doing dangerous stunts, and destroyed peoples’ personal property to make content.

Earlier this year, Paul was also accused of sexual assault, though he denied those allegations.

See what others are saying: (Dexerto)

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Director Defends Recreating Anthony Bourdain’s Voice With AI in New Documentary

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The film’s director claims he received permission from Bourdain’s estate and literary agent, but on Thursday, Bourdain’s widow publicly denied ever giving that permission. 


Bourdain’s Voice Recreated

“You are successful, and I am successful, and I’m wondering: Are you happy?” Anthony Bourdain says in a voiceover featured in “Roadrunnner,” a newly released documentary about the late chef — except Bourdain never actually said those words aloud.

Instead, it’s one of three lines in the film, which features frequent voiceovers from Bourdain, that were created through the use of artificial intelligence technology.

That said, the words are Bourdain’s own. In fact, they come from an email Bourdain reportedly wrote to a friend prior to his 2018 suicide. Nonetheless, many have now questioned whether recreating Bourdain’s voice was ethical, especially since documentaries are meant to reflect reality.

Director Defends Use of AI Voice

The film’s director, Academy Award winner Morgan Neville, has defended his use of the synthetic voice, telling Variety that he received permission from Bourdain’s estate and literary agent before inserting the lines into the film. 

“There were a few sentences that Tony wrote that he never spoke aloud,” Neville said. “It was a modern storytelling technique that I used in a few places where I thought it was important to make Tony’s words come alive.” 

Bourdain’s widow — Ottavia Bourdain, who is the executor of his estate — later denied Neville’s claim on Twitter, saying, “I certainly was NOT the one who said Tony would have been cool with that.”

In another interview with GQ, Neville described the process, saying the film’s creators “fed more than ten hours of Tony’s voice into an AI model.”

“The bigger the quantity, the better the result,” he added. “We worked with four companies before settling on the best.”

“If you watch the film,” Neville told The New Yorker, “you probably don’t know what the other lines are that were spoken by the AI, and you’re not going to know. We can have a documentary-ethics panel about it later.” 

The Ethics Debate Isn’t Being Tabled

But many want to have that discussion now.

Boston-based film critic Sean Burns, who gave the film a rare negative review, later criticized it again for its unannounced use of AI, saying he wasn’t aware that Bourdain’s voice had been recreated until after he watched the documentary.  

Meanwhile, The New Yorker’s Helen Rosner wrote that the “seamlessness of the effect is eerie.”

“If it had been a human voice double I think the reaction would be “huh, ok,” but there’s something truly unsettling about the idea of it coming from a computer,” Rosner later tweeted. 

Online, many others have criticized the film’s use of AI, with some labeling it as a “deepfake.”

Others have offered more mixed criticism, saying that while the documentary highlights the need for posthumous AI use to be disclosed, it should not be ruled out altogether. 

“In a world where the living could consent to using AI to reproduce their voices posthumously, and where people were made aware that such a technology was being used, up front and in advance, one could envision that this kind of application might serve useful documentary purposes,” David Leslie, ethics lead at the Alan Turing Institute, told the BBC.

Celebrities Recreated After Death

The posthumous use of celebrity likeness in media is not a new debate. In 2012, a hologram of Tupac took the stage 15 years after his death. In 2014, the Billboard Music Awards brought a hologram of Michael Jackson onstage five years after his death. Meanwhile, the Star Wars franchise digitally recreated actor Peter Cushing in 2016’s “Rogue One,” and unused footage of actress Carrie Fisher was later translated into “The Rise of Skywalker,” though a digital version of Fisher was never used.

In recent years, it has become almost standard for filmmakers to say that they will not create digital versions of characters whose actors die unexpectedly. For example, several months after Chadwick Boseman’s death last year, “Black Panther: Wakanda Forever” executive producer Victoria Alonso confirmed Boseman would not be digitally recreated for his iconic role as King T’Challa.

See what others are saying: (BBC) (Yahoo! News) (Variety)

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