- Actor Michael B. Jordan partnered with nonprofit Color of Change to create an initiative called #ChangeHollywood, which aims to promote anti-racist and Black storytelling in the industry.
- The initiative sets out a roadmap for leaders to follow, including hiring more Black creators, divesting from police, changing the way the criminal justice system is represented, and supporting the Black community throughout production.
- Hollywood’s history of racism and poor representation is no secret. According to UCLA’s 2020 Hollywood Diversity Report, less than one-third of lead acting roles go to people of color, while less than 1.5 out of 10 directors are people of color.
- This initiative comes as many actors are calling for change in the industry, and as other facets of Hollywood are pledging to increase diversity on set.
As many facets of Hollywood are reckoning with the systemic racism that has permeated the industry for years, actor Michael B. Jordan has created an initiative to promote diversity and anti-racist storytelling in film.
The “Creed” and “Black Panther” star partnered with the nonprofit Color of Change to start the effort, which is called #ChangeHollywood. One of the main initiatives of #ChangeHollywood is to create a roadmap that leaders in the industry can turn to when working towards increasing representation on their sets. They hope that their concrete suggestions will lead to real actions that Hollywood can take in the fight for racial justice.
“The history of racism in Hollywood is long and unforgivable,” Jordan and Rashad Robinson, the president of Color of Change wrote in a statement.
“We can break the pattern, and change that trajectory,” the two added. “The understanding of Hollywood’s impact on society has never been more widespread, and the demand for addressing systemic racism in Hollywood has never been greater. We must answer the call to action.”
The roadmap breaks down into four recommendations. The first encourages the entertainment industry to divest from police and instead use that economic power to advocate for Black communities. In order to do this, #ChangeHollywood recommends that studios hire independent security instead of police officers, turn to authorities other than the police when it comes to shaping content about the criminal justice system, and put pressure on local governments to move funding to Black communities.
When it comes to storytelling, #ChangeHollywood recommends that the industry invest in anti-racist and authentic Black content and voices. This could involve hiring cultural consultants and Black executives, as well as changing the way the criminal justice system is represented on screen.
The roadmap further suggests that Hollywood invest in Black talent both in front of and behind the camera. One of the biggest suggestions is that filmmakers adopt inclusion riders in their contracts, which are clauses that mandate a certain level of diversity in productions. #ChangeHollywood also recommends anti-racism training, transparency about staff diversity, and proactive recruitment of Black industry workers.
The last suggestion encourages studios to work with Black-owned businesses and other companies that value social justice.
“Hollywood should use its economic power to support Black communities in all the cities in which it operates,” #ChangeHollywood’s website explains.
“This roadmap is just the beginning of the journey to racial justice. We are all accomplices in the fight to transform Hollywood, and we invite content creators and industry leaders to join us in working together to #ChangeHollywood,” Jordan told the Hollywood Reporter, which first broke the news about this initiative. “We look forward to including a variety of voices in doing what we do best: telling authentic stories, bringing people together, partnering with influential artists, and changing the rules of the game.”
Hollywood’s History of Racism
Representation has long been an issue in Hollywood. UCLA’s 2020 Hollywood Diversity Report found that people of color are underrepresented in every level of the industry. Roughly three out of every ten lead actors are people of color, while only 1.5 out of ten directors are people of color.
When it comes to film executives, diversity lacks even more. Around 91% of chairs or CEOS are white and 82% are male. Senior executives are similarly white and male.
When it comes to the Academy Awards, the absence of representation follows. In the last 50 years, only 10% of acting nominees have been actors of color. Only six Black directors have ever been nominated for Best Director.
In recent months, calls for change have increased. More stars like Kerry Washington, Anthony Mackie, and Viola Davis have spoken candidly about racism in the industry as well as the need for Black voices to be centered.
There have also been calls for more representation in hair and makeup departments, which some studios have vowed to listen to. ViacomCBS in the U.K. set new standards for diversity in front of and behind the camera across the pond, and in the U.S., CBS announced plans to diversify their writers’ rooms.
In other cases, Hollywood has done a cleanse of white people taking up space that they should not be. White actors like Jenny Slate and Kristen Bell opted to step away from projects where they were providing voices for Black and biracial animated characters. In reality television, several stars have been dropped from shows for past racist behavior.
See what others are saying: (The Hollywood Reporter) (The Wrap) (USA Today)
Bruce Willis Denies Rumors He Sold His Likeness For Deepfake Use
Deepfakes face criticism from Hollywood to social media.
Willis Debunks Rumors
Actor Bruce Willis denied rumors over the weekend that he sold his likeness to the deepfake company DeepCake.
Willis agreed last year for his face to be used in a commercial for a Russian telecoms company. For this commercial, DeepCake digitally edited Willis’ face onto a Russian actor. This sparked rumors that Willis had sold the rights to his likeness for the company to use in future projects.
However, both management for Willis and DeepCake itself denied any partnership or agreement for these rights.
“Bruce couldn’t sell anyone any rights, they are his by default,” DeepCake said.
Agreements for the AI generation of actors have been heard of before, however. Recently, actor James Earl Jones agreed for his voice to be technologically generated for the voice of Darth Vader in the Star Wars franchise.
This comes as deepfakes are facing mounting criticism online, including from prominent YouTube personality and author, Hank Green. He recently tweeted about a channel that uses similar deepfake technology and AI-voice generation to parody popular YouTube creators. He stressed his concern that while the channel in question may not be nefarious, this technology could end up being harmful.
“There are ways to do this that would be much worse, more mean spirited, and more exploitative than this,” Green said. “And I’m very worried about what that will look like, because if this is working (and allowed), people will do it.”
Among other issues, Green mentioned these videos could abuse monetization and sponsorship opportunities while exploiting someone else’s face and brand. Green even implored YouTube to evaluate its terms of service as the popularity of deepfakes rise.
See what others are saying: (BBC) (Mashable) (The Telegraph)
Twitch Faces Backlash After Booking Megan Thee Stallion At TwitchCon Amid Creator Pay Cuts
The cut in revenue share has ignited severe backlash on Twitch, where users argue pay for creators should be increased, not slashed.
Revenue Share Shake Up
Twitch users are criticizing the company for hiring artist Megan Thee Stallion to perform at TwitchCon just one week after announcing cutbacks to top creator pay.
Last week, the video and streaming platform said that starting in June of next year, some creators will receive less revenue from their subscriptions. While the standard split for subscription revenue is 50/50, some major streamers previously received a more favorable 70/30 share in premium agreement terms.
Many creators have long argued that everyone should get that 70/30 share, but Twitch took a step in the opposite direction. In the future, streamers with premium terms will only get the 70/30 slice for their first $100,000 from subscription revenue. After that, they will get bumped down to the regular 50/50 cut.
The company argued the move was necessary as the premium terms previously lacked transparency and consistency, insisting it tried to modify the policy in a way that impacted the least amount of creators. According to Twitch’s statement, 90% of streamers on standard agreements will not even be impacted by the change.
Still, this move outraged Twitch users who were furious the company was not investing more in the creators that bring so many viewers to its platform. Those frustrations were exacerbated on Wednesday when the company announced Megan Thee Stallion would make an appearance at TwitchCon, a weekend-long event set to take place in San Diego in early October.
Backlash Continues to Mount
While no details of Megan Thee Stallion’s agreement to perform have been disclosed, one can assume she charges a pretty penny to book at an event of this nature. Critics argued that if Twitch is willing to spend money on her, it should be willing to spend it on its own streamers.
“So Twitch can’t afford to pay their creators 70/30, can’t fix their media player that crashes after each ad, can’t enforce their policies so people aren’t doing inappropriate things on stream, but they can afford paying celebrities to promote their streaming site?” one person wrote.
“It’s weird that a company that just announced a bunch of budget cuts due to infrastructure costs goes out and grabs an A-list musician instead of promoting their own musicians that run on their platform,” another person claimed.
“Instead of giving your creators a cut they deserve when they do so much work, this is what you do…?” one user asked. “Maybe give your creators a better deal instead of wasting their hard earned money on things we don’t even want.”
Twitch has not responded to the outrage, but Megan Thee Stallion was not the only music act the Amazon-owned service booked for the event. Kim Petras and Meet Me at the Altar will also take the stage at TwitchCon.
The backlash comes as concerns have been mounting against Twitch for a plethora of reasons including creator pay, gambling streams, and more.
In recent months, some of the platform’s biggest names have left Twitch in favor of rival services like YouTube Gaming.
“Dahmer” Series Breaks Netflix Records Amid Backlash For Exploiting Victims’ Stories
Family members of some of the murderer’s victims say the program is “retraumatizing.”
“Dahmer” Lands Successful Week on Netflix
While criticisms mount against “Dahmer – Monster: The Jeffrey Dahmer Story,” the true crime series broke Netflix’s record as the most-watched first week for a series debut.
According to data provided by the streaming giant, the Evan Peters-led show was watched for over 196 million hours between its release on Sept. 21 and Sept. 25.
“Dahmer” is the newest of several pieces of fiction and media based on the famous serial killer. Created by Ryan Murphy and Ian Brennan, the series quickly generated a lot of attention online, primarily from those concerned the show is exploiting a gruesome true story.
Critics have echoed those fears, giving the show a mixed 50% rating on Rotten Tomatoes. The “Critic’s Consensus” blurb on the site states that while the show is “seemingly self-aware of the peril in glorifying Jeffrey Dahmer” the story still “tilts this horror story into the realm of queasy exploitation.”
Victims’ Families Speak Out
The family of Errol Lindsey, one of Dahmer’s victims, has also spoken out against the series. In a viral tweet, Lindsey’s cousin Eric Perry said his family is “pissed about the show.”
“It’s retraumatizing over and over again, and for what?” he wrote. “How many movies/shows/documentaries do we need?”
In much of the promotion for the series, Netflix claimed it would be told from the perspective of the victims. Perry slammed that narrative, noting that his family was never even contacted by the streamer about the project.
“So when they say they’re doing this ‘with respect to the victims’ or ‘honoring the dignity of the families’, no one contacts them,” he wrote. “My cousins wake up every few months at this point with a bunch of calls and messages and they know there’s another Dahmer show. It’s cruel.”
Lindsey’s sister, Rita Isbell, echoed that claim in an essay she wrote for Insider, noting that Netflix did not notify her of the show, or ask her any questions about her brother.
She said that watching the show “felt like reliving it all over again.”
“It brought back all the emotions I was feeling back then,” she wrote.
“It’s sad that they’re just making money off of this tragedy. That’s just greed,” she continued.
Obsession With Dahmer
Controversy has also grown from some of the responses to the series, as many viewers have posted fan edits of the show that romanticize Dahmer. Some pair clips of Peters’ Dahmer with his victims to love songs or pop ballads, leaving a bad taste in the mouths of those who do not understand why someone would make content glorifying the killer.
Others have responded to the show by calling Dahmer “hot” or posting thirst tweets about his mug shot. This has resulted in a backlash of its own.
“Jeffrey Dahmer molested and murdered people, mostly black men and boys,” one person wrote. “So to see people making edits and thirst traps of him is a little off putting.”
“if I see anyone tweeting thirst tweets about Jeffrey Dahmer I’m immediately unfollowing,” another person said. “That’s so fuckin nasty.”
Concerns that this kind of media results in more people admiring Dahmer are also mounting in Milwaukee, where many of his crimes took place. According to TMZ, the city is considering creating something to honor the victims, but officials fear a physical memorial would turn into a “mecca” for Dahmer’s fans.