- Christopher Nolan’s “Tenet” has been delayed for the third time, but Warner Brothers did not give a new concrete release date for the film this time around.
- Hollywood has been banking on “Tenet” to be the first major blockbuster to bring audiences back to theaters since the pandemic forced them to close, so its indefinite delay has far-reaching implications.
- Warner Brothers could potentially release the film overseas before releasing it in the U.S., then open it in safer states first, and stagger the release throughout the country. However, doing so could pose major financial risks.
- Still, organizations like the National Association of Theater Owners believe new movies need to release no matter how small audiences are right now if the box office wants to have a fighting chance.
Very little is known about Christopher Nolan’s “Tenet.” Its plot has been kept a tightlipped secret and even the names of its lead characters are concealed. Now, its most consequential mystery is its release date.
“Tenet” was initially supposed to be one of the summer’s biggest blockbusters with a July 17 release date. Coronavirus concerns pushed that back to July 31, then later to August 12. On Monday, Warner Brothers said the $200 million action-thriller is being pushed back even further, but declined to give a concrete date.
This delay is more than just a bummer for Nolan fans and sci-fi enthusiasts. It increases the already high levels of uncertainty movie theaters are struggling with right now. “Tenet” was going to be the first major blockbuster to hit theaters since the coronavirus pandemic shut moviegoing down. Along with “Mulan,” Hollywood hoped it would bring audiences back to the cinema. Now, theaters only have the hope of “Mulan” to hang onto, and it is almost inevitable that its August 21 release date gets another bump.
Implications and International Release Potential
Warner Brothers may have to travel off the beaten path when it comes to their release strategy for the Robert Pattinson and John David Washington starring picture. “Tenet” could make its theatrical debut overseas, where the virus is more controlled and where some theaters are open, well before American audiences get the chance to see it. Several countries in Europe and Asia are already letting people back in theaters, and it has been a long time since they had a big new Hollywood film to screen, meaning there could be an international appetite for the film.
“Our goals throughout this process have been to ensure the highest odds of success for our films while also being ready to support our theater partners with new content as soon as they could safely reopen,” Warner Brothers Picture Group chairman Toby Emmerich said in a statement. “We are not treating ‘Tenet’ like a traditional global day-and-date release, and our upcoming marketing and distribution plans will reflect that.”
Many believe that this means the movie will not only release in certain countries first, but perhaps even certain parts of the United States could get it sooner as well. This, however, could present major issues. Cities like Los Angeles and New York, which are the biggest box office contributors in the country, currently do not have public plans for theaters to open back up. It would be a major financial risk to release a film knowing it could not go to those cities.
Coming from the mind of Nolan, “Tenet” is also bound to have twists and turns that could get easily spoiled if its release date is staggered throughout the world. Some countries or states could give away key details before other audiences even get the chance to see it, something that not only knocks the impact of the film, but the appeal for filmgoers to go to the theaters to see it as well.
Theater Owners Want to Open
Despite the clear financial risks, John Fithian, the head of the National Association of Theatre Owners, told Variety that studios need to release what they have no matter the circumstances.
“Distributors should stick with their dates and release their movies because there’s no guarantee that more markets will be open later this year,” he said in a Q&A. “Until there’s a vaccine that’s widely available, there will not be 100% of the markets open. Because of that, films should be released in markets where it is safe and legal to release them and that’s about 85% of markets in the U.S. and even more globally. They should release their movies and deal with this new normal.”
Still, releasing films to scattered markets is easier said than done. No studio wants their movie to be the guinea pig that tests how successful a film can be during a pandemic. Warner Brothers would rather see how “Mulan” does before they play “Tenet,” and likewise, Disney would like to see how “Tenet” fairs before it releases “Mulan.”
But someone has to be first, and it all comes down to how studios think they can safely take that jump. Much of this hangs on when theaters open, which is also far from a sure thing. Chains like AMC said they would open in mid-July, but after “Tenet” and “Mulan” moved to August, they went to late July. Now, with California theaters ordered to close, Los Angeles on the verge of another lockdown, case spikes in several states, and “Tenet” delayed once more, it would hardly be surprising if these chains pushed their openings back yet again. Hollywood then ends up in a rampant cycle of theaters delaying their openings based on film release dates, and films then delaying their release dates based on theater openings.
Fithian told the Los Angeles Times that the consequences of this could be severe.
“This is existential for the movie theater industry. If we go a year without new movies, it’s over,” he said.
The timing of this pandemic’s hit lines perfectly with the summer box office season, only makes matters worse. According to the Times, this season usually accounts for 40% of ticket sales, and the North American box office will fall around 61% from last year.
While some movie theaters are open to play classics and drive ins are making something of a comeback, many owners just don’t think this will be sustainable.
“You can only have so many showings of ‘Jurassic Park’ and ‘Harry Potter.’ At the end of the day, our livelihood is new movies,” Classic Cinemas CEO Chris Johnson told the Times. “We’re going to make sure the new releases are set in stone before we get excited.”
So far, neither Disney nor movie theater chains have made a knee-jerk announcement following the indefinite delay of “Tenet.” This could be an optimistic sign for entertainment, but during this pandemic, last-minute changes have become the norm.
See what others are saying: (Variety) (Los Angeles Times) (IndieWire)
Durte Dom Returns To TikTok Following Sexual Assault Accusation Levied Against Him
- YouTuber Dom Zeglaitis, a former member of David Dobrik’s Vlog Squad known online as Durte Dom, returned to the Internet less than one month after he was accused of sexually assaulting a woman in 2018 who was too drunk to consent.
- Zeglaitis has not issued a response to the allegation, but in the past three days, he has posted a dozen TikToks that mostly consist of short sketches and jokes he filmed with friends.
- One post shows Zeglaitis participating in the “Bulletproof” challenge, with text in the clip reading, “You think you can hurt my feelings?!? I got kicked out of the Vlog Squad for…”
- Several people, including major creators like Tana Mongeau and Ethan Klein, are now calling him out for seeming to make light out of a serious situation.
Durte Dom Returns To Internet
Former Vlog Squad member Dom Zeglaitis, also known as “Durte Dom,” has resumed posting on social media after nearly a month of silence since he was accused of sexual assault.
A woman told Insider in March that Zeglaitis raped her while she was too drunk to consent to sexual activity in 2018. She said that she and her friends were hanging out with YouTuber David Dobrik’s Vlog Squad at the time. The accuser, who was under 21 the night of the alleged assault, claimed the group supplied her and her friends with alcohol.
The fallout of this allegation has been significant. While Zeglaitis has yet to respond to it, Dobrik has issued multiple apologies and faced most of the financial repercussions as frontman of the group. Both Zeglaitis and Dobrik were later demonetized by YouTube. Dobrik also lost multiple sponsorship deals and bowed out of Dispo, a photo-sharing app he co-founded. He is now taking a break from YouTube and social media.
Though Zeglaitis has returned to the Internet, he is still largely ignoring the sexual assault accusation levied against him. He specifically began posting on TikTok over the weekend, and since then has posted roughly a dozen videos on the platform.
Durte Dom Jokes About The Vlog Squad on TikTok
Most of the videos are short sketches or comedy bits with his friends. In one, he and a friend are going through Omegle while Zeglaitis is off-screen. The friend asks the people on the other end of the chat “What are your thoughts on Durte Dom?” before Zeglaitis enters the shot.
Several of the videos continue to reference Zeglaitis’ sleazy, womanizing, reputation. One shows him claiming to have “smashed” adult film star Riley Reid. In another, he is sitting on a lounge chair throwing money at girls dancing next to him.
The video generating the most attention, however, is his take on the viral “Bulletproof” challenge. That TikTok features him standing below a text block that reads “You think you can hurt my feelings?!? I got kicked out of the Vlog Squad for…” while the song “Bulletproof” plays in the background.
In the caption of that video, he tagged Dobrik and asked “bruh why they kick me out?!?”
Creators Call Out Zeglaitis for Ignoring Allegation
This specific TikTok caught the attention of major creators, including Tana Mongeau and Ethan Klein, who dueted that video to call Zeglaitis out.
“Someone please make this make sense to me,” Mongeau wrote.
“This mf serious?” Klein said.
They are not the only ones frustrated with Zeglaitis. Many responded to the video in the comment section shocked he was posting at all, bringing up the sexual assault allegation, and urging him to not treat it as a joke.
The comment sections on the rest of his videos are similarly flooded with people who are outraged that he is posting regular content as though nothing had happened.
See what others are saying: (Insider)
TikToker Neumane Called Out for Copying Content From Smaller Creators
- Kane Trujillo, a comedy TikToker known as @neumane, is facing backlash after fellow TikToker Joey Bailey posted a video noting that Trujillo has risen to popularity off content copied from several, often smaller, creators.
- Bailey also shared an alleged audio message he received from Trujillo where he threatened Bailey to take his call-out video down before sending a second message promising to pursue legal action.
- In a clip from a TikTok live stream, Trujillo addressed the controversy by saying that “nothing’s original” and seemingly admitting to copying.
- “It’s not who made it first, it’s who does it better,” he said in the clip. “Who gives a f*ck about some little copied content? … I’m an actor. I’m not a writer, I’m not a f*cking storyteller…You give me a script, I will f*cking nail that sh*t. And I’m not gonna think of it, no, but I’m gonna make yours better.”
Popular comedy TikToker Kane Trujillo, who has over 2.7 million followers and is known on the platform as @neumane, has been called out by fellow creators for a pattern of stealing content.
The latest creator sounding the alarm is Joey Bailey (@joey.bailey), who posted a video to the app on March 15 that showed Trujillo’s posts next to the original versions he appears to have replicated, often word for word and with nearly identical expressions.
Similar allegations regarding Trujillo were made on March 13 in a YouTube video from thatsjustchris.
In a follow-up TikTok and a longer YouTube video, Bailey went on to explain that he received an audio message from Trujillo through Instagram trying to get Bailey to take the call-out video down.
“You can kindly take it down and we can just, you know, be cool and move on from all this sh*t, or you could just leave it up and have a lot of enemies from here on out,” the voice that allegedly belongs to Trujillo can be heard saying in the audio.
Bailey said he privated the video after that because he “didn’t want to become the drama TikToker,” but he eventually changed his mind, arguing that he wasn’t starting drama, he was just standing up for himself.
After he unprivated the video, he said Trujillo sent him another message promising to pursue legal action.
“As of today me & my management team will be proceeding with a False Accusation lawsuit against you. I wish we didn’t have to go this far but you leave me no choice,” that message read.
Copied Creators Express Mixed Feelings
In statements to The Daily Dot, some of those creators essentially said they’ve accepted that this is something that happens on TikTok.
“This is something I’ve come to accept because sadly TikTok is an app that will push stolen content and Suppress originality!” Natchez Ballinger (@nuhchez) told the outlet in an email. “Creators have stolen from me since I’ve joined the app, I take it as flattery in a way.”
“I mean yeah he did steal my video and it became more popular but it’s TikTok,” Dawson Anderson (@dawson.taylor1) told the outlet via Instagram. “I don’t really care all that much it’s a video trend not worth crying over.”
Still, others were much more frustrated.
“The thing with him is that he doesn’t steal ideas, he steals the video word for word, uses the same sound, the same gestures, and even the same wording without giving any credit to the creator whatsoever,” Brodie Falgoust (@brodiefalgoust) told The Daily Dot via Instagram. “That is how he gained all of his following, and continues to do it still (even after being called out). I get ripped off all the time but It’s frustrating as a smaller creator who is constantly coming out with original content when a person with a big following comes and takes credit for your originality.”
“People take my ideas but any creator that has been bigger than me has given me credit!” Falgoust continued.
“There is [a] large difference between following a trend and ripping off someone’s work shot for shot and word for word,” said another creator who spoke to the outlet anonymously out of feat of legal retaliation.
“A lot of users do not understand how much work some of these creators are putting into original content. And for Neumane to hunt down those smaller creators and reproduce their successful content as his own without acknowledging credit is exasperating. The real issue becomes the money and opportunity he is being given by eating off of the backs of others.”
In a clip of a TikTok live stream reviewed by The Daily Dot, Neumane addressed the controversy by saying, “nothing’s original.” He also seemed to admit to copying.
“Imagine showing hate to somebody on the internet,” Trujillo reportedly said during the live stream. “Like bro, just show love. Who gives a f*ck about some little copied content? Like, just make it good, and yours will get a lot of views. Do good expression, act well. I’m an actor. I’m not a writer, I’m not a f*cking storyteller. I’m an actor. You give me a script, I will f*cking nail that sh*t. And I’m not gonna think of it, no, but I’m gonna make yours better.”
A viral TikTok by @ttdramanews covering the allegations against Trujillo shared portions of that clip, which also shows Trujillo saying, “It’s not who made it first, it’s who does it better.”
According to The Daily Dot, Trujillo talked about people needing to show love, though commenters quickly pointed out that he’s the one threatening others with legal action.
See what others are saying: (The Daily Dot) (Joey Bailey) (thatsjustchris)
Netflix Strikes Deal for Rights To Sony Movies Following Theatrical Releases. Yes, That Includes Spider-Man.
- Netflix has secured the exclusive rights to stream Sony films following their theatrical releases, per a reported $1 billion deal between the streaming giant and movie studio.
- While the full details of the deal have not yet been officially published, it will begin with Sony’s 2022 slate of films and reportedly last for the following five years.
- The agreement means Netflix will eventually be granted streaming rights to popular Marvel characters such as Morbius, as well as Venom and Spider-Man once future installments are released.
Netflix Reach Massive Deal With Sony
Netflix has struck a multi-year licensing deal with Sony Pictures Entertainment that will grant it exclusive streaming rights to the studio’s theatrical titles.
The terms of the agreement have yet to be officially disclosed, but according to multiple media outlets, Netflix will pay Sony over $1 billion over the course of the next four years. The deal itself is set to begin with Sony’s 2022 slate and will reportedly last five years, with Netflix holding streaming rights to individual films for 18 months.
Given the nature of the COVID-19 pandemic, it’s unclear whether some films will continue to have their release dates pushed back. It’s also unclear how long their theatrical windows will last; however, once released, Netflix will acquire streaming rights to films such as “Uncharted,” “Where the Crawdads Sing,” and “Bullet Train.”
Netflix Will Have Marvel Movies Once More
The deal will also grant Netflix access to a number of Marvel characters still owned by Sony. That includes the film “Morbius,” which is currently set to be released in January of next year.
It will also include future installments of the “Venom” and “Spider-Man” franchises, the latter of which is notable as it’s part of the Dinsey-owned Marvel Cinematic Universe. Outside of 2008’s “The Incredible Hulk,” Tom Holland’s “Spider-Man” films are the only other films set in the MCU that are not on Disney+.
Prior to Disney+’s launch, Netflix held streaming rights to several MCU films, including “Black Panther,” “Thor: Ragnarok,” and “Avengers: Infinity War.” The shift of those massive blockbusters to another platform was a striking loss for Netflix, and the streaming service is no doubt itching to once again beef up its selection of superhero content.
It’s unclear whether or not the Sony deal will immediately allow Netflix to stream the upcoming films “Spider-Man: No Way Home” and “Venom: Let There Be Carnage” once they leave theaters. That’s because both are currently expected to be released later this year.
That said, if sequels for these films are announced and can be expected to find their way to Netflix, the streaming giant will be able to acquire the rights to the films’ full library of installments, according to Deadline. Such a deal also exists for Jumanji’s library of movies.
Sony’s Direct-to-Streaming Titles
Netflix will retain first-look rights to any of Sony’s potential direct-to-streaming titles, though that doesn’t necessarily mean it will acquire those films. Under that part of the deal, Sony still has the right to sell to other streaming platforms.
While Sony has said it’s considering “a number” of direct-to-streaming releases, as Deadline projected, “in reality [that’s] likely just a couple a year and a minority of the studio’s overall slate.”
According to the Wall Street Journal, however, “Netflix has committed to ordering an undisclosed number of those films.”