- On Thursday, Disney Parks announced it would be re-theming its Splash Mountain rides at Disneyland and Disney World to center around the 2009 film “The Princess and the Frog.”
- The ride is currently based upon the 1946 film “Song of the South,” which has been criticized for its oversimplified and idyllic depiction of the Antebellum South, as well as for its racial stereotypes of Black people.
- Disney Parks did not directly reference Splash Mountain’s ties to “Song of the South” in its announcement but did call the plan to refocus on “Princess and the Frog” a concept rooted in inclusivity.
- Disney Imagineer President Bob Weis said the concept to retrofit the ride has been in the works for more than a year.
Disney To Re-invent Splash Mountain
After years of complaints to scrap racist connections to a long condemned movie, Disneyland and Disney World have finally announced that they will re-theme Splash Mountain.
In a statement on Thursday, Disney Parks said the longstanding ride will “soon” be retrofitted into a ride based on “The Princess and the Frog.” That film, released in 2009, tells the story of Disney’s first Black princess, Tiana.
“Tiana is a modern, courageous, and empowered woman, who pursues her dreams and never loses sight of what’s really important,” Disney Parks said on its official blog. “It’s a great story with a strong lead character, set against the backdrop of New Orleans and the Louisiana bayou.
“In 1966, Walt himself opened New Orleans Square when it became the first new “land” added to Disneyland park, so it feels natural to link the story and the incredible music of “The Princess and the Frog” to our parks.”
Disney stopped short of directly referencing Splash Mountain’s current inspiration—“Song of the South.” Despite that, Disney Parks did vaguely allude to the ongoing and increased calls for racial justice that have rocked the country since the death of George Floyd in late May.
“With this longstanding history of updating attractions and adding new magic, the retheming of Splash Mountain is of particular importance today,” Disney Parks said. “The new concept is inclusive—one that all of our guests can connect with and be inspired by, and it speaks to the diversity of the millions of people who visit our parks each year.”
In recent weeks, many have made calls for the removal of objects and forms of entertainment that have—up to this point in history—evaded widespread condemnation.
Now, Confederate statues are being removed and in some cases, toppled. Streaming services have removed full episodes and even some whole TV shows for depictions of blackface. Even Rhode Island is moving forward to change its official (if surprising) name of the State of Rhode Island and Providence Plantations.
Splash Mountain will remain a log flume ride, though Disney did not indicate how long it would take to implement the change. Disney has also not announced any plans to re-imagine a third version of the ride at Disneyland Japan.
Disney’s Controversial History with “Song of the South”
If “Song of the South’s” intention when it was released in 1946 was to capture the “song” of the Antebellum South immediately following the Civil War, it was pretty tone-deaf in its delivery.
Set on a plantation home in Georgia, the film follows a young white boy who befriends a Black plantation worker, Uncle Remus. The film makes no mention of slavery, and within the context of the film, it’s unclear in what time period the events are taking place. It was only after the film’s release that Disney revealed the story takes place after the Civil War.
Throughout the film, Uncle Remus tells the boy a number of stories that are depicted in animated format—including one story featuring the infamous character Tar Baby. While in the movie, Tar Baby is nothing more than a doll literally constructed from a lump of tar, its imagery evokes stereotypical depictions of Black people. The phrase “tar baby” has also been considered a slur for African Americans.
Upon the film’s release, the NAACP strongly denounced the film, saying that “in an effort neither to offend audiences in the North or South, the production helps to perpetuate a dangerously glorified picture of slavery….[the film] unfortunately gives the impression of an idyllic master-slave relationship which is a distortion of the facts.”
Disney’s approach has proven to be the catalyst for intense criticism that has persisted for nearly 70 years, with many saying the film overly simplifies struggles Black people faced in the Reconstruction Era. In addition to that, many have condemned the depiction of the film’s Black characters as stereotypical and racist.
Because of that controversy, Disney has never fully released “Song of the South” to home video in the United States; however, it has been released in European and Asian countries, and some clips from animated portions of the film have found themselves released as part of the Disney Sing-Along Series.
In March, Disney CEO Bob Iger confirmed that the film would not appear within the Disney+ catalog, saying that such a film “is not appropriate in today’s world.” Prior to that, some had wondered whether the film would make its way onto Disney+ and if the streaming platform would include an “outdated cultural warning” before the film.
Still, in 1989, Splash Mountain was first opened to the public at Disneyland. Three years later, another version of the ride was opened at Disney World. While both rides replace Uncle Remus as the narrator, quotes from Uncle Remus are carved along the wall of the ride.
This is not the first controversy for a Disney ride. In 2017, Disney Parks removed a misogynist skit of a bridal auction from its Pirates of the Caribbean ride.
Disneyland Delays Reopening
According to Disney Imagineer President Bob Weis, designers have been working on the Splash Mountain redesign for more than a year.
Weis said conceptual design work is still in progress and will be followed by preliminary reviews that will help develop a timeline for the transformation.
That process will likely be affected by the coronavirus pandemic—especially after Disneyland delayed its reopening this week. The park had been set to reopen on July 17. Notably, that date marks its 65th anniversary.
Now, the park said it will wait for state guidelines before determining a new target date to reopen. Part of the decision to extend its closure was due, in part, to California not planning to issue theme park reopening guidelines until after July 4.
The company has said that timeline would not give it enough time to bring back its crew and prepare for a mind-July reopening.
California Governor Gavin Newsom (D) later expressed his support for the delay.
“The governor appreciates Disney’s responsiveness to his concerns about reopening amid the recent increases in COVID-19 infections across many Southern California counties,” spokesperson Nathan Click said in a statement. “The state and our public health experts continue to be in contact with the company and their workers—as well as other theme parks in the state—as we track and combat the spread of the virus.”
See what others are saying: (LAist) (CNN) (The Los Angeles Times)
Durte Dom Returns To TikTok Following Sexual Assault Accusation Levied Against Him
- YouTuber Dom Zeglaitis, a former member of David Dobrik’s Vlog Squad known online as Durte Dom, returned to the Internet less than one month after he was accused of sexually assaulting a woman in 2018 who was too drunk to consent.
- Zeglaitis has not issued a response to the allegation, but in the past three days, he has posted a dozen TikToks that mostly consist of short sketches and jokes he filmed with friends.
- One post shows Zeglaitis participating in the “Bulletproof” challenge, with text in the clip reading, “You think you can hurt my feelings?!? I got kicked out of the Vlog Squad for…”
- Several people, including major creators like Tana Mongeau and Ethan Klein, are now calling him out for seeming to make light out of a serious situation.
Durte Dom Returns To Internet
Former Vlog Squad member Dom Zeglaitis, also known as “Durte Dom,” has resumed posting on social media after nearly a month of silence since he was accused of sexual assault.
A woman told Insider in March that Zeglaitis raped her while she was too drunk to consent to sexual activity in 2018. She said that she and her friends were hanging out with YouTuber David Dobrik’s Vlog Squad at the time. The accuser, who was under 21 the night of the alleged assault, claimed the group supplied her and her friends with alcohol.
The fallout of this allegation has been significant. While Zeglaitis has yet to respond to it, Dobrik has issued multiple apologies and faced most of the financial repercussions as frontman of the group. Both Zeglaitis and Dobrik were later demonetized by YouTube. Dobrik also lost multiple sponsorship deals and bowed out of Dispo, a photo-sharing app he co-founded. He is now taking a break from YouTube and social media.
Though Zeglaitis has returned to the Internet, he is still largely ignoring the sexual assault accusation levied against him. He specifically began posting on TikTok over the weekend, and since then has posted roughly a dozen videos on the platform.
Durte Dom Jokes About The Vlog Squad on TikTok
Most of the videos are short sketches or comedy bits with his friends. In one, he and a friend are going through Omegle while Zeglaitis is off-screen. The friend asks the people on the other end of the chat “What are your thoughts on Durte Dom?” before Zeglaitis enters the shot.
Several of the videos continue to reference Zeglaitis’ sleazy, womanizing, reputation. One shows him claiming to have “smashed” adult film star Riley Reid. In another, he is sitting on a lounge chair throwing money at girls dancing next to him.
The video generating the most attention, however, is his take on the viral “Bulletproof” challenge. That TikTok features him standing below a text block that reads “You think you can hurt my feelings?!? I got kicked out of the Vlog Squad for…” while the song “Bulletproof” plays in the background.
In the caption of that video, he tagged Dobrik and asked “bruh why they kick me out?!?”
Creators Call Out Zeglaitis for Ignoring Allegation
This specific TikTok caught the attention of major creators, including Tana Mongeau and Ethan Klein, who dueted that video to call Zeglaitis out.
“Someone please make this make sense to me,” Mongeau wrote.
“This mf serious?” Klein said.
They are not the only ones frustrated with Zeglaitis. Many responded to the video in the comment section shocked he was posting at all, bringing up the sexual assault allegation, and urging him to not treat it as a joke.
The comment sections on the rest of his videos are similarly flooded with people who are outraged that he is posting regular content as though nothing had happened.
See what others are saying: (Insider)
TikToker Neumane Called Out for Copying Content From Smaller Creators
- Kane Trujillo, a comedy TikToker known as @neumane, is facing backlash after fellow TikToker Joey Bailey posted a video noting that Trujillo has risen to popularity off content copied from several, often smaller, creators.
- Bailey also shared an alleged audio message he received from Trujillo where he threatened Bailey to take his call-out video down before sending a second message promising to pursue legal action.
- In a clip from a TikTok live stream, Trujillo addressed the controversy by saying that “nothing’s original” and seemingly admitting to copying.
- “It’s not who made it first, it’s who does it better,” he said in the clip. “Who gives a f*ck about some little copied content? … I’m an actor. I’m not a writer, I’m not a f*cking storyteller…You give me a script, I will f*cking nail that sh*t. And I’m not gonna think of it, no, but I’m gonna make yours better.”
Popular comedy TikToker Kane Trujillo, who has over 2.7 million followers and is known on the platform as @neumane, has been called out by fellow creators for a pattern of stealing content.
The latest creator sounding the alarm is Joey Bailey (@joey.bailey), who posted a video to the app on March 15 that showed Trujillo’s posts next to the original versions he appears to have replicated, often word for word and with nearly identical expressions.
Similar allegations regarding Trujillo were made on March 13 in a YouTube video from thatsjustchris.
In a follow-up TikTok and a longer YouTube video, Bailey went on to explain that he received an audio message from Trujillo through Instagram trying to get Bailey to take the call-out video down.
“You can kindly take it down and we can just, you know, be cool and move on from all this sh*t, or you could just leave it up and have a lot of enemies from here on out,” the voice that allegedly belongs to Trujillo can be heard saying in the audio.
Bailey said he privated the video after that because he “didn’t want to become the drama TikToker,” but he eventually changed his mind, arguing that he wasn’t starting drama, he was just standing up for himself.
After he unprivated the video, he said Trujillo sent him another message promising to pursue legal action.
“As of today me & my management team will be proceeding with a False Accusation lawsuit against you. I wish we didn’t have to go this far but you leave me no choice,” that message read.
Copied Creators Express Mixed Feelings
In statements to The Daily Dot, some of those creators essentially said they’ve accepted that this is something that happens on TikTok.
“This is something I’ve come to accept because sadly TikTok is an app that will push stolen content and Suppress originality!” Natchez Ballinger (@nuhchez) told the outlet in an email. “Creators have stolen from me since I’ve joined the app, I take it as flattery in a way.”
“I mean yeah he did steal my video and it became more popular but it’s TikTok,” Dawson Anderson (@dawson.taylor1) told the outlet via Instagram. “I don’t really care all that much it’s a video trend not worth crying over.”
Still, others were much more frustrated.
“The thing with him is that he doesn’t steal ideas, he steals the video word for word, uses the same sound, the same gestures, and even the same wording without giving any credit to the creator whatsoever,” Brodie Falgoust (@brodiefalgoust) told The Daily Dot via Instagram. “That is how he gained all of his following, and continues to do it still (even after being called out). I get ripped off all the time but It’s frustrating as a smaller creator who is constantly coming out with original content when a person with a big following comes and takes credit for your originality.”
“People take my ideas but any creator that has been bigger than me has given me credit!” Falgoust continued.
“There is [a] large difference between following a trend and ripping off someone’s work shot for shot and word for word,” said another creator who spoke to the outlet anonymously out of feat of legal retaliation.
“A lot of users do not understand how much work some of these creators are putting into original content. And for Neumane to hunt down those smaller creators and reproduce their successful content as his own without acknowledging credit is exasperating. The real issue becomes the money and opportunity he is being given by eating off of the backs of others.”
In a clip of a TikTok live stream reviewed by The Daily Dot, Neumane addressed the controversy by saying, “nothing’s original.” He also seemed to admit to copying.
“Imagine showing hate to somebody on the internet,” Trujillo reportedly said during the live stream. “Like bro, just show love. Who gives a f*ck about some little copied content? Like, just make it good, and yours will get a lot of views. Do good expression, act well. I’m an actor. I’m not a writer, I’m not a f*cking storyteller. I’m an actor. You give me a script, I will f*cking nail that sh*t. And I’m not gonna think of it, no, but I’m gonna make yours better.”
A viral TikTok by @ttdramanews covering the allegations against Trujillo shared portions of that clip, which also shows Trujillo saying, “It’s not who made it first, it’s who does it better.”
According to The Daily Dot, Trujillo talked about people needing to show love, though commenters quickly pointed out that he’s the one threatening others with legal action.
See what others are saying: (The Daily Dot) (Joey Bailey) (thatsjustchris)
Netflix Strikes Deal for Rights To Sony Movies Following Theatrical Releases. Yes, That Includes Spider-Man.
- Netflix has secured the exclusive rights to stream Sony films following their theatrical releases, per a reported $1 billion deal between the streaming giant and movie studio.
- While the full details of the deal have not yet been officially published, it will begin with Sony’s 2022 slate of films and reportedly last for the following five years.
- The agreement means Netflix will eventually be granted streaming rights to popular Marvel characters such as Morbius, as well as Venom and Spider-Man once future installments are released.
Netflix Reach Massive Deal With Sony
Netflix has struck a multi-year licensing deal with Sony Pictures Entertainment that will grant it exclusive streaming rights to the studio’s theatrical titles.
The terms of the agreement have yet to be officially disclosed, but according to multiple media outlets, Netflix will pay Sony over $1 billion over the course of the next four years. The deal itself is set to begin with Sony’s 2022 slate and will reportedly last five years, with Netflix holding streaming rights to individual films for 18 months.
Given the nature of the COVID-19 pandemic, it’s unclear whether some films will continue to have their release dates pushed back. It’s also unclear how long their theatrical windows will last; however, once released, Netflix will acquire streaming rights to films such as “Uncharted,” “Where the Crawdads Sing,” and “Bullet Train.”
Netflix Will Have Marvel Movies Once More
The deal will also grant Netflix access to a number of Marvel characters still owned by Sony. That includes the film “Morbius,” which is currently set to be released in January of next year.
It will also include future installments of the “Venom” and “Spider-Man” franchises, the latter of which is notable as it’s part of the Dinsey-owned Marvel Cinematic Universe. Outside of 2008’s “The Incredible Hulk,” Tom Holland’s “Spider-Man” films are the only other films set in the MCU that are not on Disney+.
Prior to Disney+’s launch, Netflix held streaming rights to several MCU films, including “Black Panther,” “Thor: Ragnarok,” and “Avengers: Infinity War.” The shift of those massive blockbusters to another platform was a striking loss for Netflix, and the streaming service is no doubt itching to once again beef up its selection of superhero content.
It’s unclear whether or not the Sony deal will immediately allow Netflix to stream the upcoming films “Spider-Man: No Way Home” and “Venom: Let There Be Carnage” once they leave theaters. That’s because both are currently expected to be released later this year.
That said, if sequels for these films are announced and can be expected to find their way to Netflix, the streaming giant will be able to acquire the rights to the films’ full library of installments, according to Deadline. Such a deal also exists for Jumanji’s library of movies.
Sony’s Direct-to-Streaming Titles
Netflix will retain first-look rights to any of Sony’s potential direct-to-streaming titles, though that doesn’t necessarily mean it will acquire those films. Under that part of the deal, Sony still has the right to sell to other streaming platforms.
While Sony has said it’s considering “a number” of direct-to-streaming releases, as Deadline projected, “in reality [that’s] likely just a couple a year and a minority of the studio’s overall slate.”
According to the Wall Street Journal, however, “Netflix has committed to ordering an undisclosed number of those films.”