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Disneyland Will Redesign Splash Mountain to Overhaul “Song of the South” Ties

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  • On Thursday, Disney Parks announced it would be re-theming its Splash Mountain rides at Disneyland and Disney World to center around the 2009 film “The Princess and the Frog.”
  • The ride is currently based upon the 1946 film “Song of the South,” which has been criticized for its oversimplified and idyllic depiction of the Antebellum South, as well as for its racial stereotypes of Black people.
  • Disney Parks did not directly reference Splash Mountain’s ties to “Song of the South” in its announcement but did call the plan to refocus on “Princess and the Frog” a concept rooted in inclusivity. 
  • Disney Imagineer President Bob Weis said the concept to retrofit the ride has been in the works for more than a year.

Disney To Re-invent Splash Mountain

After years of complaints to scrap racist connections to a long condemned movie, Disneyland and Disney World have finally announced that they will re-theme Splash Mountain.

In a statement on Thursday, Disney Parks said the longstanding ride will “soon” be retrofitted into a ride based on “The Princess and the Frog.” That film, released in 2009, tells the story of Disney’s first Black princess, Tiana. 

“Tiana is a modern, courageous, and empowered woman, who pursues her dreams and never loses sight of what’s really important,” Disney Parks said on its official blog. “It’s a great story with a strong lead character, set against the backdrop of New Orleans and the Louisiana bayou. 

“In 1966, Walt himself opened New Orleans Square when it became the first new “land” added to Disneyland park, so it feels natural to link the story and the incredible music of “The Princess and the Frog” to our parks.”

Disney stopped short of directly referencing Splash Mountain’s current inspiration—“Song of the South.” Despite that, Disney Parks did vaguely allude to the ongoing and increased calls for racial justice that have rocked the country since the death of George Floyd in late May.

“With this longstanding history of updating attractions and adding new magic, the retheming of Splash Mountain is of particular importance today,” Disney Parks said. “The new concept is inclusive—one that all of our guests can connect with and be inspired by, and it speaks to the diversity of the millions of people who visit our parks each year.”

In recent weeks, many have made calls for the removal of objects and forms of entertainment that have—up to this point in history—evaded widespread condemnation.

Now, Confederate statues are being removed and in some cases, toppled. Streaming services have removed full episodes and even some whole TV shows for depictions of blackface. Even Rhode Island is moving forward to change its official (if surprising) name of the State of Rhode Island and Providence Plantations.

Splash Mountain will remain a log flume ride, though Disney did not indicate how long it would take to implement the change. Disney has also not announced any plans to re-imagine a third version of the ride at Disneyland Japan.

Disney’s Controversial History with “Song of the South”

If “Song of the South’s” intention when it was released in 1946 was to capture the “song” of the Antebellum South immediately following the Civil War, it was pretty tone-deaf in its delivery.

Set on a plantation home in Georgia, the film follows a young white boy who befriends a Black plantation worker, Uncle Remus. The film makes no mention of slavery, and within the context of the film, it’s unclear in what time period the events are taking place. It was only after the film’s release that Disney revealed the story takes place after the Civil War. 

Throughout the film, Uncle Remus tells the boy a number of stories that are depicted in animated format—including one story featuring the infamous character Tar Baby. While in the movie, Tar Baby is nothing more than a doll literally constructed from a lump of tar, its imagery evokes stereotypical depictions of Black people. The phrase “tar baby” has also been considered a slur for African Americans.

Source: The Disney Company

Upon the film’s release, the NAACP strongly denounced the film, saying that “in an effort neither to offend audiences in the North or South, the production helps to perpetuate a dangerously glorified picture of slavery….[the film] unfortunately gives the impression of an idyllic master-slave relationship which is a distortion of the facts.”

Disney’s approach has proven to be the catalyst for intense criticism that has persisted for nearly 70 years, with many saying the film overly simplifies struggles Black people faced in the Reconstruction Era. In addition to that, many have condemned the depiction of the film’s Black characters as stereotypical and racist. 

Because of that controversy, Disney has never fully released “Song of the South” to home video in the United States; however, it has been released in European and Asian countries, and some clips from animated portions of the film have found themselves released as part of the Disney Sing-Along Series.

In March, Disney CEO Bob Iger confirmed that the film would not appear within the Disney+ catalog, saying that such a film “is not appropriate in today’s world.” Prior to that, some had wondered whether the film would make its way onto Disney+ and if the streaming platform would include an “outdated cultural warning” before the film.

Still, in 1989, Splash Mountain was first opened to the public at Disneyland. Three years later, another version of the ride was opened at Disney World. While both rides replace Uncle Remus as the narrator, quotes from Uncle Remus are carved along the wall of the ride. 

This is not the first controversy for a Disney ride. In 2017, Disney Parks removed a misogynist skit of a bridal auction from its Pirates of the Caribbean ride. 

Disneyland Delays Reopening

According to Disney Imagineer President Bob Weis, designers have been working on the Splash Mountain redesign for more than a year. 

Weis said conceptual design work is still in progress and will be followed by preliminary reviews that will help develop a timeline for the transformation. 

That process will likely be affected by the coronavirus pandemic—especially after Disneyland delayed its reopening this week. The park had been set to reopen on July 17. Notably, that date marks its 65th anniversary.

Now, the park said it will wait for state guidelines before determining a new target date to reopen. Part of the decision to extend its closure was due, in part, to California not planning to issue theme park reopening guidelines until after July 4. 

The company has said that timeline would not give it enough time to bring back its crew and prepare for a mind-July reopening.

California Governor Gavin Newsom (D) later expressed his support for the delay.

“The governor appreciates Disney’s responsiveness to his concerns about reopening amid the recent increases in COVID-19 infections across many Southern California counties,” spokesperson Nathan Click said in a statement. “The state and our public health experts continue to be in contact with the company and their workers—as well as other theme parks in the state—as we track and combat the spread of the virus.”

See what others are saying: (LAist) (CNN) (The Los Angeles Times)

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Quinta Brunson Says This Country is “Not Okay” Following Requests For School Shooting Episode of “Abbott Elementary”

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“I don’t want to sound mean, but I want people to understand the flaw in asking for something like this,” the writer and actress tweeted.


Quinta Brunson Calls Out “Wild” Requests

“Abbott Elementary” star and creator Quinta Brunson shut down requests for her to make an episode of the hit comedy series involving a school shooting. 

“Wild how many people have asked for a school shooting episode of the show I write,” Brunson tweeted “People are that deeply removed from demanding more from the politicians they’ve elected and are instead demanding ‘entertainment.’ I can’t ask ‘are yall ok’ anymore because the answer is ‘no.’”

Her message came one day after 19 children and two teachers were killed during a school shooting in Uvalde, Texas. It marked the 27th school shooting of 2022, just 22 weeks into the year. The news of the massacre has rocked the nation, dominating the cultural conversation with calls for change

Brunson believes those calls should fall on the ears of politicians, not television writers. 

“Please use that energy to ask your elected official to get on Beto time and nothing less. I’m begging you,” Brunson said to fans, referring to Texas gubernatorial candidate Beto O’Rourke (D), who publicly confronted Gov. Greg Abbott (R ) about gun control legislation during a press conference the same day. 

“I don’t want to sound mean, but I want people to understand the flaw in asking for something like this. We’re not okay,” she continued. “This country is rotting our brains. I’m sad about it.”

“Abbott Elementary” is a heartwarming sitcom following teachers at a public Philadelphia elementary school. Brunson plays Janine Teagues, a passionate and optimistic second-grade teacher. Despite a lack of resources and funding, Teagues and the rest of the staff are deeply committed to helping their students learn and succeed. 

Brunson Shares Example of Suggestion

Brunson shared an example of “one of many” messages she received suggesting a school shooting episode for “Abbott Elementary.” The anonymous fan said a shooting should happen in the “eventual series finale” to “highlight the numerous ones in this nation.” 

“Formulate an angle that would get our government to understand why laws need to pass,” the message continued. “I Think Abbott Elementary can affect change. I love the show.”

In response to Brunson’s thread, many were shocked that viewers would want to watch something so devastating happen on a largely uplifting show. Some followed Brunson in questioning why those fans were not directing their focus on politicians instead. Others were frustrated that these requests were being pointed at a joyful show depicting a predominantly Black school.

“I look to Abbott Elementary for a laugh, not a reminder about how black kids will never be safe,” one person wrote. 

Having just finished its first season, “Abbott Elementary” is currently being credited as one of the few series saving the network sitcom. It raked in ABC’s highest ratings for a comedy since the series finale of “Modern Family” in 2020. It also became the first ABC sitcom premiere to quadruple its ratings since its initial airing.

“Abbott Elementary” is highly acclaimed by both critics and viewers and is considered a favorite for Emmy nominations this year. It is expected to return in the fall. 

See what others are saying: (People) (The Hollywood Reporter) (The Washington Post)

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Ricky Gervais Criticized For Jokes About Trans People in New Netflix Special

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The backlash comes less than a year after Dave Chappelle received similar criticism for his most recent stand-up special on Netflix. 


Ricky Gervais Aims Jokes at Trans Community

Comedian Ricky Gervais is facing backlash over transphobic remarks he made in his latest Netflix stand-up special “SuperNature.”

Less than five minutes into the program, which was released on Tuesday, Gervais began aiming his jokes specifically at trans women. 

“Oh, women. Not all women, I mean the old-fashioned ones,” Gervais said. “The old-fashioned women, the ones with wombs. Those fucking dinosaurs. I love the new women. They’re great, aren’t they? The new ones we’ve been seeing lately. The ones with beards and cocks!” 

“They’re as good as gold, I love them,” he continued. “And now the old-fashioned ones say, ‘Oh, they want to use our toilets.’ ‘Why shouldn’t they use your toilets?’ ‘For ladies!’ ‘They are ladies, look at their pronouns. What about this person isn’t a lady?’ ‘Well, his penis.’ ‘Her penis, you fucking bigot!’ ‘What if he rapes me?’ ‘What if she rapes you, you fucking TERF whore?’” 

He then bemoaned cancel culture and “woke comedy,” claiming the surest way for someone to get canceled is to tweet that “women don’t have penises.”

Gervais is no stranger to prompting controversy and outrage with his comedy. He likely anticipated that his remarks would cause a stir, especially given that he carved out time in his special to defend his jokes about trans people. 

“Trans people just want to be treated equally,” he said. “I agree. That’s why I include them.”

Gervais noted he made jokes about a variety of groups and people, arguing that these remarks are not a window into his soul or beliefs. He said he would “take on any view” to make a joke as funny as possible, even if it does not reflect his own opinions.

“In real life, of course, I support trans rights,” he said. “I support all human rights, and trans rights are human rights. Live your best life. Use your preferred pronouns.”

Moments later, he joked that ladies should still “lose the cock.” The audience erupted in laughter. 

Gervais Faces Backlash Online

Gervais was met with swift criticism within hours of “SuperNature” debuting on Netflix. Many said they would cancel their Netflix subscriptions because of the transphobia on the platform. 

“Ricky Gervais has a new stand up show out on Netflix today,” one person tweeted. “[Five] minutes in and he’s making jokes about trans women attacking & raping people in public bathrooms. To him we exist only as a punchline, a threat, something less than human.”

“Ricky Gervais is a disgrace, he is going to cause hate crime and ultimately the death of Trans folk,” another person added.

Some further claimed that on top of it being offensive, it is lazy to take shots at marginalized communities in the name of comedy. 

“This isn’t comedy. This is making cheap, nasty stereotypes out of a minority group,” one person wrote. “Please, if you’re Transgender or Support Trans lives, don’t watch this.”

Others accused Gervais of riding a wave of transphobia that has recently popped up among major comedians. Last year, Dave Chappelle’s Netflix special “The Closer” sparked a wave of backlash over the comedian’s jokes about trans people. Netflix staffers staged a walkout in protest, demanding that the company do more to help LGBTQ+ creators and stand against anti-trans content. 

Terra Feld, a former Netflix employee who helped organize the protests, encouraged subscribers to ditch Netflix over Gervais’ recent remarks. 

See what others are saying: (Deadline) (AV Club) (IndieWire)

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Halsey Says Her Label Won’t Release Her New Song Unless They Can “Fake” A Viral TikTok Moment. Artists Say This Points to a Larger Issue in the Industry

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Artist Sizzy Rocket said that record companies are forcing musicians “to fit into this box of virality” in hopes of landing a quick hit.


Halsey Calls Out Record Label

Over the last several years, TikTok has changed nearly every aspect of the music industry by sending viral songs to the top of the Billboard charts. Even major artists like Halsey say they cannot escape the pressure to go viral, sparking concern over how the app is influencing music.

On Sunday, Halsey, who uses she/they pronouns, posted a TikTok saying they had a new song they were eager to release, but their label said they “can’t release it unless they can fake a viral moment on TikTok.”

“Everything is marketing,” Halsey wrote, adding that this issue is impacting “basically every artist” right now. 

Countless songs, including chart-toppers like “Old Town Road” and “drivers license” first soared to success on TikTok. Labels are eager to recreate that path in whatever ways they can.

Halsey’s label, Astralwerks-Capitol, gave a statement to Variety claiming its “belief in Halsey as a singular and important artist is total and unwavering.”

“We can’t wait for the world to hear their brilliant new music,” the statement said. 

In response, Halsey noted that Astralwerks was the company that signed her before upstreaming her to Capitol. She said this statement in particular “came from the company who believed in me from the jump” and not the company she is “wrestling with now.”

Artists Speak Out

Nearly eight million views later, Halsey’s TikTok prompted fans and people working in the music industry to criticize the practice of forcing songs to go viral.

“Halsey has sold over 100 million records and she is having to put up with this nonsense?” musician Rebecca Ferguson tweeted. “Artists and creatives should be ‘free.’”

“halsey’s tik tok only scratches the surface of what’s happening in music right now,” singer and songwriter Sizzy Rocket added. 

While speaking to Rogue Rocket, Sizzy Rocket said that labels and producers don’t understand that making a song and going viral on TikTok are two different art forms. The pressure of going viral often puts artists in positions where they feel their creative integrity could be compromised. 

“Artists like myself and Halsey, who require a little bit more time and space to craft our messages, are sort of being forced to fit into this box of virality and so, it’s a big problem,” Sizzy Rocket said.

“As an artist, I can’t just do something to go viral.”

Sizzy Rocket said that labels have approached her to write songs for their more viral artists, oftentimes offering no pay for the session. 

“It’s taken me four albums, I just released my fourth album, and ten years to develop this melodic and lyrical style,” she explained. “You know I have a thing, I have a je ne sais quoi, and so to ask me to just give that to a brand new artist who just went viral overnight is truly offensive.”

Smaller Artists Face Bigger Issues

As Halsey’s call-out TikTok has spread online, the “Closer” singer denied that the video was a promotional stunt of its own, arguing she is “way too established to stir something like this up for no reason or resort to this as a marketing tactic.”

But whether it be intentionally or inadvertently, Halsey has drummed up attention for their new music. Smaller artists don’t have the luxury of being able to instantly reach the masses. Sizzy Rocket said that up and comers like herself have to struggle more to get the spotlight, while mainstream artists have a larger fanbase to fall back on. 

“I feel like smaller artists are more affected because we’re getting buried, right?” she said. “There’s so much content, there are so many people trying to go viral.” 

“I feel like larger artists, because they have a more established and bigger audience, they sort of have access to that attention already,” Sizzy Rocket continued. “But for smaller artists, we sort of have to like, dig, dig through the pile of everyone else sort of grabbing for that trend.”

While Sizzy Rocket does not consider herself a viral artist, she said she did at one point try to go viral on TikTok. After filming the video, she felt it would be of no benefit. 

“I just couldn’t post it because I didn’t understand how that sort of cheap grab for attention would help me deliver the message of my music,” she said.

With that said, Sizzy Rocket said she does not blame any TikTok artists who went viral on their own. Instead, she pointed the finger at labels who are trying to drive inorganic viral success while lacking an understanding of how art and social media interact with one another. 

“I don’t want to place any blame on the actual TikTok artists who did go viral. I feel like they deserve to make their art as well,” she said. “It’s more about the label prioritizing the platform over the art itself.” 

Other artists like Zara Larsson and Florence Welch have bemoaned the pressures they face from their record companies to be active on TikTok. Many agree that the expectations labels have in this arena are unfair to artists. 

“labels all want a dove cameron ‘boyfriend’ moment (which i’d argue was rather organic) but how sustainable is that kind of traction as it’s v fleeting + how can artists even replicate that kind of virality,” culture writer Zoya Raza-Sheikh asked on Twitter.

For Halsey, it remains unclear when their new song will see the light of day. In a tweet, they claimed their label was impressed by their TikTok’s traction, but only said “we’ll see” when asked if the song could be released. 

See what others are saying: (Variety) (Rolling Stone) (Entertainment Weekly)

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