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HBO Max Temporarily Removes “Gone with the Wind,” Will Bring It Back With Historical Context

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  • The recently-released streaming platform HBO Max removed “Gone with the Wind” from its library for depicting racial stereotypes and prejudices.
  • The move came one day after “12 Years a Slave” screenwriter John Ridley asked the platform to temporarily remove the film and add historical context.
  • HBO confirmed that the film will eventually return but with that added context that shows the film as a product of its time.
  • Still, its removal stoked intense debate from those who called the move censorship and quoted George Orwell’s police state dystopian novel “1984.” 
  • Others called foul to that argument, saying that the film itself is a piece of propaganda that depicts a romanticized view of the fall of the South following the Civil War.

Gone with the Wind” Removed From HBO Max

A slew of TV networks and streaming services announced changes on Tuesday as conversations about racism and injustice have soared since the killing George Floyd.

Paramount Network, for instance, canceled its show “Cops,” which has around 1,100 episodes and has been on the air since 1989. “Brooklyn 99” star Terry Crews said the show’s upcoming season will address topics like racism and police brutality. Netflix and the BBC have removed “Little Britain,” an early-aughts sketch comedy. A&E is evaluating whether or not to bring back “Live PD,” which is currently embroiled in its own scandal.

By far, the biggest debate, however, came after HBO Max removed a movie that is 80 years old: “Gone with the Wind.

“‘Gone With the Wind’ is a product of its time and depicts some of the ethnic and racial prejudices that have, unfortunately, been commonplace in American society,” an HBO spokesperson said on Tuesday. “These racist depictions were wrong then and are wrong today, and we felt that to keep this title up without an explanation and a denouncement of those depictions would be irresponsible.”

HBO also said it plans to eventually bring the film back “with a discussion of its historical context” while denouncing its racial missteps.

The 1939 film starring Vivien Leigh and Clarke Gable is the highest grossing movie of all time when adjusted for inflation (Sorry, Endgame).

The move to pluck “Gone with the Wind,” a historical epic meant to depict Southern antebellum life during and directly following the Civil War, came one day after The Los Angeles Times published an op-ed from “12 Years a Slave” screenwriter John Ridley. In that op-ed, titled “Hey, HBO, ‘Gone With the Wind’ romanticizes the horrors of slavery. Take it off your platform for now,” Ridley criticizes the platform for not adding historical context before the film.

“As a filmmaker, I get that movies are often snapshots of moments in history,” Ridley said. “They reflect not only the attitudes and opinions of those involved in their creation, but also those of the prevailing culture. As such, even the most well-intentioned films can fall short in how they represent marginalized communities.”

“‘Gone With the Wind,’ however, is its own unique problem. It doesn’t just ‘fall short’ with regard to representation. It is a film that glorifies the antebellum south. It is a film that, when it is not ignoring the horrors of slavery, pauses only to perpetuate some of the most painful stereotypes of people of color.”

Ridley is likely referring to the slave character that actress Hattie McDaniel played. McDaniel, who became the first African American to win an Oscar after this film, is still largely remembered for the role; however, McDaniel’s portrayal is not one without a complex history.

While she undeniably made waves in the advancement of people of color to be recognized in film, her character has also been associated with perpetuating the stereotype that slaves were happy to serve their masters. In fact, she’s even referred to as “Mammy” throughout the film.

“Let me be real clear: I don’t believe in censorship,” Ridley said in his op-ed. “I don’t think “Gone With the Wind” should be relegated to a vault in Burbank.”

Ridley continued by asking HBO to re-introduce the film with other films that give more of a complete picture as to what slavery and the Confederacy were or pair the film “with conversations about narratives and why it’s important to have many voices sharing stories from different perspectives rather than merely those reinforcing the views of the prevailing culture.”

“Gone with the Wind” Removal Sparks “1984” Comparisons

HBO’s decision was met with a flood of mixed opinions, and on Wednesday, “Gone with the Wind” became a trending topic on Twitter.

“HBO removing Gone With The Wind is just another part of the left’s sinister plot to erase American culture,” Turning Point USA founder Charlie Kirk said. “Did you know—the first black American to win an Oscar was Hattie McDaniel for her role in Gone With The Wind? But the left doesn’t care. They just want to see it all burn.”

Many others invoked a quote from George Orwell’s “1984,” a dystopian novel depicting a police state that engages in revisionist history.

“Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered,” the quote from Orwell’s novel reads. “And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right.”

Many others, however, called foul to the use of this quote, one person saying, “Ironically, Gone With The Wind is a great example of this. It became part of a bigger fictionalized narrative of the noble confederate and the southern belle, romanticized slavery, and erased the less flattering realities of the south.”

Others criticized those trying to defend the movie by using Hattie McDaniel’s Academy Award win as an example. 

“You don’t give a shit about Hattie McDaniel so don’t use her legacy to spew propaganda about gone with the wind. this wasn’t the only movie she was in,” one user said.

Even more deconstructed the notion that the movie was being censored and hidden to erase an ugly history by pointing out the fact that HBO is a private company shelving the film.

The Help Sparks Discussion After Hitting Netflix Top 10

Alongside the discussion of whether what HBO amounted to censorship, there has also been massive debate regarding movies that focus on black characters through the lens of white characters. 

Those movies, known for their white savior tropes, typically depict white characters coming to the rescue of people of color in a feel-good way. They also tend to attract criticism for simplifying racial issues and taking agency away from minorities.

That discussion crescendoed after The Help spiked to number 1 on Netflix.

The movie stars Emma Stone, Viola Davis, and Octavia Spencer. In it, Stone plays an aspiring journalist who begins to document racism experienced by black maids in 1960’s Mississippi.

While, on the surface, that may sound like a recipe for success for those wishing to better educate themselves on black issues, Black Lives Matter advocates have argued that it’s more like Minny’s special pie: a load of crap.

“Not to say the film isn’t entertaining and may have other benefits, but if I were to pick one film that helps us understand where (black people) are today and what problems we face, that wouldn’t be the one I pick,” Darnell Hunt, director of UCLA’s Ralph J. Bunche Center for African American Studies, told USA Today.

Even one of the movie’s stars, Bryce Dallas Howard, has urged viewers to watch something else if they want to learn about black history, 

“The Help is a fictional story told through the perspective of a white character and was created by predominantly white storytellers,” she wrote on Facebook. “We can all go further.⁣”

Others dug up an old interview where Viola Davis says she regrets starring in the movie.

“I just felt that at the end of the day that it wasn’t the voices of the maids that were heard,” she said in 2018. “They’re my grandma. They’re my mom. And I know that if you do a movie where the whole premise is, I want to know what it feels like to work for white people and to bring up children in 1963, I want to hear how you really feel about it. I never heard that in the course of the movie.”

Tuesday night, Netflix introduced a Black Lives Matter genre, which pops up when users go to their accounts. There, viewers can find a number of films and TV shows made by black people and about black people.

See what others are saying: (The Wall Street Journal) (CNN Business) (Entertainment Weekly)

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Chris Pratt Denies Association With Hillsong Church: “I’ve Never Actually Been”

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The church has been accused of having anti-LGBTQ ties, something Pratt has taken a hit for. 


Pratt Addresses Hillsong Controversy 

After several years of facing criticism for his alleged ties to the controversial Hillsong Church, actor Chris Pratt said he has “never actually been” to the church and is “not a religious person.”

The Hillsong Church has been condemned for being anti-LGBTQ. The issue received increased attention in 2019 when actor Elliot Page tweeted, “If you are a famous actor and you belong to an organization that hates a certain group of people, don’t be surprised if someone simply wonders why it’s not addressed.” 

“Being anti LGBTQ is wrong, there aren’t two sides,” he continued.

At the time, Pratt responded to the allegations by saying that “nothing could be further from the truth” and that he believes “everyone is entitled to love who they want.” He doubled down on his denial in a profile published Tuesday in Men’s Health.

 “I never went to Hillsong. I’ve never actually been to Hillsong,” he told the outlet. “I don’t know anyone from that church.”

Instead, Pratt said he attends Zoe Church in Los Angeles, though not exclusively. According to Men’s Health, Zoe Church is not without its issues. The church was founded by a pastor who produced a film that equated “sexual brokeness” to “same-sex attraction.” Other outlets have also described it as a Hillsong affiliate. 

Pratt faced his biggest wave of backlash in 2020 when Internet memes declared him the “worst” Chris compared to other actors with the same first name, including Chris Evans, Chris Hemsworth, and Chris Pine. A slew of celebrities quickly came to Pratt’s defense, arguing the criticism was unjustifiably mean. Their speedy responses only heightened the online conversation and many of the celebrities who spoke out were eventually mocked for doing so. 

Pratt Says He is Not Religious

As for why the Internet has become increasingly anti-Pratt, his alleged association to Hillsong was a major factor. Some also speculated he was a supporter of Donald Trump as he did not join his “Avengers” co-stars for a Joe Biden fundraiser, though Pratt is not usually politically outspoken in either direction.

Pratt believes the backlash against him started when he gave a speech at the MTV Movie Awards in 2018 where he said, “God is real. God loves you. God wants the best for you.” He understands why those remarks may have rubbed people the wrong way. 

“Maybe it was hubris. For me to stand up on the stage and say the things that I said, I’m not sure I touched anybody,” he told Men’s Health. “Religion has been oppressive as fuck for a long time. I didn’t know that I would kind of become the face of religion when really I’m not a religious person.”

He went on to explain that in his eyes, there is a difference between adhering to certain customs and believing in God versus using God to control and harm people and justify hatred.

“The evil that’s in the heart of every single man has glommed on to the back of religion and come along for the ride,” he said.

See what others are saying: (Men’s Health) (The AV Club) (People)

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Jodie Sweetin Releases Statement After Getting Pushed By Officers at Pro-Choice Protest: “This Will Not Deter Us”

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“Love everyone out there in the streets fighting for what’s right,” she wrote on Instagram.


Actress Pushed at Protest

After viral footage showed Jodie Sweetin getting pushed to the ground by officers with the Los Angeles Police Department while attending a pro-choice protest, the “Full House” actress said demonstraters “will continue fighting” for their rights. 

Sweetin was attending a protest off the 101 freeway on Saturday following the Supreme Court’s decision to overturn Roe v. Wade.

Photojournalist Mike Ade, who captured the video, said the actress was “trying to lead a group of peaceful protestors away from the freeway” when officers pushed her. Sweetin was standing on a curb when she was pushed and fell down on the cement road. Ade wrote that she was “fortunately…okay.”

Ade shared a handful of other videos depicting officers using similar tactics on other protesters. As these videos started circulating online, many became outraged by the LAPD’s response to the protests.

Sweetin Addresses Incident

Following the incident, Sweetin released a statement where she said the fight against the court’s decision is not over. 

“I’m extremely proud of the hundreds of people who showed up yesterday to exercise their First Amendment rights and take immediate action to peacefully protest the giant injustices that have been delivered from our Supreme Court,” Sweetin said. “Our activism will continue until our voices are heard and action is taken. This will not deter us, we will continue fighting for our rights. We are not free until ALL of us are free.”

Sweetin also shared footage of the incident and other clips of officers clashing with protesters on her Instagram story. She cheered protesters in a comment on a video of the push shared by a social justice group called The Progressivists.

“Love everyone out there in the streets fighting for what’s right,” she wrote.

According to a statement obtained by Deadline, the LAPD is looking into the matter. 

“The LAPD is aware of a video clip of a woman being pushed to the ground by officers not allowing the group to enter on foot and overtake the 101 freeway,” the statement said. “The force used will be evaluated against the LAPD’s policy and procedure.”

See what others are saying: (Deadline) (Rolling Stone) (The Hollywood Reporter)

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Dave Chappelle Decides Against Having Former High School’s Theater Named After Him

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“The idea that my name will be turned into an instrument of someone else’s perceived oppression is untenable to me,” the comedian reportedly said.


Theater Named Announced

Comedian Dave Chappelle opted on Monday to not have the theater at his alma mater high school named after him, according to a report from The Washington Post

The Duke Ellington School of the Arts in Washington D.C. previously planned to name its theater in honor of Chappelle, as he is a distinct alum and donor. While Chappelle formerly said such a gesture would be “the most significant honor of [his] life,” he announced during Monday’s naming ceremony that it would bear a different title. 

The school’s theater will instead be called the Theater for Artistic Freedom and Expression. 

A naming ceremony was initially set to take place in November, but was postponed after the comedian began facing backlash for transphobic jokes in his Netflix special “The Closer.”

Among other things, he said he was “Team TERF,” which stands for trans-exclusionary radical feminist. He also made a joke about Caitlyn Jenner and remarks comparing the genitalia of transgender women to Beyond and Impossible meat.

The jokes embroiled Chappelle in controversy, and reports claimed that some students at Duke Ellington took issue with the comments. When Chappelle ended up visiting the school amid the scandal, Politico reported that one student told the comedian, “I’m 16 and I think you’re childish, you handled it like a child.”

Chappelle Defends Controversial Special 

According to The Post, Chappelle said the criticism against him “sincerely” hurt, but added that “the Ellington Family is my family.” He claimed he did not want the theater being named after him to distract students. 

“The idea that my name will be turned into an instrument of someone else’s perceived oppression is untenable to me,” he said according to Josh Rogin, a columnist for the outlet.

Rogin also tweeted that Chappelle took time out of the ceremony to slam the criticisms levied against him, accusing upset students of promoting someone else’s agenda. 

“These kids didn’t understand that they were instruments of oppression,” he reportedly said. 

“You cannot report on an artist’s work and remove artistic nuance,” Chappelle continued while denouncing the press coverage of his Netflix special. 

According to David Frum, a staff writer for The Atlantic who attended the ceremony, Chappelle suggested he was open to potentially adding his name to the theater at a later date when the community is ready. 

See what others are saying: (The Washington Post) (Variety) (The Atlantic)

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