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HBO Max Temporarily Removes “Gone with the Wind,” Will Bring It Back With Historical Context

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  • The recently-released streaming platform HBO Max removed “Gone with the Wind” from its library for depicting racial stereotypes and prejudices.
  • The move came one day after “12 Years a Slave” screenwriter John Ridley asked the platform to temporarily remove the film and add historical context.
  • HBO confirmed that the film will eventually return but with that added context that shows the film as a product of its time.
  • Still, its removal stoked intense debate from those who called the move censorship and quoted George Orwell’s police state dystopian novel “1984.” 
  • Others called foul to that argument, saying that the film itself is a piece of propaganda that depicts a romanticized view of the fall of the South following the Civil War.

Gone with the Wind” Removed From HBO Max

A slew of TV networks and streaming services announced changes on Tuesday as conversations about racism and injustice have soared since the killing George Floyd.

Paramount Network, for instance, canceled its show “Cops,” which has around 1,100 episodes and has been on the air since 1989. “Brooklyn 99” star Terry Crews said the show’s upcoming season will address topics like racism and police brutality. Netflix and the BBC have removed “Little Britain,” an early-aughts sketch comedy. A&E is evaluating whether or not to bring back “Live PD,” which is currently embroiled in its own scandal.

By far, the biggest debate, however, came after HBO Max removed a movie that is 80 years old: “Gone with the Wind.

“‘Gone With the Wind’ is a product of its time and depicts some of the ethnic and racial prejudices that have, unfortunately, been commonplace in American society,” an HBO spokesperson said on Tuesday. “These racist depictions were wrong then and are wrong today, and we felt that to keep this title up without an explanation and a denouncement of those depictions would be irresponsible.”

HBO also said it plans to eventually bring the film back “with a discussion of its historical context” while denouncing its racial missteps.

The 1939 film starring Vivien Leigh and Clarke Gable is the highest grossing movie of all time when adjusted for inflation (Sorry, Endgame).

The move to pluck “Gone with the Wind,” a historical epic meant to depict Southern antebellum life during and directly following the Civil War, came one day after The Los Angeles Times published an op-ed from “12 Years a Slave” screenwriter John Ridley. In that op-ed, titled “Hey, HBO, ‘Gone With the Wind’ romanticizes the horrors of slavery. Take it off your platform for now,” Ridley criticizes the platform for not adding historical context before the film.

“As a filmmaker, I get that movies are often snapshots of moments in history,” Ridley said. “They reflect not only the attitudes and opinions of those involved in their creation, but also those of the prevailing culture. As such, even the most well-intentioned films can fall short in how they represent marginalized communities.”

“‘Gone With the Wind,’ however, is its own unique problem. It doesn’t just ‘fall short’ with regard to representation. It is a film that glorifies the antebellum south. It is a film that, when it is not ignoring the horrors of slavery, pauses only to perpetuate some of the most painful stereotypes of people of color.”

Ridley is likely referring to the slave character that actress Hattie McDaniel played. McDaniel, who became the first African American to win an Oscar after this film, is still largely remembered for the role; however, McDaniel’s portrayal is not one without a complex history.

While she undeniably made waves in the advancement of people of color to be recognized in film, her character has also been associated with perpetuating the stereotype that slaves were happy to serve their masters. In fact, she’s even referred to as “Mammy” throughout the film.

“Let me be real clear: I don’t believe in censorship,” Ridley said in his op-ed. “I don’t think “Gone With the Wind” should be relegated to a vault in Burbank.”

Ridley continued by asking HBO to re-introduce the film with other films that give more of a complete picture as to what slavery and the Confederacy were or pair the film “with conversations about narratives and why it’s important to have many voices sharing stories from different perspectives rather than merely those reinforcing the views of the prevailing culture.”

“Gone with the Wind” Removal Sparks “1984” Comparisons

HBO’s decision was met with a flood of mixed opinions, and on Wednesday, “Gone with the Wind” became a trending topic on Twitter.

“HBO removing Gone With The Wind is just another part of the left’s sinister plot to erase American culture,” Turning Point USA founder Charlie Kirk said. “Did you know—the first black American to win an Oscar was Hattie McDaniel for her role in Gone With The Wind? But the left doesn’t care. They just want to see it all burn.”

Many others invoked a quote from George Orwell’s “1984,” a dystopian novel depicting a police state that engages in revisionist history.

“Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered,” the quote from Orwell’s novel reads. “And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right.”

Many others, however, called foul to the use of this quote, one person saying, “Ironically, Gone With The Wind is a great example of this. It became part of a bigger fictionalized narrative of the noble confederate and the southern belle, romanticized slavery, and erased the less flattering realities of the south.”

Others criticized those trying to defend the movie by using Hattie McDaniel’s Academy Award win as an example. 

“You don’t give a shit about Hattie McDaniel so don’t use her legacy to spew propaganda about gone with the wind. this wasn’t the only movie she was in,” one user said.

Even more deconstructed the notion that the movie was being censored and hidden to erase an ugly history by pointing out the fact that HBO is a private company shelving the film.

The Help Sparks Discussion After Hitting Netflix Top 10

Alongside the discussion of whether what HBO amounted to censorship, there has also been massive debate regarding movies that focus on black characters through the lens of white characters. 

Those movies, known for their white savior tropes, typically depict white characters coming to the rescue of people of color in a feel-good way. They also tend to attract criticism for simplifying racial issues and taking agency away from minorities.

That discussion crescendoed after The Help spiked to number 1 on Netflix.

The movie stars Emma Stone, Viola Davis, and Octavia Spencer. In it, Stone plays an aspiring journalist who begins to document racism experienced by black maids in 1960’s Mississippi.

While, on the surface, that may sound like a recipe for success for those wishing to better educate themselves on black issues, Black Lives Matter advocates have argued that it’s more like Minny’s special pie: a load of crap.

“Not to say the film isn’t entertaining and may have other benefits, but if I were to pick one film that helps us understand where (black people) are today and what problems we face, that wouldn’t be the one I pick,” Darnell Hunt, director of UCLA’s Ralph J. Bunche Center for African American Studies, told USA Today.

Even one of the movie’s stars, Bryce Dallas Howard, has urged viewers to watch something else if they want to learn about black history, 

“The Help is a fictional story told through the perspective of a white character and was created by predominantly white storytellers,” she wrote on Facebook. “We can all go further.⁣”

Others dug up an old interview where Viola Davis says she regrets starring in the movie.

“I just felt that at the end of the day that it wasn’t the voices of the maids that were heard,” she said in 2018. “They’re my grandma. They’re my mom. And I know that if you do a movie where the whole premise is, I want to know what it feels like to work for white people and to bring up children in 1963, I want to hear how you really feel about it. I never heard that in the course of the movie.”

Tuesday night, Netflix introduced a Black Lives Matter genre, which pops up when users go to their accounts. There, viewers can find a number of films and TV shows made by black people and about black people.

See what others are saying: (The Wall Street Journal) (CNN Business) (Entertainment Weekly)

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Durte Dom Returns To TikTok Following Sexual Assault Accusation Levied Against Him

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  • YouTuber Dom Zeglaitis, a former member of David Dobrik’s Vlog Squad known online as Durte Dom, returned to the Internet less than one month after he was accused of sexually assaulting a woman in 2018 who was too drunk to consent.
  • Zeglaitis has not issued a response to the allegation, but in the past three days, he has posted a dozen TikToks that mostly consist of short sketches and jokes he filmed with friends. 
  • One post shows Zeglaitis participating in the “Bulletproof” challenge, with text in the clip reading, “You think you can hurt my feelings?!? I got kicked out of the Vlog Squad for…”
  • Several people, including major creators like Tana Mongeau and Ethan Klein, are now calling him out for seeming to make light out of a serious situation.

Durte Dom Returns To Internet

Former Vlog Squad member Dom Zeglaitis, also known as “Durte Dom,” has resumed posting on social media after nearly a month of silence since he was accused of sexual assault. 

A woman told Insider in March that Zeglaitis raped her while she was too drunk to consent to sexual activity in 2018. She said that she and her friends were hanging out with YouTuber David Dobrik’s Vlog Squad at the time. The accuser, who was under 21 the night of the alleged assault, claimed the group supplied her and her friends with alcohol. 

The fallout of this allegation has been significant. While Zeglaitis has yet to respond to it, Dobrik has issued multiple apologies and faced most of the financial repercussions as frontman of the group. Both Zeglaitis and Dobrik were later demonetized by YouTube. Dobrik also lost multiple sponsorship deals and bowed out of Dispo, a photo-sharing app he co-founded. He is now taking a break from YouTube and social media. 

Though Zeglaitis has returned to the Internet, he is still largely ignoring the sexual assault accusation levied against him. He specifically began posting on TikTok over the weekend, and since then has posted roughly a dozen videos on the platform. 

Durte Dom Jokes About The Vlog Squad on TikTok

Most of the videos are short sketches or comedy bits with his friends. In one, he and a friend are going through Omegle while Zeglaitis is off-screen. The friend asks the people on the other end of the chat “What are your thoughts on Durte Dom?” before Zeglaitis enters the shot.

Several of the videos continue to reference Zeglaitis’ sleazy, womanizing, reputation. One shows him claiming to have “smashed” adult film star Riley Reid. In another, he is sitting on a lounge chair throwing money at girls dancing next to him. 

The video generating the most attention, however, is his take on the viral “Bulletproof” challenge. That TikTok features him standing below a text block that reads “You think you can hurt my feelings?!? I got kicked out of the Vlog Squad for…” while the song “Bulletproof” plays in the background.

@dominykas

bruh why they kick me out?!? 😐😵 @daviddobrik #vlogsquad #foryou #tiktok

♬ original sound – DurteDom

In the caption of that video, he tagged Dobrik and asked “bruh why they kick me out?!?”

Creators Call Out Zeglaitis for Ignoring Allegation

This specific TikTok caught the attention of major creators, including Tana Mongeau and Ethan Klein, who dueted that video to call Zeglaitis out. 

“Someone please make this make sense to me,” Mongeau wrote.

“This mf serious?” Klein said.

They are not the only ones frustrated with Zeglaitis. Many responded to the video in the comment section shocked he was posting at all, bringing up the sexual assault allegation, and urging him to not treat it as a joke. 

The comment sections on the rest of his videos are similarly flooded with people who are outraged that he is posting regular content as though nothing had happened.

See what others are saying: (Insider)

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TikToker Neumane Called Out for Copying Content From Smaller Creators

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  • Kane Trujillo, a comedy TikToker known as @neumane, is facing backlash after fellow TikToker Joey Bailey posted a video noting that Trujillo has risen to popularity off content copied from several, often smaller, creators.
  • Bailey also shared an alleged audio message he received from Trujillo where he threatened Bailey to take his call-out video down before sending a second message promising to pursue legal action.
  • In a clip from a TikTok live stream, Trujillo addressed the controversy by saying that “nothing’s original” and seemingly admitting to copying.
  • “It’s not who made it first, it’s who does it better,” he said in the clip. “Who gives a f*ck about some little copied content? … I’m an actor. I’m not a writer, I’m not a f*cking storyteller…You give me a script, I will f*cking nail that sh*t. And I’m not gonna think of it, no, but I’m gonna make yours better.”

Stealing Accusations

Popular comedy TikToker Kane Trujillo, who has over 2.7 million followers and is known on the platform as @neumane, has been called out by fellow creators for a pattern of stealing content.

The latest creator sounding the alarm is Joey Bailey (@joey.bailey), who posted a video to the app on March 15 that showed Trujillo’s posts next to the original versions he appears to have replicated, often word for word and with nearly identical expressions.

Similar allegations regarding Trujillo were made on March 13 in a YouTube video from thatsjustchris.

@joey.bailey

they took this down so this is the last time I repost it

♬ original sound – Joey

In a follow-up TikTok and a longer YouTube video, Bailey went on to explain that he received an audio message from Trujillo through Instagram trying to get Bailey to take the call-out video down.

@joey.bailey

I got a lot of questions about the messages in the last post so heres the final update and that’s it

♬ original sound – Joey

“You can kindly take it down and we can just, you know, be cool and move on from all this sh*t, or you could just leave it up and have a lot of enemies from here on out,” the voice that allegedly belongs to Trujillo can be heard saying in the audio.

Bailey said he privated the video after that because he “didn’t want to become the drama TikToker,” but he eventually changed his mind, arguing that he wasn’t starting drama, he was just standing up for himself.

After he unprivated the video, he said Trujillo sent him another message promising to pursue legal action.

“As of today me & my management team will be proceeding with a False Accusation lawsuit against you. I wish we didn’t have to go this far but you leave me no choice,” that message read.

Copied Creators Express Mixed Feelings

In total, at least several creators appear to have had content copied by Trujillo: @nuhchez, @ty_t.v, @brodiefalgoust, @dawson.taylor1, @licout, @lemmuelmamotsau, and @joey.bailey.

In statements to The Daily Dot, some of those creators essentially said they’ve accepted that this is something that happens on TikTok.

“This is something I’ve come to accept because sadly TikTok is an app that will push stolen content and Suppress originality!” Natchez Ballinger (@nuhchez) told the outlet in an email. “Creators have stolen from me since I’ve joined the app, I take it as flattery in a way.”

“I mean yeah he did steal my video and it became more popular but it’s TikTok,” Dawson Anderson (@dawson.taylor1) told the outlet via Instagram. “I don’t really care all that much it’s a video trend not worth crying over.”

Still, others were much more frustrated.

“The thing with him is that he doesn’t steal ideas, he steals the video word for word, uses the same sound, the same gestures, and even the same wording without giving any credit to the creator whatsoever,” Brodie Falgoust (@brodiefalgoust) told The Daily Dot via Instagram. “That is how he gained all of his following, and continues to do it still (even after being called out). I get ripped off all the time but It’s frustrating as a smaller creator who is constantly coming out with original content when a person with a big following comes and takes credit for your originality.”

“People take my ideas but any creator that has been bigger than me has given me credit!” Falgoust continued.

“There is [a] large difference between following a trend and ripping off someone’s work shot for shot and word for word,” said another creator who spoke to the outlet anonymously out of feat of legal retaliation.

“A lot of users do not understand how much work some of these creators are putting into original content. And for Neumane to hunt down those smaller creators and reproduce their successful content as his own without acknowledging credit is exasperating. The real issue becomes the money and opportunity he is being given by eating off of the backs of others.”

Neumane’s Response

In a clip of a TikTok live stream reviewed by The Daily Dot, Neumane addressed the controversy by saying, “nothing’s original.” He also seemed to admit to copying.

“Imagine showing hate to somebody on the internet,” Trujillo reportedly said during the live stream. “Like bro, just show love. Who gives a f*ck about some little copied content? Like, just make it good, and yours will get a lot of views. Do good expression, act well. I’m an actor. I’m not a writer, I’m not a f*cking storyteller. I’m an actor. You give me a script, I will f*cking nail that sh*t. And I’m not gonna think of it, no, but I’m gonna make yours better.”

A viral TikTok by @ttdramanews covering the allegations against Trujillo shared portions of that clip, which also shows Trujillo saying, “It’s not who made it first, it’s who does it better.”

According to The Daily Dot, Trujillo talked about people needing to show love, though commenters quickly pointed out that he’s the one threatening others with legal action.

See what others are saying: (The Daily Dot) (Joey Bailey) (thatsjustchris)

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Netflix Strikes Deal for Rights To Sony Movies Following Theatrical Releases. Yes, That Includes Spider-Man.

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  • Netflix has secured the exclusive rights to stream Sony films following their theatrical releases, per a reported $1 billion deal between the streaming giant and movie studio. 
  • While the full details of the deal have not yet been officially published, it will begin with Sony’s 2022 slate of films and reportedly last for the following five years.
  • The agreement means Netflix will eventually be granted streaming rights to popular Marvel characters such as Morbius, as well as Venom and Spider-Man once future installments are released. 

Netflix Reach Massive Deal With Sony

Netflix has struck a multi-year licensing deal with Sony Pictures Entertainment that will grant it exclusive streaming rights to the studio’s theatrical titles.

The terms of the agreement have yet to be officially disclosed, but according to multiple media outlets, Netflix will pay Sony over $1 billion over the course of the next four years. The deal itself is set to begin with Sony’s 2022 slate and will reportedly last five years, with Netflix holding streaming rights to individual films for 18 months. 

Given the nature of the COVID-19 pandemic, it’s unclear whether some films will continue to have their release dates pushed back. It’s also unclear how long their theatrical windows will last; however, once released, Netflix will acquire streaming rights to films such as “Uncharted,” “Where the Crawdads Sing,” and “Bullet Train.”

Netflix Will Have Marvel Movies Once More

The deal will also grant Netflix access to a number of Marvel characters still owned by Sony. That includes the film “Morbius,” which is currently set to be released in January of next year.

It will also include future installments of the “Venom” and “Spider-Man” franchises, the latter of which is notable as it’s part of the Dinsey-owned Marvel Cinematic Universe. Outside of 2008’s “The Incredible Hulk,” Tom Holland’s “Spider-Man” films are the only other films set in the MCU that are not on Disney+. 

Prior to Disney+’s launch, Netflix held streaming rights to several MCU films, including “Black Panther,” “Thor: Ragnarok,” and “Avengers: Infinity War.” The shift of those massive blockbusters to another platform was a striking loss for Netflix, and the streaming service is no doubt itching to once again beef up its selection of superhero content.

It’s unclear whether or not the Sony deal will immediately allow Netflix to stream the upcoming films “Spider-Man: No Way Home” and “Venom: Let There Be Carnage” once they leave theaters. That’s because both are currently expected to be released later this year. 

That said, if sequels for these films are announced and can be expected to find their way to Netflix, the streaming giant will be able to acquire the rights to the films’ full library of installments, according to Deadline. Such a deal also exists for Jumanji’s library of movies. 

Sony’s Direct-to-Streaming Titles

Netflix will retain first-look rights to any of Sony’s potential direct-to-streaming titles, though that doesn’t necessarily mean it will acquire those films. Under that part of the deal, Sony still has the right to sell to other streaming platforms. 

While Sony has said it’s considering “a number” of direct-to-streaming releases, as Deadline projected, “in reality [that’s] likely just a couple a year and a minority of the studio’s overall slate.”

According to the Wall Street Journal, however, “Netflix has committed to ordering an undisclosed number of those films.”

See what others are saying: (Deadline) (Wall Street Journal) (IGN)

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