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NYT Critique of Ronan Farrow’s Reporting Practices Faces Backlash

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Photo by Mary Inhea Kang for The Washington Post

  • The New York Times published a piece criticizing investigative journalist Ronan Farrow for sourcing ethics and other potential errors.
  • Both Farrow and his employer, the New Yorker, defended his work and said the claims made by writer Ben Smith were untrue.
  • An editor for the New Yorker also said they gave a defense of Farrow to Smith for the piece, but it was not included.
  • While some thought the piece had interesting points about what Smith called “resistance journalism,” others thought Smith made the same mistakes he accused Farrow of making and called his attack unsubstantiated. 

Ben Smith’s Story

In his latest piece, New York Times media columnist Ben Smith took aim at investigative reporter Ronan Farrow, accusing him of poor sourcing ethics. 

Farrow, who has become a household name in modern journalism, has gained praise for his of #MeToo era exposés. He even won a Pulitzer Prize for helping unearth allegations of sexual assault against media mogul and convicted rapist Harvey Weinstein. 

Because of this, the column, titled “Is Ronan Farrow Too Good to Be True?” made waves throughout Twitter on Monday, one day after it was published.

Smith first starts calling Farrow’s practices into question with a piece he wrote for the New Yorker in 2018. The article discussed the potential that records about Michael Cohen, President Donald Trump’s lawyer, had vanished from a government database. 

“Two years after publication, little of Mr. Farrow’s article holds up, according to prosecutors and court documents,” Smith wrote. “The Treasury Department records on Michael Cohen never went ‘missing.’”

“The records were simply put on restricted access, a longstanding practice to prevent leaks, a possibility Mr. Farrow briefly allows for in his story, but minimizes,” he continues. 

Smith adds that the source, John Fry, an IRS analyst, later pleaded guilty to illegally leaking confidential information. He claims that now-disgraced lawyer Michael Avenatti had been encouraging Fry to share the story, but was not mentioned frequently in Farrow’s piece. 

Smith also analyzed Farrow’s Weinstein coverage and alleged that not enough was done to corroborate a rape accusation from a source named Lucia Evans. The story claims that Evans told her friends what happened but was largely unable to talk about it. Smith, however, says that one of her friends later told a prosecutor that she did not confirm a rape accusation, and only that “something innapropriate happened.”

Evans ended up telling NYPD detectives her encounter with Weinstein was consensual, which led to charges being dismissed. Weinstein was found guilty in other cases and is scheduled to be tried in more. 

Smith also tackled another alleged sourcing issue in Farrow’s book Catch and Kill, which recounts the obstacles he has faced in reporting on sexual assault in the media industry. Much of it details his Weinstein investigation, including claims that NBC News tried to suppress it. Smith’s column takes issue with a source used in Farrow’s coverage of Matt Lauer, the former TODAY Show host who was fired after allegations of sexual assault. 

In Catch and Kill, Farrow says an NBC employee assaulted by Lauer told a producer what happened after the alleged incident. The book’s fact-checker told Smith that this producer was not called for the story. The producer also told Smith that the book did not layout that moment the way he remembers it happening. Farrow stood his ground.

“I am confident that the conversation took place as described and it was verified in multiple ways,” he said to Smith.

Criticisms About Journalistic Themes

In addition to critiquing specific sources and examples throughout Farrow’s catalog of work, Smith also analyzed the core of Farrow’s reporting, and the themes portrayed in his stories. 

“But Mr. Farrow brings that same inclination to the other big theme that shapes his work: conspiracy,” Smith writes. “His stories are built and sold on his belief — which he rarely proves — that powerful forces and people are conspiring against those trying to do good, especially Mr. Farrow himself.”

Here, Smith is specifically saying that a major theme in Catch and Kill suggests that Weinstein blackmailed NBC executives to kill Farrow’s story about him with threats to expose Lauer. Smith says this is a “conspiracy” that threads the book’s narrative, and he alludes to conspiracies numerous times when discussing Farrow’s work. 

“He delivers narratives that are irresistibly cinematic — with unmistakable heroes and villains — and often omits the complicating facts and inconvenient details that may make them less dramatic,” Smith also added. 

One of the most talked-about segments of the piece says Farrow’s work “reveals the weakness of a kind of resistance journalism that has thrived in the age of Donald Trump.”

“That if reporters swim ably along with the tides of social media and produce damaging reporting about public figures most disliked by the loudest voices, the old rules of fairness and open-mindedness can seem more like impediments than essential journalistic imperatives,” Smith continues. 

Farrow and The New Yorker Respond

On Monday, some jumped to Farrow’s defense. Michael Luo, the New Yorker’s digital editor posted a thread on Twitter supporting Farrow.

Luo said that Smith makes the same errors he accuses Farrow of: “sanding the inconvenient edges off of facts in order to suit the narrative he wants to deliver.”

“We provided detailed responses to Ben that contradict the narrative he wants to tell. They didn’t make it into the column, so I’ll outline some of them here,” Luo added before defending Farrow’s report on the missing documents about Michael Cohen.

Luo said the story “accurately reflects what was known at the time. And, after reviewing the records that are now available, it still holds up. We continue to stand by it.”

He said Smiths claim that Farrow “minimized” the idea that the missing documents may have been restricted was untrue, as seven government sources were interviewed on the matter, and the notion of restriction is mentioned at the top of the fourth paragraph.

Luo also stood by Farrow’s Weinstein reporting and use of Evans as a source. He claimed that Evans’ friend never contradicted her account, and that in the piece, the New Yorker notes that some aspects could not be confirmed. 

“That the friend later said something different to prosecutors does not make our reporting any less diligent,” Luo stated.

“We take corrections seriously and would be happy to correct something if it were shown to be wrong. But Ben has not done that here,” Luo said, closing his thread. “We are proud of @ronanfarrow’s reporting, and we stand by it.

Farrow retweeted this thread and shared some thoughts of his own. He took issue with  Smith’s claim that Catch And Kill focuses on a conspiracy that Weinstein blackmailed NBC out of reporting on allegations against him.

“Ben claims a central theme was whether Weinstein threatened NBC with Lauer info. Not central, and not what the book says,” Farrow wrote. “The book establishes a pressure campaign against NBC, including talks between Weinstein and executives as they told me and my producer to stop reporting.”

He also says that in terms of information on Lauer being a factor, he did not go beyond what sources told him. 

Story Sparks Conversation About Journalism

In other corners of the internet, Smith’s column for the Times was met with mixed reactions. Some journalists sang praises of Smith’s work. NBC News’ Dylan Byers said it might be the most important media column he has ever read. 

The Times’ Jonathan Martin said every reporter and aspiring reporter should read it. 

On the other hand, much of the internet slammed the piece, accusing both the Times and Smith of hypocrisy. Farrow was a top trend on Twitter on Monday as many were quick to share their thoughts on Smith and the piece.

Smith has been the subject of journalistic controversy himself. As the former Editor in Chief of BuzzFeed News, he published the unverified Steele Dossier in January of 2017. Some thought he should not be the person to criticize Farrow’s journalistic integrity.

Others thought Smith’s column did not arrive at his point. Emily Birnbaum, a reporter for Protocol, referenced the section where Smith accuses Farrow of going after disliked voices, and asked if any of the people Farrow has exposed actually meet that definition.

Smith’s remarks about “resistance journalism” struck a particular chord among many writers, with many disagreeing with the use of the phrase here. 

“But let’s not allow a story like this distract us from the fearless, risk-taking take-no-prisoners journalism we need in 2020,” said Will Bunch, a columnist for the Philadelphia Inquire. If “resistance journalism” exists, then let’s have more of it, not less.” 

Others believed that the notion of resistance journalism is worth criticism and analytical thought, but that Farrow is the wrong example. 

Others also questioned the Times’ motivation in publishing this story. Some Twitter users had a field day speculating that Farrow could be working on a piece about someone the paper wants to protect. 

See what others are saying: (The Guardian) (Vanity Fair) (The Wrap)

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South Korea’s Supreme Court Upholds Rape Case Sentences for Korean Stars Jung Joon-young and Choi Jong-hoon

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  • On Thursday morning, the Supreme Court in Seoul upheld the sentences of Jung Joon Young and Choi Jong Hoon for aggravated rape and related charges.
  • Jung will serve five years in prison, while Choi will go to prison for two-and-a-half.
  • Videos of Jung, Choi, and others raping women were found in group chats that stemmed from investigations into Seungri, of the k-pop group BigBang, as part of the Burning Sun Scandal.
  • The two stars tried to claim that some of the sex was consensual, but the courts ultimately found testimony from survivors trustworthy. Courts did, however, have trouble finding victims who were willing to come forward over fears of social stigma.

Burning Sun Scandal Fall Out

South Korea’s Supreme Court upheld the rape verdicts against stars Jung Joon-young and Choi Jong-hoon on Thursday after multiple appeals by the stars and their co-defendants.

Both Jung and Choi were involved in an ever-growing scandal involving the rapes and sexual assaults of multiple women. Those crimes were filmed and distributed to chatrooms without their consent.

The entire scandal came to light in March of 2019 when Seungri from the k-pop group BigBang was embroiled in what’s now known as the Burning Sun Scandal. As part of an investigation into the scandal, police found a chatroom that featured some stars engaging in what seemed to be non-consensual sex with various women. Police found that many of the message in the Kakaotalk chatroom (the major messaging app in South Korea) from between 2015 and 2016 were sent by Jung and Choi.

A Year of Court Proceedings

Jung, Choi, and five other defendants found themselves in court in November 2019 facing charges related to filming and distributing their acts without the consent of the victims, as well as aggravated rape charges. In South Korea, this means a rape involving two or more perpetrators.

The court found them all guilty of the rape charge. Jung was sentenced to six years behind bars, while Choi and the others were sentenced to five years. Jung was given a harsher sentence because he was also found guilty of filming and distributing the videos of their acts without the victim’s consent.

During proceedings, the court had trouble getting victims to tell their stories. Many feared being shamed or judged because of the incidents and didn’t want the possibility of that information going public. Compounding the court’s problems was the fact that other victims were hard to find.

To that end, the defendants argued that the sexual acts with some of the victims were consensual, albeit this didn’t leave out the possibility that there were still victims of their crimes. However, the court found that the testimony of survivors was trustworthy and contradicted the defendant’s claims.

Jung and Choi appealed the decision, which led to more court proceedings. In May 2020, the Seoul High Court upheld their convictions but reduced their sentences to five years for Jung and two and a half years for Choi.

Choi’s sentence was reduced because the court found that he had reached a settlement with a victim.

The decision was appealed a final time to the Supreme Court. This time they argued that most of the evidence against them, notably the Kakaotalk chatroom messages and videos, were illegally obtained by police.

On Thursday morning, the Supreme Court ultimately disagreed with Jung and Choi and said their revised sentences would stand.

Jung, Choi, and the other defendants will also still have to do 80 hours of sexual violence treatment courses and are banned from working with children for five years.

See What Others Are Saying: (ABC) (Yonhap News) (Soompi)

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YouTube Says It Will Use AI to Age-Restrict Content

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  • YouTube announced Tuesday that it would be expanding its machine learning to handle age-restricting content.
  • The decision has been controversial, especially after news that other AI systems employed by the company took down videos at nearly double the rate.
  • The decision likely stems from both legal responsibilities in some parts of the world, as well as practical reasons regarding the amount of content loaded to the site.
  • It might also help with moderator burn out since the platform is currently understaffed and struggles with extremely high turn over.
  • In fact, the platform still faces a lawsuit from a moderator claiming the job gave them Post Traumatic Stress Disorder. They also claim the company offered little resources to cope with the content they are required to watch.

AI-Age Restrictions

YouTube announced Tuesday that it will use AI and machine learning to automatically apply age restriction to videos.

In a recent blog post, the platform wrote, “our Trust & Safety team applies age-restrictions when, in the course of reviewing content, they encounter a video that isn’t appropriate for viewers under 18.”

“Going forward, we will build on our approach of using machine learning to detect content for review, by developing and adapting our technology to help us automatically apply age-restrictions.”

Flagged videos would effectively be blocked from being viewed by anyone who isn’t signed into an account or who has an account indicating they are below the age of 18. YouTube stated these changes were a continuation of their efforts to make YouTube a safer place for families. Initially, it rolled out YouTube Kids as a dedicated platform for those under 13, and now it wants to try and sterilize the platform site-wide. Although notably, it doesn’t plan to make the entire platform a new YouTube Kids.

It’s also not a coincidence that this move helps YouTube to better fall in line with regulations across the world. In Europe, users may face other steps if YouTube can’t confirm their age in addition to rolling out AI-age restrictions. This can include measures such as providing a government ID or credit card to prove one is over 18.

If a video is age-restricted by YouTube, the company did say it will have an appeals process that will get the video in front of an actual person to check it.

On that note, just days before announcing that it would implement AI to age-restrict, YouTube also said it would be expanding its moderation team after it had largely been on hiatus because of the pandemic.

It’s hard to say how much these changes will actually affect creators or how much money that can make from the platform. The only assurances YouTube gave were to creators who are part of the YouTube Partner Program.

“For creators in the YouTube Partner Program, we expect these automated age-restrictions to have little to no impact on revenue as most of these videos also violate our advertiser-friendly guidelines and therefore have limited or no ads.”

This means that most creators with the YouTube Partner Program don’t make much, or anything, from ads already and that’s unlikely to change.

Community Backlash

Every time YouTube makes a big change there are a lot of reactions, especially if it involves AI to automatically handle processes. Tuesday’s announcement was no different.

On YouTube’s tweet announcing the changes, common responses included complaints like, “what’s the point in an age restriction on a NON kids app. That’s why we have YouTube kids. really young kids shouldn’t be on normal youtube. So we don’t realistically need an age restriction.”

“Please don’t implement this until you’ve worked out all the kinks,” one user pleaded. “I feel like this might actually hurt a lot of creators, who aren’t making stuff for kids, but get flagged as kids channels because of bright colors and stuff like that”

Hiccups relating to the rollout of this new system were common among users. Although it’s possible that YouTube’s Sept 20. announcement saying it would bring back human moderators to the platform was made to help balance out how much damage a new AI could do.

In a late-August transparency report, YouTube found that AI-moderation was far more restrictive. When the moderators were first down-sized between April and June, YouTube’s AI largely took over and it removed around 11 million videos. That’s double the normal rate.

YouTube did allow creators to appeal those decisions, and about 300,000 videos were appealed; about half of which were reinstated. In a similar move, Facebook also had a similar problem, and will also bring back moderators to handle both restrictive content and the upcoming election.

Other Reasons for the Changes

YouTube’s decision to expand its use of AI not only falls in line with various laws regarding the verification of a user’s age and what content is widely available to the public but also likely for practical reasons.

The site gets over 400 hours of content uploaded every minute. Notwithstanding different time zones or having people work staggered schedules, YouTube would need to employ over 70,000 people to just check what’s uploaded to the site.

Outlets like The Verge have done a series about how YouTube, Google, and Facebook moderators are dealing with depression, anger, and Post Traumatic Stress Disorder because of their job. These issues were particularly prevalent among people working in what YouTube calls the “terror” or “violent extremism” queue.

One moderator told The Verge, “Every day you watch someone beheading someone, or someone shooting his girlfriend. After that, you feel like wow, this world is really crazy. This makes you feel ill. You’re feeling there is nothing worth living for. Why are we doing this to each other?”

That same individual noted that since working there, he began to gain weight, lose hair, have a short temper, and experience general signs of anxiety.

On top of these claims, YouTube is also facing a lawsuit filed in a California court Monday by a former content moderator at YouTube.

The complaint states that Jane Doe, “has trouble sleeping and when she does sleep, she has horrific nightmares. She often lays awake at night trying to go to sleep, replaying videos that she has seen in her mind.

“She cannot be in crowded places, including concerts and events, because she fears mass shootings. She has severe and debilitating panic attacks,” it continued. “She has lost many friends because of her anxiety around people. She has trouble interacting and being around kids and is now scared to have children.”

These issues weren’t just for people working on the “terror” queue, but anyone training to become a moderator.

“For example, during training, Plaintiff witnessed a video of a smashed open skull with people eating from it; a woman who was kidnapped and beheaded by a cartel; a person’s head being run over by a tank; beastiality; suicides; self-harm; children being rapped [sic]; births and abortions,” the complaint alleges.

“As the example was being presented, Content Moderators were told that they could step out of the room. But Content Moderators were concerned that leaving the room would mean they might lose their job because at the end of the training new Content Moderators were required to pass a test applying the Community Guidelines to the content.”

During their three-week training, moderators allegedly don’t receive much resilience training or wellness resources.

These kinds of lawsuits aren’t unheard of. Facebook faced a similar suit in 2018, where a woman claimed that during her time as a moderator she developed PTSD as a result of “constant and unmitigated exposure to highly toxic and extremely disturbing images at the workplace.”

That case hasn’t yet been decided in court. Currently, Facebook and the plaintiff agreed to settle for $52 million, pending approval from the court.

The settlement would only apply to U.S. moderators

See what others are saying: (CNET) (The Verge) (Vice)

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Chinese State Media Calls TikTok-Oracle Deal “Reasonable” as Trump Signals Approval

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  • On Friday, the United States Commerce Department issued an order that would ban U.S. downloads of TikTok and WeChat starting Sunday night.
  • The order for TikTok was delayed for one week on Saturday after President Donald Trump gave his preliminary approval on a deal between TikTok and the software company Oracle.
  • A federal judge also issued a temporary injunction Sunday against the WeChat ban, which would have largely destroyed the app’s functionality.
  • Oracle and Walmart have since released more details of the deal, including that TikTok Global will likely pay $5 billion in U.S. taxes. This does not seem to be the same as a commission from the deal, even though Trump suggested such.
  • On Monday, Chinese state media called the deal “unfair” on ByteDance, TikTok’s parent company. However, it also described it as “reasonable,” suggesting the Chinese government may approve the deal.

U.S. and China Signal Support for Deal

What began as a tumultuous weekend for TikTok ended with both the U.S. and Chinese governments potentially signaling approval of its deal with Oracle. 

Last week, TikTok’s parent company, ByteDance, struck a deal with Oracle to avoid a U.S. ban. On Monday, Chinese state media called the deal “more reasonable to ByteDance,” and said it’s less costly than a shutdown.

“The plan shows that ByteDance’s moves to defend its legitimate rights have, to some extent, worked,” it added.

While not officially confirmed, this seems to suggest that the Chinese government may approve the deal. 

It also came off the heels of Saturday, when President Donald Trump, after having suggested unhappiness with the deal last week, said he has given his approval “in concept.” He will still need to officially sign off on it before the deal is set into motion.

Because of that, the U.S. Commerce Department staved off a download ban that was set for Sunday, now pushing it back to this coming Sunday, Sept. 27.

Some Republicans, such as Senator Marco Rubio (R-Fl.), have still expressed concern because ByteDance won’t be handing over its secretive algorithm as part of the deal.

What’s in the Deal?

On Saturday, Oracle released more details of its deal with TikTok. Under it, Oracle and Walmart would take a combined 20% stake in TikTok Global.

Still, there’s been much back and forth over how much control ByteDance, will have under the agreement. For his part, Trump has claimed that TikTok Global will “be a brand new company… It will have nothing to do with China.”

However, ByteDance has maintained that it will retain 80% of the stake. The discrepancy here seems to be because 40% of ByteDance is owned by U.S. venture capital firms. Therefore, Trump could technically claim that TikTok Global will be majority-owned by U.S. money.

Trump doubled down Monday and said that he would not approve the deal if ByteDance retained ownership. He added that the Chinese-owned company will “have nothing to do with it, and if they do, we just won’t make the deal.”

Later, Oracle announced that ByteDance will not have any stake in TikTok Global, though this statement heavily conflicts with what is being reported in China.

“Upon creation of TikTok Global, Oracle/Walmart will make their investment and the TikTok Global shares will be distributed to their owners, Americans will be the majority and ByteDance will have no ownership in TikTok Global,” the company said.

According to Walmart and Oracle, if this deal goes through, TikTok Global will pay $5 billion in new tax dollars to the U.S. Treasury over the next few years. As both companies noted, this is just a projection of future corporate taxes, and that estimate could change.

The water around that $5 billion figure was later muddied as Trump claimed that TikTok Global would be donating “$5 billion into a fund for education so we can educate people as to [the] real history of our country — the real history, not the fake history.”

To be clear, Trump is referring to his plans to establish a “patriotic education” commission.

On Sunday, ByteDance said in a statement that this was the first it had heard about a $5 billion education fund.

In fact, TikTok Global never promised to start an education fund. Instead, it promised to create an “educational initiative to develop and deliver an AI-driven online video curriculum to teach children from inner cities to the suburbs a variety of courses from basic reading and math to science, history and computer engineering.” 

That initiative doesn’t seem to have anything to do with that $5 billion tax figure. Since he began pursuing a ban, Trump has vowed that the U.S. will receive some form of commission from a deal with TikTok. As far as it is known, this $5 billion figure is also not that commission.

As previously reported, this deal will allow Oracle to host TikTok’s user data on its cloud service and review TikTok’s code for security. According to Treasury Secretary Steven Mnuchin, it would also shift TikTok’s global headquarters from China to the U.S.

On top of that, TikTok’s board members would reportedly have to be approved by the U.S. government, with one being an expert in data security. That person would also hold a top-secret security clearance.

Commerce Department Announces Download Ban

Friday seemed like the beginning of the end for TikTok. That morning, the Commerce Department issued an order that would ban U.S. downloads of not only TikTok but also WeChat starting Sunday night.

Both bans were a result of concerns the Trump administration has that ByteDance and WeChat’s parent company, Tencent, are either already giving or could give U.S. user data to the Chinese government.

The Trump administration has repeatedly said that both apps pose a national security threat.

TikTok and ByteDance have consistently denied these claims, saying that U.S. user data is stored domestically with a backup in Singapore. WeChat, for its part, has also made similar statements.

The download ban was announced in response to two Aug. 6 executive orders from Trump. Those orders ban any U.S.-based transactions with TikTok and WeChat starting on Sept. 20, which is why the Commerce Department set the deadline for this past Sunday.

While this ban would have been much more restrictive for WeChat because a large part of its functionality relies heavily on in-app transactions, for TikTok at least, it would only affect new downloads and updates to the app.

“So if that were to continue over a long period of time, there might be a gradual degradation of services, but the basic TikTok will stay intact until Nov. 12,” Commerce Secretary Wilbur Ross told Fox Business on Friday.

“If there’s not a deal by Nov. 12, under the provisions of the old order, then TikTok would also be, for all practical purposes, shut down.” 

What Happens on Nov. 12?

Ross is referring to another executive order, this one signed on Aug. 14. Notably, it gives ByteDance 90 days to divest from its American assets and any data that TikTok had gathered in the U.S. As Ross pointed out, that requirement could be satisfied if a deal is reached before the deadline.

If that doesn’t happen, the TikTok app could begin to see lags, lack of functionality, and sporadic outages.

However, it’s not just the U.S. One of the big questions that loomed after Oracle and ByteDance confirmed their deal last week was whether or not China would also need to approve it. ByteDance later confirmed that it will need the confirmation of the Chinese government, despite the deal not involving a technology transfer. 

Downloads Soar and TikTok Sues

On Friday, downloads for both apps soared. TikTok was downloaded nearly a quarter of a million times that day, up 12% from the previous day. WeChat was downloaded 10,000 times, up 150%.

The same Friday, TikTok as a company criticized the Commerce Department order, saying it had already committed to “unprecedented levels of additional transparency.”

TikTok added that the order “threatens to deprive the American people and small businesses across the US of a significant platform for both a voice and livelihoods.”

Later Friday, TikTok sued the Trump Administration to stop the download ban. 

On Sunday, a federal judge also halted the download ban for WeChat with a preliminary injunction. The injunction additionally blocks the Commerce Department’s attempt to bar transactions on the app.  

The Commerce Department responded by saying that it’s preparing for a long legal battle.

TikTokers: “Scared, angry, and confused”

“I’ve mostly just been feeling scared, angry, and confused,” TikToker Isabella Avila, known online as onlyjayus, told Rogue Rocket on Monday. “Those are just the main things.” 

Avila has amassed a following of 8.7 million followers on TikTok in a relatively short amount of time. She’s also gained about half a million followers on YouTube and Instagram each.

A couple of months ago, Avila said she thought a potential ban was all just talk; however, as the situation progressed, she said she became more worried.

While she said that she personally thought her career could survive a TikTok ban (thanks in part to a Netflix podcast deal), she added, “The people in-between a 100,000 to a million [followers], they have a platform right now, and if TikTok’s were to be gone, their platform’s pretty much gone if they haven’t built an audience on anything else. 

“This is where we go to express ourselves,” she said. “This is where we go to make videos. I don’t know, TikTok gave everybody a chance to kind of get famous and have a following. That’s what people liked about it. YouTube, it’s really hard to get followers and subscribers. TikTok was a lot easier.” 

Avila also expressed that a ban wouldn’t just be detrimental to creators. 

“I feel like my generation needed an app,” Avila said. “There was Instagram and Twitter, but it was kind of like for the millennials. Gen Z didn’t really have an app, and TikTok kind of fit that spot, so if TikTok’s gone, I don’t know, I feel like Gen Z isn’t really going to have a place.” 

Avila now says she is largely hopeful that TikTok will not be banned in the U.S.

See what others are saying: (The Washington Post) (NBC News) (Axios)

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