Connect with us

Entertainment

Ariana Grande and Justin Bieber Defend Their Billboard No.1 Against Cheating Accusations From 6ix9ine

Published

on

  • Rapper Tekashi 6ix9ine accused Billboard of manipulating its Hot 100 charts to give the No. 1 spot to Justin Bieber and Ariana Grande’s charity single “Stuck With U.”
  • His single, “Gooba” debuted at No. 3, but he says thousands of units for “Stuck With U” were illegally purchased through six credit cards at the last minute, allowing the song to take the top spot. 
  • Grande, Bieber, and their manager Scooter Braun denied the claims, accusing the rapper of miscalculating his numbers and explaining that they released their data late as a strategy.
  • Bieber also called out 6ix9ine for only referencing Grande in his criticism, while Braun noted that the real winner is the charity earning profits from “Stuck With U.”

6ix9ine Slams Billboard 

Ariana Grande and Justin Bieber defended their No. 1 spot on the Billboard Hot 100 Monday after rapper Tekashi 6ix9ine said they had fraudulently climbed their way to the top. 

On May 8, the two singers released their collaboration song called “Stuck With U,” meanwhile, 6ix9ine dropped his new single “Gooba.” Fans of both artists have been waiting to see where the songs would fall in their first week on the Billboard charts.

And on Friday, 6ix9ine posted a video to Instagram accusing Billboard of manipulating the streaming numbers. The video shows him scrolling through what he called a “forecast” of the charts sent to him Thursday. That data showed his song at No 2. and “Stuck With U” at No. 5. He also notably only refers to the song as Grande’s, making no mention of Bieber. 

Then he says that at the last hour, “Stuck With U” submitted 60,000 more units “out of nowhere,” which sent it to the top of the charts. 

He also showed a tweet from Billboard about a limited time signed CD version of “Stuck With U” that was for sale, and he said that Sony and Universal Music asked for an audit of Billboard’s data because they were suspicious of potential manipulation.

6ix9ine Makes Claims of Illegal Unit Purchases

Then on Monday, the public officially learned that “Stuck With U” debuted at No. 1, while “Gooba” landed two spots below at No. 3.

But shortly before the chart reveal, 6ix9ine took to Instagram again to accuse Billboard of lying and being corrupt. “So listen, I want the world to know that Billboard is a lie. You can buy number ones on billboard,” he said.

He went on to claim that his team conducted an investigation into those last-minute 60,000 units, saying: “They purchased half of those things with six credit cards. When we asked where was those six credit cards linked to, Billboard said ‘we can’t disclose that information.’”

He also said that not all of his streams were counted, showing that Billboard only county 31 million streams when it should’ve been 50 million. “Billboard illegally disqualified 20 million streams so it can drop down, and the people who bought the number one, which was stuck with U, can go to No 1.”

He adds that buying No. 1’s is a practice that is unfair to hardworking artists and even shows his YouTube numbers to emphasize just how popular his single actually was in comparison to others. “And if you want to compete with this, this is in one week…this is 184 million and you counted 30 million streams?”

He also posted another video directly addressing Grande, clarifying that his frustrations are with Billboard not her. However, he stressed that they both come from different backgrounds.

He plays an old clip of himself to show how he found success despite growing up under difficult circumstances. Then he showed clips of Grande on acting on Nickelodeon, suggesting her early beginnings were not as hard.

I speak for the millions of kids who aren’t as fortunate as you,” he added in the caption of the post. “YOU ARE VERY TALENTED AND BEAUTIFUL GOD BLESS YOU. But you will NEVER UNDERSTAND MY PAIN.”

Grande, Bieber, and Braun Respond 

So, of course, all of these accusations sparked a ton of conversation online, prompting Grande, Bieber, and their manager Scooter Braun to respond.

In a lengthy post, Grande thanked her fans for the success of the song but noted that numbers have never been the driving force behind anything she does. Then she says she has to address the drama because “this has gone a little too far.” 

“My fans bought the song. JUSTIN’S fans bought the song. OUR fans bought this song.(never more than four copies each, AS THE RULES STATE). they are ride or die motherfuckers and i thank god every day that i have them in my life.”

She continued, “i know. sales count for more than streams. u can not discredit this as hard as u try. to anybody that is displeased with their placement on the chart this week or who is spending their time racking their brain thinking of as many ways as they can to discredit hardworking women (and only the women for some reason…..), i ask u to take a moment to humble yourself. be grateful you’re even here. that people want to listen to u at all. it’s a blessed position to be in. i’ve had a lot of “almost number ones” in my career and i never said a goddamn thing because I FEEL GRATEFUL TO EVEN BE HERE. TO WANT TO BE HEARD AT ALL …. and you should feel that way too.”

View this post on Instagram

thank u to everybody who supported this song, this cause and made this happen. we love uuuuu so much. 🤍 there’s so much to celebrate today. 🤍 however, i would like to say a few things. anyone who knows me or has followed me for a while knows that numbers aren’t the driving force in anything i do. i’m grateful to sing. grateful to have people who want to listen. grateful to even be here at all. i didn’t have a number one for the first five years of my career and it didn’t upset me at all because from the bottom of my heart, music is everything to me. my fans are everything to me. i promise i couldn’t ask for another fucking thing. so with this celebration today, i would like to address a few things which i don’t usually do (i don’t give my energy to drama or strange accusations normally but this has gone a little too far)…my fans bought the song. JUSTIN’S fans bought the song. OUR fans bought this song (never more than four copies each, AS THE RULES STATE). they are ride or die motherfuckers and i thank god every day that i have them in my life. not just when they fight for us to win (even when i ask them not to as i did this week) but because they’re some of the greatest people i know. sales count for more than streams. u can not discredit this as hard as u try. to anybody that is displeased with their placement on the chart this week or who is spending their time racking their brain thinking of as many ways as they can to discredit hardworking women (and only the women for some reason…..), i ask u to take a moment to humble yourself. be grateful you’re even here. that people want to listen to u at all. it’s a blessed position to be in. i’ve had a lot of “almost number ones” in my career and i never said a goddamn thing because I FEEL GRATEFUL TO EVEN BE HERE. TO WANT TO BE HEARD AT ALL …. and you should feel that way too. congratulations to all my talented ass peers in the top ten this week. even number 3. 🥰 and thank u to @billboard for this honor. and thank u to everybody who helped us raise a lot of money for a very important cause this week. love u all a lot.

A post shared by Ariana Grande (@arianagrande) on

Bieber followed that up with an Instagram story saying that 6ix9ine is counting his global streams in his records when Billboard only looks at domestic streams. He says the 60,000 units were reported late because they chose not to disclose their numbers until the end of the week. 

“That’s called strategy,” he explained. 

Bieber also called the claim about 30,000 units being purchased on six credit cards a lie. “Nielson company checks this and founds all our sales were legit because our fans are amazing and bought them. Don’t discredit our fan base with false info.”

Finally, he adds, “This is my song with Ariana Grande and I’m honored to work with her to help raise money for a great cause. If you’re gonna say her name make sure you say mine because it’s our song.”

Source: @justinbieber’s Instagram Story

Braun also posted a statement to his Instagram reiterating the same points, and as far as the investigation that 6ix9ine claimed other labels had called for, Braun said: “Yes there was an investigation this week but it was into a video that had 6 times the amount of paid bot activity than the normal video. That video was not ours.”

Braun closed by saying that the ultimate winner is the First Responders Children’s Foundation, where all net proceeds from the track will be donated to fund scholarships for children of frontline workers. 

Source: @Scooterbraun Instagram

Some viewed this as a reference to the rumors that 6ix9ine used bots to improve his YouTube numbers.

It’s unclear if 6ix9ine was aware of their responses, but shortly after, he posted a photo of himself with six credit cards and the caption: “Don’t worry we’re going #1 next time #billboard.”

Billboard Responds With Article 

Billboard then released an article on its site addressing all the accusations and explaining its tabulation process for determining its rankings. 

It stressed that streaming numbers and other data that is publicly visible does not reflect the volume that is included in Billboard’s calculations.

Instead, the article says “each data provider provides a post-audit number to Billboard and Nielsen Music/MRC Data — excluding streams that do not meet long-standing charting parameters, such as U.S.-based-only plays, minimum play length, excessive plays and lack of user verification.” 

It noted that the YouTube video count the rapper pointed to is for global plays, without any other auditing filters. It also stressed that the “forecast” 6ix9ine reviewed did not come from Billboard, however, it said that those with access to sales, streaming, and radio data often create their own chart models. 

The article attributed the sales spike for “Stuck With U” to the fact that signed versions of the single were put up for sale on Grande and Bieber’s websites on the last tracking day. Several physical formats and digital download bundles were also available throughout the week.

Meanwhile, 6ix9ine, released a non-signed CD single/digital download on his website the last day of tracking. 

And as far as his claims about the six credit cards, the article said: “Billboard and Nielsen Music/MRC Data conducts audits on all sales reported with access to purchase-level detail, and works with data partners to recognize excessive bulk purchases and remove those units from the final sales total. All titles this week, as in every week, were put under the same scrutiny. 

In response 6ix9ine’s claims that Billboard would not “disclose” information about data when asked, it said that Billboard was open about all information pertaining to “Gooba,” but it could not provide “granular detail on a title to anyone but its content owner.”

Finally, Billboard stood by its data, saying “Overall Stuck With U” drew 28.1 million U.S. streams, 26.3 million in radio airplay audience, and 108,000 sold in the tracking week. Gooba” had 55.3 million U.S. streams, 172,000 in radio airplay audience and 24,000 sold.”

See what others are saying: (Fox News) (Pitchfork) (NBC News

Entertainment

Bruce Willis Denies Rumors He Sold His Likeness For Deepfake Use

Published

on

Deepfakes face criticism from Hollywood to social media.


Willis Debunks Rumors

Actor Bruce Willis denied rumors over the weekend that he sold his likeness to the deepfake company DeepCake. 

Willis agreed last year for his face to be used in a commercial for a Russian telecoms company. For this commercial, DeepCake digitally edited Willis’ face onto a Russian actor. This sparked rumors that Willis had sold the rights to his likeness for the company to use in future projects. 

However, both management for Willis and DeepCake itself denied any partnership or agreement for these rights.

“Bruce couldn’t sell anyone any rights, they are his by default,” DeepCake said.

Agreements for the AI generation of actors have been heard of before, however. Recently, actor James Earl Jones agreed for his voice to be technologically generated for the voice of Darth Vader in the Star Wars franchise. 

Deepfakes Online

This comes as deepfakes are facing mounting criticism online, including from prominent YouTube personality and author, Hank Green. He recently tweeted about a channel that uses similar deepfake technology and AI-voice generation to parody popular YouTube creators. He stressed his concern that while the channel in question may not be nefarious, this technology could end up being harmful. 

“There are ways to do this that would be much worse, more mean spirited, and more exploitative than this,” Green said. “And I’m very worried about what that will look like, because if this is working (and allowed), people will do it.”

Among other issues, Green mentioned these videos could abuse monetization and sponsorship opportunities while exploiting someone else’s face and brand. Green even implored YouTube to evaluate its terms of service as the popularity of deepfakes rise. 

See what others are saying: (BBC) (Mashable) (The Telegraph)

Continue Reading

Entertainment

Twitch Faces Backlash After Booking Megan Thee Stallion At TwitchCon Amid Creator Pay Cuts

Published

on

The cut in revenue share has ignited severe backlash on Twitch, where users argue pay for creators should be increased, not slashed. 


Revenue Share Shake Up

Twitch users are criticizing the company for hiring artist Megan Thee Stallion to perform at TwitchCon just one week after announcing cutbacks to top creator pay.

Last week, the video and streaming platform said that starting in June of next year, some creators will receive less revenue from their subscriptions. While the standard split for subscription revenue is 50/50, some major streamers previously received a more favorable 70/30 share in premium agreement terms. 

Many creators have long argued that everyone should get that 70/30 share, but Twitch took a step in the opposite direction. In the future, streamers with premium terms will only get the 70/30 slice for their first $100,000 from subscription revenue. After that, they will get bumped down to the regular 50/50 cut. 

The company argued the move was necessary as the premium terms previously lacked transparency and consistency, insisting it tried to modify the policy in a way that impacted the least amount of creators. According to Twitch’s statement, 90% of streamers on standard agreements will not even be impacted by the change.

Still, this move outraged Twitch users who were furious the company was not investing more in the creators that bring so many viewers to its platform. Those frustrations were exacerbated on Wednesday when the company announced Megan Thee Stallion would make an appearance at TwitchCon, a weekend-long event set to take place in San Diego in early October. 

Backlash Continues to Mount

While no details of Megan Thee Stallion’s agreement to perform have been disclosed, one can assume she charges a pretty penny to book at an event of this nature. Critics argued that if Twitch is willing to spend money on her, it should be willing to spend it on its own streamers. 

“So Twitch can’t afford to pay their creators 70/30, can’t fix their media player that crashes after each ad, can’t enforce their policies so people aren’t doing inappropriate things on stream, but they can afford paying celebrities to promote their streaming site?” one person wrote. 

“It’s weird that a company that just announced a bunch of budget cuts due to infrastructure costs goes out and grabs an A-list musician instead of promoting their own musicians that run on their platform,” another person claimed.

“Instead of giving your creators a cut they deserve when they do so much work, this is what you do…?” one user asked. “Maybe give your creators a better deal instead of wasting their hard earned money on things we don’t even want.”

Twitch has not responded to the outrage, but Megan Thee Stallion was not the only music act the Amazon-owned service booked for the event. Kim Petras and Meet Me at the Altar will also take the stage at TwitchCon. 

The backlash comes as concerns have been mounting against Twitch for a plethora of reasons including creator pay, gambling streams, and more. 

In recent months, some of the platform’s biggest names have left Twitch in favor of rival services like YouTube Gaming. 

See what others are saying: (Dexerto) (The Verge) (Metro)

Continue Reading

Entertainment

“Dahmer” Series Breaks Netflix Records Amid Backlash For Exploiting Victims’ Stories

Published

on

Family members of some of the murderer’s victims say the program is “retraumatizing.”


“Dahmer” Lands Successful Week on Netflix

While criticisms mount against “Dahmer – Monster: The Jeffrey Dahmer Story,” the true crime series broke Netflix’s record as the most-watched first week for a series debut.

According to data provided by the streaming giant, the Evan Peters-led show was watched for over 196 million hours between its release on Sept. 21 and Sept. 25.

“Dahmer” is the newest of several pieces of fiction and media based on the famous serial killer. Created by Ryan Murphy and Ian Brennan, the series quickly generated a lot of attention online, primarily from those concerned the show is exploiting a gruesome true story. 

Critics have echoed those fears, giving the show a mixed 50% rating on Rotten Tomatoes. The “Critic’s Consensus” blurb on the site states that while the show is “seemingly self-aware of the peril in glorifying Jeffrey Dahmer” the story still “tilts this horror story into the realm of queasy exploitation.”

Victims’ Families Speak Out

The family of Errol Lindsey, one of Dahmer’s victims, has also spoken out against the series. In a viral tweet, Lindsey’s cousin Eric Perry said his family is “pissed about the show.”

“It’s retraumatizing over and over again, and for what?” he wrote. “How many movies/shows/documentaries do we need?”

In much of the promotion for the series, Netflix claimed it would be told from the perspective of the victims. Perry slammed that narrative, noting that his family was never even contacted by the streamer about the project.

“So when they say they’re doing this ‘with respect to the victims’ or ‘honoring the dignity of the families’, no one contacts them,” he wrote. “My cousins wake up every few months at this point with a bunch of calls and messages and they know there’s another Dahmer show. It’s cruel.”

Lindsey’s sister, Rita Isbell, echoed that claim in an essay she wrote for Insider, noting that Netflix did not notify her of the show, or ask her any questions about her brother. 

She said that watching the show “felt like reliving it all over again.”

“It brought back all the emotions I was feeling back then,” she wrote. 

“It’s sad that they’re just making money off of this tragedy. That’s just greed,” she continued. 

Obsession With Dahmer

Controversy has also grown from some of the responses to the series, as many viewers have posted fan edits of the show that romanticize Dahmer. Some pair clips of Peters’ Dahmer with his victims to love songs or pop ballads, leaving a bad taste in the mouths of those who do not understand why someone would make content glorifying the killer. 

Others have responded to the show by calling Dahmer “hot” or posting thirst tweets about his mug shot. This has resulted in a backlash of its own. 

“Jeffrey Dahmer molested and murdered people, mostly black men and boys,” one person wrote. “So to see people making edits and thirst traps of him is a little off putting.”

“if I see anyone tweeting thirst tweets about Jeffrey Dahmer I’m immediately unfollowing,” another person said. “That’s so fuckin nasty.”

Concerns that this kind of media results in more people admiring Dahmer are also mounting in Milwaukee, where many of his crimes took place. According to TMZ, the city is considering creating something to honor the victims, but officials fear a physical memorial would turn into a “mecca” for Dahmer’s fans. 

See what others are saying: (Insider) (IndieWire) (Vox)

Continue Reading