Disney May Have Halted Lizzie McGuire Reboot Over Adult Themes
- A new report from Variety alleges that production of the Lizzie McGuire revival came to a halt because star Hilary Duff and showrunner Terri Minsky wanted to include adult themes, while Disney wanted to keep it family-friendly.
- Minsky was fired from the production over a month ago, with Disney citing creative differences. She told Variety she wants people to see what Lizzie is up to now and hinted that she wanted the project to move to Hulu, where more mature content is allowed.
- Duff did not comment on the matter but did make a potential jab in her Instagram story. The show Love, Victor was just switched from Disney+ to Hulu because of family-friendly content issues. She shared a headline and said, “sounds familiar.”
Disney at Odds With ‘Lizzie McGuire’ Creator
When fans learned that Disney would be bringing back Lizzie McGuire, they thought it was what dreams are made of. Now, it seems like this picture-perfect plan is in limbo.
Production for the nostalgic revival came to a halt in January when showrunner and original creator Terri Minsky was fired after just two episodes were filmed. Disney cited the need “to move in a different creative direction” at the time. The original Lizzie McGuire series aired on the Disney Channel between 2001 and 2004. Disney+ was set to be the home of the new revival, which would show the character living in New York at the age of 30. The show has not resumed production or found a new showrunner since.
A Wednesday report from Variety alleges that the “creative direction” in question was the exploration of mature themes on the show. They say that Minsky, along with the show’s star, Hilary Duff, wanted to do an adult version of Lizzie, while Disney wanted to keep it family-friendly like the original.
According to Variety, this dispute has put the show’s fate in jeopardy. Duff is reportedly upset with the dismissal of Minsky. While Disney is working to find a new showrunner to replace her, sources close to the matter believe that finding someone who can balance both the desires of Duff and Disney is becoming “increasingly unlikely.” Variety says many in the industry have speculated that “the revival will not move forward” because of the clashing plan on how to approach Lizzie’s new adult life.
Disney+ and Family-Friendly Content
Disney wanting to keep its streaming service squeaky clean is nothing new. On Monday, they announced their original show Love, Victor, an adaptation of the movie Love, Simon, would be switching from Disney+ to Hulu when it makes its debut in June. The show follows a gay teenager in high school, and many cited it not being “family-friendly” as a reason for the move.
The character’s sexuality, however, was likely not the factor behind this. Deadline reported that the show also shows alcohol use and marital issues on top of sexual exploration. Becky Albertalli, who wrote the book that Love, Simon and Love, Victor are based on, also said the decision was based on other content in the show.
“For what it’s worth, it’s not based on the show featuring a gay teen love story. Disney knew what it was when they got it,” she wrote on Twitter.
Many ran away with the issue of family-friendliness, and the news got a lot of attention. It caught the eye of Duff, who posted an article on her Instagram story highlighting a headline that mentioned this and said, “sounds familiar.”
Many interpreted this as Duff breaking her silence on the seemingly mysterious pause in the making of the Lizzie McGuire reboot. She had previously been vocally excited about the show, promoting it at various events and sharing photos of production on Instagram.
Duff did not speak to Variety for their report, but Minsky did. The former showrunner expressed that she wanted fans to see the new Lizzie. She also said that she wished the revival might follow the path of Love, Victor and find Hulu as a home.
“I am so proud of the two episodes we did. Hilary has a grasp of Lizzie McGuire at 30 that needs to be seen. It’s a wonderful thing to watch,” she told the outlet. “I would love the show to exist, but ideally I would love it if it could be given that treatment of going to Hulu and doing the show that we were doing. That’s the part where I am completely in the dark. It’s important to me that this show was important to people. I felt like I wanted to do a show that was worthy of that kind of devotion.”
Disney maintains that this does not mean the reboot is dead in the water.
“We paused production on ‘Lizzie McGuire’ a few weeks ago to allow time for some creative re-development,” the entertainment giant said in a statement to Variety. “Our goal is to resume production and to tell an authentic story that connects to the millions who are emotionally invested in the character, and a new generation of viewers too.”
When the reboot was initially announced, fans were ecstatic to see what Lizzie was up to over 15 years later. Much of the show’s core audience is now in their 20’s and 30’s, and they were excited to see one of their favorite childhood characters all grown up.
“Lizzie has also grown up, she’s older, she’s wiser, she has a much bigger shoe budget,” Duff said about Lizzie’s growth at D23 in August. “She has her dream job, the perfect life right now working as an apprentice to a fancy New York City decorator. She has the perfect man, who owns a fancy restaurant. She’s getting ready to celebrate her 30th birthday.”
Now, many online were outraged that the revival is in danger. Some called for it to move to Hulu like Love, Victor so that adult themes could be appropriately explored.
Others maintained that the new Lizzie McGuire should not have to be family-friendly since kids today do not have any familiarity with the character. They think it should be geared towards the adults who watched it when they were young.
Some don’t see why Disney+ can’t make room for the reboot, seeing as they already have shows like The Simpsons that contain mature content.
Right now, it remains unclear what will happen next with the reboot. No release date had been set for the project. Original cast members were involved with the show, including Adam Lamberg who played Gordo; and Hallie Todd, Robert Carradine, and Jake Thomas, who played her parents and brother.
See what others are saying: (Variety) (Vanity Fair) (Mashable)
Swifties Rally Outside Los Angeles Courthouse Amid Ticketmaster Lawsuit Hearing
Over 300 fans are suing Ticketmaster over the “disaster” they experienced while attempting to purchase tickets for Taylor Swift’s latest tour.
Taylor Swift fans rallied outside of a Los Angeles courthouse on Monday as the first hearing for a lawsuit they filed against Ticketmaster took place.
Swift’s fans, dubbed “Swifties,” sued the ticket giant late last year after the presale for the singer’s Eras Tour left many fans empty-handed. Swift herself called the ordeal “excruciating” after her fans were kicked out of the virtual queue, lost tickets they thought they had purchased, and experienced technical difficulties for hours on end.
Dozens of fans, including virtual attendees, spoke at Monday’s hearing, which largely centered around the status of the suit. There are over 300 plaintiffs represented in the case, though attorney Jennifer Anne Kinder, the self-proclaimed Swiftie leading the case, said she does not plan on pursuing class-action status.
Fans are seeking at least $2,500 each in damages, though as one fan told CNN: “It has nothing to do with the money.” Swifties really want to take aim at the alleged monopoly Ticketmaster and its parent company, Live Nation, hold over the entertainment and live event industries. Live Nation is currently the subject of a Department of Justice investigation over potential abuse of power.
Swifties traveled from across the country to attend the hearing and rally. Roughly a dozen stood outside the courthouse carrying signs using Swift’s lyrics to take aim at Ticketmaster. One sign featured a broken heart with “Ticketmaster” and “Live Nation” written on either side. “Are you ready for it?” the sign asked.
Others used lines like “my pennies made your crown” and “can’t shake it off.”
What’s In The Lawsuit?
Kinder’s firm made a website called “Take Down Ticketmaster” to lay out issues fans had with the Swift presale and with the company as a whole.
“We monitored the Taylor Swift sale in real time of what was happening to fans across the U.S.,” the website says. “Collectively, fans’ experiences with Ticketmaster indicated a potential pattern of fraudulent behavior and antitrust violations by the company.”
The site also encouraged music fans across genres and artists to fight back against Ticketmaster and take “back our power in the live entertainment ecosystem.”
In their lawsuit, Swifties accused Ticketmaster of “anticompetitive conduct” by imposing higher prices on the sale, resale, and presale markets. It also claims the company gave out more presale codes than demand allowed, and “intentionally and purposefully mislead ticket purchasers by allowing scalpers and bots access” to the presale.
According to Ticketmaster, the incredibly high demand, coupled with an onslaught of bot attacks, forced the platform to slow sales down. The company delayed sales in certain cities and canceled the general sale altogether before it started slowly releasing pairs of tickets to fans with presale codes who did not have tickets in their accounts.
The Eras Tour kicked off in Arizona earlier this month. Swifties are not the only fandom Ticketmaster has to worry about though, as just last week, Drake fans slapped the company with a price-gouging suit.
See what others are saying: (CNN) (The Los Angeles Times) (Rolling Stone)
Twitch Tightens Policies on Explicit Deepfakes
“The creation, promotion, or viewing of this content is not welcome on Twitch,” the company said in a blog post.
New Rules Regarding “Synthetic NCEI”
Twitch is cracking down on explicit deepfake content and will indefinitely suspend users who share or promote it after a first offense.
“The existence of this content, and its presence and distribution on various sites, is personally violating and beyond upsetting. Deepfake porn isn’t a problem on Twitch, but it’s a terrible issue that some streamers (almost exclusively women) may face on the internet at large,” Twitch said in a Tuesday blog post, explaining it wants to “help streamers protect themselves” in any case this issue arises.
Twitch referred to this content as “synthetic non-consensual exploitative images,” or “synthetic NCEI,” but many of the platform’s users have casually referred to it as deepfake porn. Synthetic NCEI involves someone taking the face of another person and editing it into a pornographic video to make it appear as though that person filmed themselves demonstrating those sexual acts. The new rise in access to this technology has concerned many, as it is easy to use it to exploit others.
While synthetic NCEI is already banned on Twitch, the company took a more actionable step against it in its Tuesday post by creating an Adult Sexual Violence and Exploitation policy. The new rule prohibits the intentional sharing, promoting, or creation of synthetic NCEI and those acts can result in an indefinite suspension on the first offense.
Twitch also updated its Adult Nudity policy to include synthetic NCEI. Even if it is only shown briefly, that content will still be taken down and result in an enforcement.
In addition to the policy changes, Twitch made available a list of resources for those who might be impacted by or wish to learn more about synthetic NCEI.
“The creation, promotion, or viewing of this content is not welcome on Twitch,” the company said closing its blog post.
Growing Concerns About Explicit Deepfakes
Twitch’s updates come as synthetic NCEI and deepfakes have become a primary topic of concern for social media platforms. Earlier this year, Twitch was home to a major deepfake controversy after a streamer known as Atrioc was caught with an open tab to a website that hosted these videos. That site specifically hosted deepfakes of female Twitch streamers, some of whom were Atrioc’s colleagues.
Many women featured on the page spoke out against these deepfakes, explaining the trauma they endured knowing their face, image, and likeness were used in a sexual manner without their consent. It’s an issue that extends far past Twitch creators. Some fear they could be used for revenge porn, and there are already several cases where the technology is used to create sexual videos of celebrities.
On Tuesday, NBC News published a report finding that Facebook and Instagram ran suggestive ads featuring deepfakes of actresses like Emma Watson and Scarlett Johansson. The ads were for a deepfake app that told users they could “replace face with anyone.”
While the ads did not show explicit pornographic content, one ad featuring Watson was clearly meant to mimic the start of an explicit video, suggesting a sexual act was about to start. The face of the “Harry Potter” actress was seen looking into the camera before bending down.
The report found that 127 ads with Watson deepfakes and 74 with Johansson deepfakes ran across Meta’s platforms on Sunday and Monday, but have since been removed. The app in question was also removed from the Apple app store after NBC News contacted the tech giant for comment.
See what others are saying: (The Verge) (Engadget) (Kotaku)
Fans Defend Pedro Pascal After Actor Refused to Read Thirst Tweets: “It’s Sexual Harassment”
Pascal has been dubbed the Internet’s “daddy,” but many think the joke has gone too far.
Pascal’s Heartthrob Status
Fans are defending actor Pedro Pascal after he refused to read thirst tweets on the red carpet, arguing that it is inappropriate and disrespectful to ask him to do so.
Pascal, the star of HBO’s “The Last of Us” and Disney+’s “The Mandalorian,” has become a major Hollywood heartthrob. He has even been widely dubbed as the Internet’s “daddy” by those posting about his handsome looks. The running joke grew last year when he did a Vanity Fair lie detector test and said he considered himself a “bigger daddy” than “Star Wars” star Oscar Isaac.
“Daddy is a state of mind, you know what I’m saying? I’m your daddy,” he quipped during the interview.
Since then, TikTokers have started posting thirst trap edits of Pascal, journalists have called him “daddy” on the red carpet, and interviewers have shown him tweets where fans call him a “cool, slutty daddy.”
Pascal has been a good sport about the public displays of lust for him, but many think the joke may have crossed a line. During last week’s red carpet premiere for season three of “The Mandalorian,” an Access Hollywood reporter went viral for asking Pascal to read thirst tweets to the camera. Pascal politely declined.
“No. Dirty! Dirty!” he told the reporter after reading through the tweets.
“For your enjoyment only,” she responded.
“Thank you very much,” Pascal said before exiting the interview.
Fans Condemn Thirst Tweet Interviews
In response, many who watched the clip condemned this treatment of Pascal, arguing it promoted constant objectification.
“I think it’s time for the internet to leave Pedro Pascal alone,” one person wrote. “It’s sexual harassment, but no one seems to care bc he’s a man + is graceful about it. It’s really gross and I would never want to be treated like that.”
“These jokes have gone way too far and he’s visibly uncomfortable,” another fan added.
Some claimed that while the Internet’s love of Pascal “started as harmless fun…the constant public objectification and sexualization must be terrible” and should stop.
“Being attractive, banking on it, selling it, and even at times enjoying some of the attention, doesn’t give everyone wholesale permission to sexualize you,” someone else argued.