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2020 Oscar Nominations: Diversity Criticism, Snubs, and More

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  • This year’s Oscar nominations were announced, sparking new celebrations and criticisms over who was placed on and off the list. 
  • The academy is facing backlash for nominating just one Black actress, Cynthia Erivo, and not a single female in the Best Director category. 
  • Movie fans were also surprised to see no nominations for Jennifer Lopez, Awkwafina, and Lupita Noyong’o, among others. 

Joker Earns Most Noms 

The 92nd annual Oscar nominations were announced Monday with a wave of snubs and surprises that have movie lovers talking. 

Issa Rae and John Cho revealed the chosen nominees for all 24 categories, with the controversial drama “Joker” picking up 11 nods – more than any other film this year. “Once Upon a Time in Hollywood,” “The Irishman,” and “1917,” followed closely behind with 10 nominations. 

All four earned spots in the coveted Best Picture category along with “Little Women,” a tale of four sisters growing up in Massachusetts during the Civil War; “Marriage Story,” which focuses on a couple working through a tough divorce and custody battle; “Parasite,” a South Korean psychological thriller and dark comedy; “Jojo Rabbit,” the story of a young German boy who counts Hitler as an imaginary friend, and “Ford v Ferrari,” based on the true story of Ford working to make a faster car than Ferrari.  

The success of “Parasite” marked a particularly significant moment of recognition as it is the first South Korean film to receive nominations for Best International Film and Best Picture. The film has been widely supported by the Asian American community and earned six total Oscar nods, tying with “Jojo Rabbit,” “Little Women,” and “Marriage Story.”

Oscars Pass on J.Lo 

Perhaps the biggest snub this year was against Jennifer Lopez, who was favored as a Best Supporting Actress contender for her role as Ramona in “Hustlers.” After receiving nominations at the Golden Globes and the SAG Awards, it seemed like J.Lo was a sure bet for an Oscars slot as well. 

A surprise nomination in the category instead went to Kathy Bates, the sole nominee from “Richard Jewell.” 

No Female Director Noms 

Women were also completely absent in the Best Director category yet again, which was frustrating to many who felt “Little Women” director Greta Gerwig should have been an obvious contender 

Nominees for the category include Martin Scorsese, Quentin Tarantino, Bong Joon-ho, Sam Mendes, and Todd Phillips. 

Both the Golden Globes and the Directors Guild of America awards shut out women directors in favor of male nominees, leading to widespread industry backlash. The Oscars’ decision has now, of course, added to that outrage. 

As Deadline points out, the lack of women in the Best Director category is a sad Oscars tradition. Only five women have ever earned a nomination in the 92-year history of the Academy Awards: Kathryn Bigelow (The Hurt Locker), Lina Wertmüller (Seven Beauties), Jane Campion (The Piano), Sofia Coppola (Lost in Translation) and Gerwig (Lady Bird).

In 2010, Bigelow became the first and only female director to win in the category.

#OscarsSoWhite and Other Notable Snubs 

The academy is also once again being slammed with the hashtag “Oscars So White:” on social media after users pointed out that minorities were largely overlooked. British-Nigerian actress Cynthia Erivo, who appeared in “Harriet,” is the sole Black performer among the 20 actor nominees. 

Jennifer Lopez’s snub sparked huge conversations about Latinx representation. Had she been nominated, Lopez would have been the first American Latinx actress singled out by the academy since Rosie Perez, who earned a best-supporting actress nomination in 1994 for “Fearless.” 

Many were also surprised to see Kenyan-Mexican actress Lupita Noyong’o and Asian-American actress Awkwafina left out of this year’s Best Actress list, especially considering their success at precursor awards. 

Nyong’o, winner of the most lead actress awards from critics organizations this awards season, received widespread praise for her two-sided role in Jordan Peele’s “Us,” meanwhile Awkwafina made history as the first woman of Asian descent to win a lead actress Golden Globe. The star acted in Lulu Wang’s dramedy “The Farewell,” which critics hailed as one of the best films of the year. 

Eddie Murphy, who was just honored with the Lifetime Achievement Award at Sunday night’s Critic’s Choice Awards, also did not earn a nod for “Dolemite Is My Name,” and music star Beyonce was not included in the Best Original Song category for “Spirit” from “The Lion King.”  

Since previous backlash over diversity issues, the academy has worked to double female and minority membership by inviting more film professionals from overseas. While it has made some strides, even after four years of efforts, according to the New York Times, the organization is 68% male and 84% white. 

No Host

The 92nd Academy Awards will be held Sunday, Feb. 9, airing on ABC as part of the network’s long-term agreement with the Academy. For the second year in a row, the Oscars will go on without a host, as it did last year after widespread backlash over Kevin Hart’s hiring and departure. 

Full Nominations

Best Picture

“Ford v Ferrari” (Fox)

“The Irishman” (Netflix)

“Jojo Rabbit” (Fox Searchlight)

“Joker” (Warner Bros.)

“Little Women” (Sony)

“Marriage Story” (Netflix)

“1917” (Universal)

“Once Upon a Time in Hollywood” (Sony)

“Parasite” (Neon)

Best Director

Martin Scorsese (“The Irishman”)

Todd Phillips (“Joker”)

Sam Mendes (“1917”)

Quentin Tarantino (“Once Upon a Time in Hollywood”)

Bong Joon Ho (“Parasite”)

Best Actor

Antonio Banderas (“Pain and Glory”)

Leonardo DiCaprio (“Once Upon a Time in Hollywood”)

Adam Driver (“Marriage Story”)

Joaquin Phoenix (“Joker”)

Jonathan Pryce (“The Two Popes”)

Best Actress

Cynthia Erivo (“Harriet”)

Scarlett Johansson (“Marriage Story”)

Saoirse Ronan (“Little Women”)

Charlize Theron (“Bombshell”)

Renee Zellweger (“Judy”)

Supporting Actor

Tom Hanks (“A Beautiful Day in the Neighborhood”)

Anthony Hopkins (“The Two Popes”)

Al Pacino (“The Irishman”)

Joe Pesci (“The Irishman”)

Brad Pitt (“Once Upon a Time in Hollywood”)

Supporting Actress

Kathy Bates, (“Richard Jewell”)

Laura Dern (“Marriage Story”)

Scarlett Johansson (“Jojo Rabbit”)

Florence Pugh (“Little Women”)

Margot Robbie (“Bombshell”)

Adapted Screenplay

Taika Waititi (“Jojo Rabbit”)

Steve Zaillian (“The Irishman”)

Anthony McCarten (“The Two Popes”)

Greta Gerwig (“Little Women”)

Todd Phillips and Scott Silver (“Joker”)

Best Original Screenplay

Rian Johnson (“Knives Out”)

Noah Baumbach (“Marriage Story”)

Sam Mendes and Krysty Wilson-Cairns (“1917”)

Quentin Tarantino (“Once Upon a Time in Hollywood”)

Bong Joon Ho and Han Jin Won (“Parasite”)

Animated Feature

“How to Train Your Dragon: The Hidden World”

“I Lost My Body”

“Klaus”

“Missing Link”

“Toy Story 4”

International Feature Film

“Corpus Christi” (Portland)

“Honeyland” (North Macedonia)

“Les Miserables”(France)

“Pain and Glory” (Spain)

“Parasite” (South Korea) 

Best Documentary

“American Factory”

“The Cave”

“Edge of Democracy”

“For Sama”

“Honeyland”

Best Cinematography

“The Irishman”

“Joker”

“The Lighthouse”

“1917”

“Once Upon a Time in Hollywood”

Best Costume Design

“The Irishman”

“Jojo Rabbit”

“Joker”

“Little Women”

“Once Upon a Time in Hollywood”

Film Editing

“Ford vs. Ferrari”

“The Irishman”

“Jojo Rabbit”

“Joker”

“Parasite”

Makeup and Hairstyling

“Bombshell”

“Joker”

“Judy”

“Maleficent: Mistress of Evil”

“1917”

Original Score

“Joker”

“Little Women”

“Marriage Story”

“1917”

“Star Wars: The Rise of Skywalker”

Original Song

I Can’t Let You Throw Yourself Away,” “Toy Story 4”

“I’m Gonna Love Me Again,” “Rocketman”

“I’m Standing With You,” “Breakthrough”

“Into the Unknown,” “Frozen 2”

“Stand Up,” “Harriet”

Production Design

“The Irishman”

“Jojo Rabbit”

“1917”

“Once Upon a Time in Hollywood”

“Parasite”

Sound Editing

“Ford v Ferrari”

“Joker”

“1917”

“Once Upon a Time in Hollywood”

“Star Wars: The Rise of Skywalker’

Sound Mixing

“Ad Astra”

“Ford vs. Ferrari”

“Joker”

“1917”

“Once Upon a Time in Hollywood”

Visual Effects

“Avengers: Endgame”

“The Irishman”

“The Lion King”

“1917”

“Star Wars: The Rise of Skywalker”

Documentary (Short Subject)

“In the Absence”

“Learning to Skateboard in a War Zone If You’re a Girl”

“Life Overtakes Me”

“St. Louis Superman”

“Walk Run Cha-Cha”

Short Film (Animated)

“Daughter”

“Hair Love”

“Kitbull”

“Memorable”

“Sister”

Short Film (Live Action)

“Brotherhood”

“Nefta Football Club”

“The Neighbor’s Window”

“Saria”

“A Sister”

See what others are saying: (Deadline) (The New York Times) (Variety)

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Disney Eviscerates Scarlett Johansson’s “Black Widow” Lawsuit as “Callous,” but Report Suggests Emma Stone and Emily Blunt May Follow Her Lead

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“There is no merit whatsoever to this filing,” the company said in an uncharacteristically blunt statement that was heavily criticized online. 


Johansson/Disney Lawsuit Gets Bitter

Disney has described a recent lawsuit from “Black Widow” actress Scarlett Johansson as “sad and distressing in its callous disregard for the horrific and prolonged global effects of the COVID-19 pandemic,” but Johansson may have just unleashed what is to become an even bigger legal challenge for the House of Mouse. 

At the center of this dispute, Johansson alleges she lost $50 million because Disney opted for a dual streaming/theater release of “Black Widow,” which debuted in theaters and for $30 on Disney+ with Premier Access earlier this month. 

According to Johansson’s suit, her contract with Disney — which was negotiated prior to any hint of a pandemic — stipulated that “Black Widow” would see an exclusive theater release. Notably, the actress also said her contractual bonuses were tied to the movie’s box office performance, which is an extremely common practice with films featuring A-list celebrities.

Of course, when the pandemic hit — like many other industries — movies were upended. Pandemic-related changes meant that despite having an initial release date of May 2020, Marvel fans wouldn’t get a chance to see “Black Widow” for over a year. 

Still, Johansson said she tried to contact Disney to renegotiate her contract prior to the film’s ultimate release, but she claims the company was unresponsive. 

On Thursday, she then filed a complaint with the Los Angeles County Superior Court, with her attorney arguing that “Disney has enjoyed the benefits of having one of Hollywood’s top actresses promote its wholly owned subscription service at no additional cost to Disney, and with the intended effect of taking money out of that actress’ own pocket.”

Later Thursday, Disney claimed that it has “fully complied” with Johansson’s contract and that the streamed release of the film “has significantly enhanced her ability to earn additional compensation on top of the $20M she has received to date.”

“There is no merit whatsoever to this filing,” the company said in its uncharacteristically blunt statement.

Are Emma Stone and Emily Blunt Next?

Speaking of blunt, it was reported Friday that both Emily Blunt and Emma Stone may also file lawsuits against Disney’s dual streaming release of their films. 

In fact, according to an exclusive newsletter run by former Hollywood Reporter Editor Matt Belloni, Stone “is said to be weighing her options” over the dual release of “Cruella” in May. Meanwhile, he suggested Blunt could also take action or speak out following this weekend’s release of “Jungle Cruise.”

Belloni went on to describe Disney as “notoriously difficult to deal with” regarding such matters and claimed that many have simply been waiting for someone powerful enough to speak out. 

Disney Criticized for Its Response

Much of the public perception of the situation has led to overwhelming support for Johansson’s camp. Online, a slew of people lambasted Disney’s response, with many calling it a deflection. 

See what others are saying: (ScreenRant) (Newsweek) (Variety)

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Candace Owens and Logan Paul in Talks to Debate

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A spokesperson confirmed to Insider Wednesday that the two have had “productive” conversations about the prospect offline.


Candace Owens Challenges Logan Paul to a Debate

Right-wing commentator Candace Owens and controversial YouTuber Logan Paul are in talks to engage in a political debate. Yes, you read that sentence correctly. 

Owens — best known for making false claims about the George Floyd protests, spreading COVID-19 misinformation, and seemingly saying that Adolf Hitler “just wanted to make Germany great” — first challenged Paul to a debate on Friday. It started with her sharing a year-old clip from Paul’s podcast where he spoke about the importance of fighting racism in the United States. 

“It is not enough to be ‘not racist.’ You have to be anti-racist,” he said.

“If you’re white, if you look like me, use your privilege,” he added. “And for those who do not think white privilege exists, you are fucking blind.” 

Because merely acknowledging the existence of racism appears to go against Owens’ core beliefs, she asked Paul to duke it out with her. 

“Logan loves to challenge people in the boxing ring,” she wrote. “I’d like to publicly challenge him to go a few rounds with me in a political debate. @LoganPaul—how about you stop by my show and explain to me how you’re *checks notes* more privileged than me because you’re white and I’m not?”

Spokesperson Confirms The Two Are in Talks

Paul  — best known for launching a boxing career and filming a YouTube video that showed a dead body in Japan’s “suicide forest” — said on Tuesday that he was “perplexed” by the offer, but was taking it seriously. 

I started to entertain this action, I ended up speaking with her, and there may be a future where we sit down and have a civil discourse because I think there’s some meat on this bone,” he said during the most recent episode of his “ImPaulsive” podcast. 

The internet star acknowledged that Owens’ main arena is politics, while his main arena is being a “fucking idiot” online. Still, he said he does care about these issues and has a “semi-intelligent brain,” so he thinks he could “hold [his] own.”

“Candace Owens, whether you can admit it or not, is a smart person,” Paul continued. “And so I guess I’m just curious because I just fucking fundamentally disagree with her and again, I think there’s room for a conversation.” 

A spokesperson for Owens confirmed to Insider on Wednesday that the two had a “productive” offline conversation and said a public political debate between the two is “very likely.”

“Although both of them disagree on a variety of topics, they are both much more interested in learning from one another and think people would benefit from hearing an honest discussion between two parties rather than a ‘gotcha’ moment that might play well for social media,” the spokesperson added.

See what others are saying: (Insider)

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Finneas Slams Billie Eilish Troll Account for Attributing Fake Quotes to the Singer

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Eilish’s big brother said the account is spreading “relentless lies” and asked that it at least label itself as a satire account.


Troll Account Shares Fake Billie Eilish Quotes

Billie Eilish’s brother and collaborator Finneas took to Twitter Tuesday to address an account that has been sharing fake quotes attributed to his sister.

The account uses the handle @BilliesUpdatess and goes by the name of “Billie Eilish Updates” in its profile. It was created in July of 2021 and as of Wednesday morning, it had amassed a following of 1,100 people. On a quick glance, it looks just like any other update account a fan might make to share news about their favorite celebrity.

@BilliesUpdatess, however, is far from the standard adoring fan page. Of the over 300 tweets it has posted, several include screenshots of forged articles that make it look like Eilish said something either offensive or totally outlandish. One post claims Eilish defended her boyfriend after he was accused of supporting former president Donald Trump.

“At the end of the day, I fucking love him you know?” the phony statement reads. “It doesn’t matter if he made some homophobic comments in the past, people change. If he [Matthew] supports Donald Trump then I don’t care if it makes him happy. I support EVERY decision Mathew has to make, even the ones some of my fans don’t agree with, like maybe some of his icky comments.”

Screenshot @BilliesUpdatess

In another sham passage, Eilish says she thinks queerbaiting “is a really good thing!” In several others, the person behind the account comes up with artificial quotes to make it looks like Eilish is feuding with “driver’s license” singer Olivia Rodrigo. 

Screenshot @BilliesUpdatess

One post with a fake article ended up being retweeted 12,000 times. That tweet included Eilish claiming she longs to be poor.

Screenshot @BilliesUpdatess

“When I got rich, I started balling my eyes out,” the fake piece says. “I wanted to be poor so I can relate to most of my fans. I still want to be broke and poor, it looks really fun and cute.”

Finneas Slams Account

As the troll account started to gain traction, Finneas asked that people report and block it to minimize the spread of its “relentless lies.”

On Tuesday, he responded to a fan that tagged him in the @BilliesUpdatess tweet alleging his sister wanted to be poor. 

“Fake obviously,” Finneas wrote. “Honestly I just wish they’d label this account satire like the onion or something. I have no problem with a joke as long as people know it’s a joke.”

Screenshot @BilliesUpdatess

The account made several jokes about the fact that Finneas was calling it out, but it seems Eilish’s big brother got what he asked for. @BilliesUpdatess added “parody account” to its bio and the account was deleted as of Wednesday afternoon.

See what others are saying: (NME) (Uproxx) (E! News)

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