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Internet Reacts to Grammy Leaks, Nominations, and Potential Snubs

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  • Grammy nominations were released this morning, with Lizzo leading the count at eight.
  • The news comes a day after the nomination counts were believed to have been leaked on the Grammy’s website.
  • There were many questions surrounding song eligibility, seeing as Lizzo’s “Truth Hurts” was nominated several times, despite first being released in 2017.
  • There was also debate around potential snubs, like BTS, who did not get any nominations.

Nomination Counts Leak

Lizzo led Wednesday’s Grammy nominations as many had expected thanks to a suspected nomination count leak that happened a day before the official list was announced.

Lizzo earned eight nods, while Billie Eilish and Lil Naz X picked up six. Ariana Grande followed close behind with five. These numbers confirmed fan theories that the Grammys accidentally released nomination counts since they matched up with the information that appeared online Tuesday.

The Grammys website has pages for nominated artists. On those pages, you can see how many wins and nominations each artist has. As of yesterday, Grande had been nominated for six Grammy awards. For a period of time, however, fans saw that number increase to 11. Similar instances occurred for Taylor Swift, Lady Gaga and more. Many fans assumed that these totals reflected nominations that tat the time, had not been announced. 

The updated number accounts did not stay up throughout all of Tuesday. The numbers were eventually edited to show their correct totals. On Wednesday, after nominations were announced, the updated counts went live again.

Eligibility Questions

The leaks were not the only controversy surrounding the nominations. With Lizzo’s strong lead came questions about her eligibility for certain categories. Her eight nominations include Best New Artist, Album of the Year for Cuz I Love You (Deluxe), as well as Record and Song of the Year for “Truth Hurts.”

There are a number of reasons why Lizzo’s 2017 hit was eligible this year. When it comes to Song of the Year, the Grammys says a song can be considered “if it was first released or if it first achieved prominence during the Eligibility Year.” Since “Truth Hurts” didn’t climb the charts until this summer, it meets that criteria. 

It also meets standards because it had never been submitted for a Grammy in the past, and even though its first release was in 2017, it also appeared on the deluxe version of Lizzo’s 2019 album Cuz I Love You.

Many also had similar questions about Lady Gaga and the A Star is Born Soundtrack. The album, along with songs on it, received three nominations this year. It’s biggest song, “Shallow,” already earned itself two wins at last year’s ceremony, raising more questions about eligibility.

The answer is pretty straight-forward. The Shallow was released as a single for the film early enough to compete last year. The full album, however, was released later and only made the cut for the 2020 window. 

BTS and Taylor Swift Snubs

A lot of discussion on the nominations also centered around artists who were believed to have been snubbed from nominations. Many BTS fans were upset the band did not get any recognition from the Recording Academy. 

Their 2019 album Map of the Soul: Persona sold over four million copies and became the best-selling album in South Korean history. Many fans think this merits attention from the Grammys.

This is not the first time BTS fans have been upset by the way American award shows treat K-Pop music. Earlier this year, the MTV Video Music Awards nominated them in a controversial new Best K-Pop category instead of just nominating them in the major slots. 

Fans are not the only ones pointing out that BTS has had a crazy year in terms of commercial success just for it to not translate into Grammy nominations. Rolling Stone published a piece saying that the Grammys “failure to acknowledge K-pop at awards shows stands in stark contrast to the music industry’s day-to-day reality.”

Their report also noted that over the past year, major American labels have all worked to add a K-Pop act to their slate. Elias Leight, the author of the piece, said that this goes further than just BTS. He said that it shows the Grammys has a blindspot when it comes to acknowledging the market for international music. 

“The problem extends beyond BTS: American listeners are ranging more widely than ever before, increasingly enthralled by singers from South Korea, but also by artists from Nigeria, Colombia, and Spain,” he wrote. “But the Grammys, as per usual, lag behind.”

Another snub getting a lot of online attention is Taylor Swift’s seventh album, Lover, not getting nominated for Album or Record of the year. This is Swift’s second album in a row to not be nominated here, marking what some see as a lull for her and the Grammys. 

This lull came as a surprise to critics, though. Many expected Lover to be a rebound for her and thought she would get nominated in all the major categories. Swift did earn herself three nominations, but that still is not the comeback that some expected and that fans were hoping for. 

Swift’s biggest nomination for Lover is for Song of the Year. She is the only solo songwriter nominated in that category this year. Also at stake for Swift is one of her major records. When she won Album of the Year for Fearless, she was just 20 years old, becoming the youngest person to win the award. 17-year-old Billie Eilish is nominated this year, and would take the crown if she won.o

Women and the Grammys

Another element many are keeping an eye on is something that has long been a contentious point for the Grammys: Its inclusion of women, or lack thereof. 

In 2018 the Recording Academy got a lot of flack when only one woman won a televised award. That same year, Lorde was the only woman nominated for Album of the Year, but was also the only artist from that category not asked to perform during the show.

This year will be the first ceremony under the Recording Academy’s first female president, Deborah Dugan. Many are wondering if this will impact the show at all. 

As far as nominations are concerned, it appears good for women. Five out of the eight Album of the Year nominations belong to women.  Many of the most-nominated artists are also female, which could translate into more female wins and performances come show night.  

See what others are saying: (Rolling Stone) (Variety) (The Hollywood Reporter)

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Britney Spears Asks For Privacy After Fans Called Cops to Conduct a Wellness Check on Her

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Fans said they were concerned after the singer deleted her Instagram account.

EDITOR’S NOTE: This article was updated to include a statement from Britney Spears


Fans Call 911

Britney Spears said her fans “went a little too far” after some called the police to conduct a wellness check on her. 

The fans, many fueled by online conspiracy theories, were concerned about Spears because she deleted her Instagram account. While this is something the singer has done multiple times in the past, her fans thought she had left secret signals in her last post suggesting she needed help.

Some even posted videos of them calling emergency services on TikTok, a platform that is full of conspiracy videos about Spears. 

“I love and adore my fans but this time things went a little too far and my privacy was invaded,” Spears wrote in a statement on Thursday, citing “prank phone calls” that were made to police.

According to Spears, officers did not enter her home because once they got to her gate, they “quickly realized there was no issue and left immediately.”

“This felt like I was being gaslit and bullied once the incident made it to the news and being portrayed once again in a poor and unfair light by the media,” Spears continued. “During this time in my life, I truly hope the public and my fans who I care so much about can respect my privacy moving forward.”

On Wednesday, a spokesperson for Ventura County Sheriff’s Office confirmed to Page Six that the department “did get calls into our dispatch” but added there was no reason to believe that Spears was “in any kind of harm or any kind of danger.”

That spokesperson declined to say if officials contacted Spears or conducted a wellness check, citing privacy and public trust issues.

The Prominence of Britney Spears Conspiracies 

Just over a year has passed since Spears was freed from a highly restrictive conservatorship that controlled her life and finances for 13 years. Throughout the conservatorship, fans tried to use the pop icon’s social media to pick up clues that she was secretly struggling. She did not publicly speak about the conservatorship until the summer of 2021. 

Now that she has her freedom, fans are still reading heavily into her posts. Some believe there are hidden messages in her captions and in the gestures she does while dancing. Others think she is dead, missing, or hiding and that a body double is being used in her posts. Some are so concerned that they are coordinating a mass effort to pressure the Los Angeles Times into investigating Spears’ whereabouts and safety. 

In the last several years, many have reflected on Spears’ early days in the spotlight and the cruel ways she was harassed and targeted by paparazzi, news outlets, and culture at large. Often the punchline to a joke throughout the 2000s, many now sympathize with Spears, who was forced to endure heavy public scrutiny at a young age. Documentaries like “Framing Britney Spears” prompted many to see Spears as a victim of abusive media tactics, not the “crazy” woman tabloids painted her to be. 

Many are now concerned that fans are only going to subject Spears to a new onslaught of harassment by calling the police to her house. Even if the conspiracy theories are technically well-intentioned and often come from a place of concern, some believe they will jumpstart a media frenzy that could harm Spears’ mental well-being.

See what others are saying: (Page Six) (Jezebel) (TMZ)

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Razzies Apologize For Nominating 12-Year-Old, Adopt Age Rules For Future Nominations

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The group’s founder said the Razzies regret “any hurt” the young actress may have “experienced as a result of our choices.”


Razzies Face Backlash

The Razzie Awards revoked its “insensitive” nomination of 12-year-old Ryan Kiera Armstrong and added new guidelines banning child performers from being nominated in the future. 

The Razzies, which award the year’s worst movies, included Armstrong in its “Worst Actress” lineup for her role in “Firestarter.” Bryce Dallas Howard, Diane Keaton, Kaya Scodelario, and Alicia Silverstone were also nominated in the category.

Armstrong starred alongside Zac Efron in “Firestarter,” an adaptation of Stephen King’s novel of the same name. The picture received a 10% rating from critics on Rotten Tomatoes. 

While the film was broadly panned, many thought it was a bridge too far to nominate a child for a bad acting award.

“The Razzies are already mean-spirited & classless, but to nominate a kid is just repulsive & wrong,” child star Julian Hilliard, best known for his work in “WandaVision,” tweeted. “Why put a kid at risk of increased bullying or worse? Be better.”

Actor and podcast host Brandon Hardesty said the nomination was “completely ignorant and cynical.”

“They have no clue what this can do to a child actress who probably considered her starring role in FIRESTARTER as a high point in her life,” he wrote. 

“That girl was the best part of that mess of a movie,” film critic Shannon McGrew tweeted. “And on top of that, no kid should ever be nominated for an award that punches down on them.”

Nomination Revoked

Razzies founder John Wilson addressed the backlash in a statement to the press on Wednesday, calling the criticism “valid.”

“Sometimes, you do things without thinking, Then you are called out for it. Then you get it,” Wilson said. “It’s why the Razzies were created in the first place.”

“We have removed Armstrong’s name from the Final Ballot that our members will cast next month,” he continued. “We also believe a public apology is owed Ms. Armstrong, and wish to say we regret any hurt she experienced as a result of our choices.”

In addition to removing Armstrong’s nomination, The Razzies is now adopting “a Voting Guideline precluding any performer or film-maker under 18 years of age from being considered” for awards. 

“Since our motto is ‘Own Your Bad,’ we realize that we ourselves must also live up to it,” the statement closed.

While Armstrong will be the last child to nab a Razzie nomination, she was far from the first. Jake Lloyd made the list for his turn as young Anakin Skywalker in “Star Wars: Episode I – The Phantom Menace.” Gary Coleman and Macaulay Culkin also got nominations as teenagers.

See what others are saying: (Deadline) (The Hollywood Reporter) (People)

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SeatGeek CEO Calls to Break up Ticketmaster and Live Nation in Senate Hearing Following Taylor Swift Debacle

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“A lack of robust competition in our industry meaningfully stunts innovation, and consumers are who suffer,” Jack Groetzinger said.


Monopoly Concerns

Two months after technical difficulties blocked countless Taylor Swift fans from snagging seats to her tour, a bipartisan group of Senators held a hearing to re-examine the merger between Live Nation and Ticketmaster.

The two entertainment giants merged in 2010. Jack Groetzinger, the CEO of the rival ticket-selling platform SeatGeek, said during Tuesday’s hearing that the two need to be broken up to benefit consumers. 

“One, a lack of robust competition in our industry meaningfully stunts innovation, and consumers are who suffer,” he said. “Two, venues fear losing Live Nation concerts if they don’t use Ticketmaster, and three, the only way to restore competition in this industry is to break up Ticketmaster and Live Nation.” 

Sen. Amy Klobuchar (D-MN) echoed concerns about the lack of competition, arguing that Live Nation is the “definition of monopoly.”

“Live Nation is so powerful that it doesn’t even need to exert pressure, it doesn’t need to threaten, because people just fall in line,” she said. 

The Eras Tour Debacle

Ticketmaster has long been accused of price-gouging and complicating the ticket-buying process. Those issues made international headlines in November during the presale for Swift’s highly anticipated Era’s Tour. 

Millions of fans who attempted to enter Ticketmaster’s virtual queue walked away empty-handed after experiencing crashes, price inflation, and a myriad of other issues. 

According to Ticketmaster, the incredibly high demand, coupled with an onslaught of bot attacks, forced the platform to slow sales down. After the company delayed sales in certain cities and canceled the general sale altogether, Swift called the ordeal “excruciating.”

“We asked them, multiple times, if they could handle this kind of demand and we were assured they could,” she wrote on Instagram in November. 

The controversy prompted many to accuse Ticketmaster and its parent company, Live Nation, of holding a monopoly over the concert and live events industry. The U.S. Justice Department has opened an antitrust investigation into the entertainment giant. 

Ticketmaster Takes Heat

Ticketmaster has repeatedly tried to blame a number of factors for the failed Swift presale, even at one point suggesting the sale was too popular because the “Anti-Hero” singer waited so long to tour. 

“May I suggest, respectfully, that Ticketmaster ought to look in the mirror and say, ‘I’m the problem, it’s me,’” Sen. Richard Blumenthal (D-CT) said during the hearing. 

Still, the company continued to point the finger at record-breaking bot attacks. 

“We knew bots would attack at onsale and planned accordingly. We were then hit with three times the amount of bot traffic that we’d ever experienced,” Live Nation CFO Joe Berchtold said on Capitol Hill. 

“The attack requires [us] to slow down and even pause our sales. This is what led to a terrible consumer experience we deeply regret. We apologize to the fans, we apologize to Miss Swift, we need to do better and we will do better,” he continued. 

Others present at the hearing were not happy with Live Nation’s bot defense. Sen. Marsha Blackburn (R-TN) said that she has worked with companies in a variety of industries that deal with bots without these issues. 

“You know what, they get bot attacks every single day by the thousands. By the thousands,” she said. “And they have figured it out, but you guys haven’t? This is unbelievable.” 

“You can’t blame bots for what happened to Taylor Swift,” JAM Productions CEO Jerry Mickelson added. “There’s more to that story that you’re not hearing.”

According to Mickelson, Ticketmaster can actually stand to benefit from glitchy sales on its platform. 

“The process, when it’s slowed down, increases the money that Ticketmaster makes because they make money on fees and as the ticket prices go up due to dynamically priced tickets, Ticketmaster makes more off that,” he claimed. “So it’s to their advantage to slow the process down.”

Outrage against Ticketmaster has become so widespread that Sen. Blumenthal said the company was responsible for “an absolutely stunning achievement.” 

“You have brought together Republicans and Democrats in an absolutely unified cause.”

See what others are saying: (Axios) (USA Today) (New York Times)

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