- Taylor Swift claimed Thursday that her former label Big Machine Records and its executives, Scott Borchetta and Scooter Braun, are preventing her from performing her old songs at the upcoming American Music Awards.
- She also says they are blocking her from using the songs in her Netflix documentary.
- Big Machine denied those claims and said Swift owes them millions.
- Swift’s team hit back, citing an email from Big Machine denying music use and saying it is actually the label that owes her millions for unpaid royalties.
Swift’s Feud With Big Machine Escalates
Taylor Swift’s former record label is denying the bombshell accusations she made against them Thursday, saying they are preventing her from performing and using her own songs.
Swift posted a lengthy statement about the situation online where she claimed that her former label – Big Machine Records- was preventing her from performing a medley of her hits at the upcoming American Music Awards, where she is set to be honored with the Artist of the Decade Award.
According to Swift, the label argued that performing her songs on television would constitute re-recording her music before she is legally allowed to in November 2020.
The singer also added that Netflix has been creating a documentary about her life, but has not been granted permission to user her older music or performance footage for the project.
She said that Big Machine Lable Group’s CEO Scott Borchetta will only allow her to use the music if she agrees to two conditions: If she agrees to not re-record copycat versions of her old songs next year and if she agrees to stop talking about Borchetta and his business partner Scooter Braun.
“The message being sent to be is very clear,” Swift wrote. “Basically, be a good little girl and shut up. Or you’ll be punished.”
This is not the first time Swift spoke out against Big Machine Lable Group, which was founded by Borchetta and recently acquired by Braun. In June, the singer expressed frustration after learning that her former label had sold to Scooter for $300 million, which meant that he would own all of her master recordings “in perpetuity.”
She called the news her “worst nightmare” and claimed that Scooter had “incessantly bullied and manipulated” her for years.
After that news, Swift revealed that she plans to re-record her old music when she is legally allowed to do so.
Thursday’s accusations mark the latest escalation in the feud between her and Big Machine execs. At the end of her recent statement, she encouraged others who might be frustrated by the news to let Borchetta and Braun know how they feel.
She also asks people to reach out to artists that are signed with Braun’s management agency who might be able to “ talk some sense into the men who are exercising tyrannical control over someone who just wants to play the music she wrote.”
Support for Swift
As of Friday morning, none of Braun’s clients, which include superstars like Ariana Grande, Justin Bieber, and Demi Lovato, have commented on the situation.
However, dozens of other big-name celebs have shown Swift public support.
Swift’s longtime friend Selena Gomez released a lengthy statement saying felt “sick” over the situation. “You’ve robbed and crushed one of our best song writers of our time an opportunity to celebrate all of her music with fans and the world,” she added.
Singer Halsey also joined in with a message on her Instagram story saying, “This is punishment. This is hoping to silence her from speaking about things by dangling this over her head.” She then went on to post a video of her singing Taylor Swifts song “Mean.”
Other statements of support were posted by Stars like model Gigi Hadid, singers Lily Allen, Tinashe, Sara Bareilles, and others.
Fuck that. We’re with you— TINASHE (@Tinashe) November 14, 2019
Joseph Kahn, who directed Swift videos like “Bad Blood” and “Look What You Made Me Do” called Braun and Borchetta “assholes.”
He added, “How do they live with themselves?”
Meanwhile, music producer Joel Little, who produced several tracks for Swift including “ME!” and “You Need To Calm Down,“ said the situation was “unbelievable and completely messed up.”
Big Machine Records Responds
After a night of backlash, Big Machine issued a statement saying they were “shocked” to see her statement which was “based on false information.”
“At no point did we say Taylor could not perform on the AMAs or block her Netflix special. In fact, we do not have the right to keep her from performing live anywhere. Since Taylor’s decision to leave Big Machine last fall, we have continued to honor all of her requests to license her catalog to third parties as she promotes her current record in which we do not financially participate.”
“The truth is, Taylor has admitted to contractually owing millions of dollars and multiple assets to our company, which is responsible for 120 hardworking employees who helped build her career,” the statement claimed.
“We have worked diligently to have a conversation about these matters with Taylor and her team to productively move forward. We started to see progress over the past two weeks and were optimistic as recently as yesterday that this may get resolved. However, despite our persistent efforts to find a private and mutually satisfactory solution, Taylor made a unilateral decision last night to enlist her fanbase in a calculated manner that greatly affects the safety of our employees and their families.
The statement went on to say that Swift created a narrative that “does not exist.” The label also says Swift and her team have not accepted their invitations to speak and blame the “rumors” on a lack of communication.
Statements from Swifts Team
After the label’s response, a spokesperson for Swift issues a statement to Rolling Stone, citing an October 28th e-mail from the vice president of rights management and business affairs and Big Machine.
The letter reportedly said “BMLG will not agree to issue licenses for existing recordings or waivers of its re-recording restrictions in connection with” two projects. Those projects were the Netflix documentary and a recent performance tied to a sales event hosted by the Chinese e-commerce giant, Alibaba Group.
At the Alibaba event, Swift instead performed three songs from “Lover” after “it was clear that Big Machine Label Group felt any televised performance of catalog songs violated her agreement,” the rep said.
The rep added that Borchetta himself “flatly denied” the waiver request for both the AMAs and Netflix on Thursday, the same day Swift went public. “Please notice in Big Machine’s statement, they never actually deny either claim Taylor said last night in her post,” the spokesperson added.
Her team also called the claims that Swift owes million to them inaccurate. “Big Machine is trying to deflect and make this about money by saying she owes them but, an independent, professional auditor has determined that Big Machine owes Taylor $7.9 million dollars of unpaid royalties over several years.”
Disney Eviscerates Scarlett Johansson’s “Black Widow” Lawsuit as “Callous,” but Report Suggests Emma Stone and Emily Blunt May Follow Her Lead
“There is no merit whatsoever to this filing,” the company said in an uncharacteristically blunt statement that was heavily criticized online.
Johansson/Disney Lawsuit Gets Bitter
Disney has described a recent lawsuit from “Black Widow” actress Scarlett Johansson as “sad and distressing in its callous disregard for the horrific and prolonged global effects of the COVID-19 pandemic,” but Johansson may have just unleashed what is to become an even bigger legal challenge for the House of Mouse.
At the center of this dispute, Johansson alleges she lost $50 million because Disney opted for a dual streaming/theater release of “Black Widow,” which debuted in theaters and for $30 on Disney+ with Premier Access earlier this month.
According to Johansson’s suit, her contract with Disney — which was negotiated prior to any hint of a pandemic — stipulated that “Black Widow” would see an exclusive theater release. Notably, the actress also said her contractual bonuses were tied to the movie’s box office performance, which is an extremely common practice with films featuring A-list celebrities.
Of course, when the pandemic hit — like many other industries — movies were upended. Pandemic-related changes meant that despite having an initial release date of May 2020, Marvel fans wouldn’t get a chance to see “Black Widow” for over a year.
Still, Johansson said she tried to contact Disney to renegotiate her contract prior to the film’s ultimate release, but she claims the company was unresponsive.
On Thursday, she then filed a complaint with the Los Angeles County Superior Court, with her attorney arguing that “Disney has enjoyed the benefits of having one of Hollywood’s top actresses promote its wholly owned subscription service at no additional cost to Disney, and with the intended effect of taking money out of that actress’ own pocket.”
Later Thursday, Disney claimed that it has “fully complied” with Johansson’s contract and that the streamed release of the film “has significantly enhanced her ability to earn additional compensation on top of the $20M she has received to date.”
“There is no merit whatsoever to this filing,” the company said in its uncharacteristically blunt statement.
Are Emma Stone and Emily Blunt Next?
Speaking of blunt, it was reported Friday that both Emily Blunt and Emma Stone may also file lawsuits against Disney’s dual streaming release of their films.
In fact, according to an exclusive newsletter run by former Hollywood Reporter Editor Matt Belloni, Stone “is said to be weighing her options” over the dual release of “Cruella” in May. Meanwhile, he suggested Blunt could also take action or speak out following this weekend’s release of “Jungle Cruise.”
Belloni went on to describe Disney as “notoriously difficult to deal with” regarding such matters and claimed that many have simply been waiting for someone powerful enough to speak out.
Disney Criticized for Its Response
Much of the public perception of the situation has led to overwhelming support for Johansson’s camp. Online, a slew of people lambasted Disney’s response, with many calling it a deflection.
See what others are saying: (ScreenRant) (Newsweek) (Variety)
Candace Owens and Logan Paul in Talks to Debate
A spokesperson confirmed to Insider Wednesday that the two have had “productive” conversations about the prospect offline.
Candace Owens Challenges Logan Paul to a Debate
Right-wing commentator Candace Owens and controversial YouTuber Logan Paul are in talks to engage in a political debate. Yes, you read that sentence correctly.
Owens — best known for making false claims about the George Floyd protests, spreading COVID-19 misinformation, and seemingly saying that Adolf Hitler “just wanted to make Germany great” — first challenged Paul to a debate on Friday. It started with her sharing a year-old clip from Paul’s podcast where he spoke about the importance of fighting racism in the United States.
“It is not enough to be ‘not racist.’ You have to be anti-racist,” he said.
“If you’re white, if you look like me, use your privilege,” he added. “And for those who do not think white privilege exists, you are fucking blind.”
Because merely acknowledging the existence of racism appears to go against Owens’ core beliefs, she asked Paul to duke it out with her.
“Logan loves to challenge people in the boxing ring,” she wrote. “I’d like to publicly challenge him to go a few rounds with me in a political debate. @LoganPaul—how about you stop by my show and explain to me how you’re *checks notes* more privileged than me because you’re white and I’m not?”
Spokesperson Confirms The Two Are in Talks
Paul — best known for launching a boxing career and filming a YouTube video that showed a dead body in Japan’s “suicide forest” — said on Tuesday that he was “perplexed” by the offer, but was taking it seriously.
“I started to entertain this action, I ended up speaking with her, and there may be a future where we sit down and have a civil discourse because I think there’s some meat on this bone,” he said during the most recent episode of his “ImPaulsive” podcast.
The internet star acknowledged that Owens’ main arena is politics, while his main arena is being a “fucking idiot” online. Still, he said he does care about these issues and has a “semi-intelligent brain,” so he thinks he could “hold [his] own.”
“Candace Owens, whether you can admit it or not, is a smart person,” Paul continued. “And so I guess I’m just curious because I just fucking fundamentally disagree with her and again, I think there’s room for a conversation.”
A spokesperson for Owens confirmed to Insider on Wednesday that the two had a “productive” offline conversation and said a public political debate between the two is “very likely.”
“Although both of them disagree on a variety of topics, they are both much more interested in learning from one another and think people would benefit from hearing an honest discussion between two parties rather than a ‘gotcha’ moment that might play well for social media,” the spokesperson added.
See what others are saying: (Insider)
Finneas Slams Billie Eilish Troll Account for Attributing Fake Quotes to the Singer
Eilish’s big brother said the account is spreading “relentless lies” and asked that it at least label itself as a satire account.
Troll Account Shares Fake Billie Eilish Quotes
Billie Eilish’s brother and collaborator Finneas took to Twitter Tuesday to address an account that has been sharing fake quotes attributed to his sister.
The account uses the handle @BilliesUpdatess and goes by the name of “Billie Eilish Updates” in its profile. It was created in July of 2021 and as of Wednesday morning, it had amassed a following of 1,100 people. On a quick glance, it looks just like any other update account a fan might make to share news about their favorite celebrity.
@BilliesUpdatess, however, is far from the standard adoring fan page. Of the over 300 tweets it has posted, several include screenshots of forged articles that make it look like Eilish said something either offensive or totally outlandish. One post claims Eilish defended her boyfriend after he was accused of supporting former president Donald Trump.
“At the end of the day, I fucking love him you know?” the phony statement reads. “It doesn’t matter if he made some homophobic comments in the past, people change. If he [Matthew] supports Donald Trump then I don’t care if it makes him happy. I support EVERY decision Mathew has to make, even the ones some of my fans don’t agree with, like maybe some of his icky comments.”
In another sham passage, Eilish says she thinks queerbaiting “is a really good thing!” In several others, the person behind the account comes up with artificial quotes to make it looks like Eilish is feuding with “driver’s license” singer Olivia Rodrigo.
One post with a fake article ended up being retweeted 12,000 times. That tweet included Eilish claiming she longs to be poor.
“When I got rich, I started balling my eyes out,” the fake piece says. “I wanted to be poor so I can relate to most of my fans. I still want to be broke and poor, it looks really fun and cute.”
Finneas Slams Account
As the troll account started to gain traction, Finneas asked that people report and block it to minimize the spread of its “relentless lies.”
On Tuesday, he responded to a fan that tagged him in the @BilliesUpdatess tweet alleging his sister wanted to be poor.
“Fake obviously,” Finneas wrote. “Honestly I just wish they’d label this account satire like the onion or something. I have no problem with a joke as long as people know it’s a joke.”
The account made several jokes about the fact that Finneas was calling it out, but it seems Eilish’s big brother got what he asked for. @BilliesUpdatess added “parody account” to its bio and the account was deleted as of Wednesday afternoon.