Connect with us

Entertainment

Chris Evans, Elijah Wood, and Others Speak Out Against James Dean CGI Casting

Published

on

  • A CGI version of James Dean has been cast as a secondary lead in the upcoming Vietnam War movie, Finding Jack.
  • The directors and studio received permission from Dean’s family to use his image, however, many do not think it is okay to use an actor in a film posthumously.
  • Stars like Chris Evans and Zelda Williams condemned the use of James Dean in this manner, seeing as there is no way to know if Dean would actually want to be in this movie. This started a widespread online discussion on the practice of using CGI to bring stars who have passed onto screens.

James Dean Cast in Film

Critics are speaking out against James Dean being cast in a movie⁠—60 years after his death. 

Directors Anton Ernst and Tati Golykh are partnering on the film Finding Jack, which is based on a novel of the same name. It will follow a man who is forced to abandon an injured dog he met while serving in Vietnam. The film is being produced by Magic City Films and Dean is set to play the secondary lead in the story.

Dean suffered an untimely death in 1955 after a car accident in northern California at the age of 24. According to The Hollywood Reporter, “Dean’s performance will be constructed via “full body” CGI using actual footage and photos. Another actor will voice him.”

Dean’s family gave the studio permission to use his image for the film. 

“We feel very honored that his family supports us and will take every precaution to ensure that his legacy as one of the most epic film stars to date is kept firmly intact,” Ernst said in a statement to The Hollywood Reporter. “The family views this as his fourth movie, a movie he never got to make. We do not intend to let his fans down.”

Ernst also said that they did look at other casting options, but ultimately landed on Dean.

“We searched high and low for the perfect character to portray the role of Rogan, which has some extreme complex character arcs, and after months of research, we decided on James Dean,” he added.

Actors and Others Upset by the News

The concept of casting someone in a film posthumously did not sit well with many in the industry. Zelda Williams, daughter of the late Robin Williams, said it sets an “awful precedent for the future of performance.” In fact, Robin Williams’ family restricted the use of his image for at least 25 years after his death in 2014.

Big-name actors also joined the conversation. Avengers star Chris Evans called the decision “awful.”

Lord of the Rings actor Elijah Wood said, “this shouldn’t be a thing.”

Julie Ann Emery, who has starred in projects like Preacher and Better Call Saul added that it may not give proper credit to the living actor providing Dean’s voice. 

“How do Dean’s descendants know that he would WANT to be in a Vietnam movie?” she later asked. 

Actors were not the only ones upset about this. An article from Vice pleaded “please don’t do this.”

“For the love of all that is holy, just let his legacy be,” it continued. 

Esquire came up with its own suggestions for working actors that would have made a better choice instead of Dean. Their picks ranged from Timothée Chalamet to Harry Styles, to Cardi B and Post Malone, all to say that any living person would be better than a CGI version. 

On the other hand, however, some were not as critical of the choice. While their voices were fewer and farther between, some thought that since his family gave it the okay, it should be allowed. 

Future and Past Instances

According to The Hollywood Reporter’s piece, Ernst might have future plans to use this kind of technology. Magic City will be working with a Canadian group called Imagine Engine and a South African group MOI Worldwide to produce the CGI, and their list extends past James Dean.

“Our partners in South Africa are very excited about this, as this technology would also be employed down the line to re-create historical icons such as Nelson Mandela to tell stories of cultural heritage significance,” he said.

This is also not the first time a late actor has been used on the screen in this way. In 2016’s Rogue One: A Star Wars Story, Peter Cushing, who died two decades before the film’s release, made an appearance as Grand Moff Tarkin via CGI. He originally played the character in Star Wars: A New Hope. When Rogue One hit theaters, his presence caused its own controversy, with some also thinking it was wrong to do this.

See what others are saying: (The Hollywood Reporter) (Deadline) (Los Angeles Magazine)

Entertainment

Twitch Faces Backlash After Booking Megan Thee Stallion At TwitchCon Amid Creator Pay Cuts

Published

on

The cut in revenue share has ignited severe backlash on Twitch, where users argue pay for creators should be increased, not slashed. 


Revenue Share Shake Up

Twitch users are criticizing the company for hiring artist Megan Thee Stallion to perform at TwitchCon just one week after announcing cutbacks to top creator pay.

Last week, the video and streaming platform said that starting in June of next year, some creators will receive less revenue from their subscriptions. While the standard split for subscription revenue is 50/50, some major streamers previously received a more favorable 70/30 share in premium agreement terms. 

Many creators have long argued that everyone should get that 70/30 share, but Twitch took a step in the opposite direction. In the future, streamers with premium terms will only get the 70/30 slice for their first $100,000 from subscription revenue. After that, they will get bumped down to the regular 50/50 cut. 

The company argued the move was necessary as the premium terms previously lacked transparency and consistency, insisting it tried to modify the policy in a way that impacted the least amount of creators. According to Twitch’s statement, 90% of streamers on standard agreements will not even be impacted by the change.

Still, this move outraged Twitch users who were furious the company was not investing more in the creators that bring so many viewers to its platform. Those frustrations were exacerbated on Wednesday when the company announced Megan Thee Stallion would make an appearance at TwitchCon, a weekend-long event set to take place in San Diego in early October. 

Backlash Continues to Mount

While no details of Megan Thee Stallion’s agreement to perform have been disclosed, one can assume she charges a pretty penny to book at an event of this nature. Critics argued that if Twitch is willing to spend money on her, it should be willing to spend it on its own streamers. 

“So Twitch can’t afford to pay their creators 70/30, can’t fix their media player that crashes after each ad, can’t enforce their policies so people aren’t doing inappropriate things on stream, but they can afford paying celebrities to promote their streaming site?” one person wrote. 

“It’s weird that a company that just announced a bunch of budget cuts due to infrastructure costs goes out and grabs an A-list musician instead of promoting their own musicians that run on their platform,” another person claimed.

“Instead of giving your creators a cut they deserve when they do so much work, this is what you do…?” one user asked. “Maybe give your creators a better deal instead of wasting their hard earned money on things we don’t even want.”

Twitch has not responded to the outrage, but Megan Thee Stallion was not the only music act the Amazon-owned service booked for the event. Kim Petras and Meet Me at the Altar will also take the stage at TwitchCon. 

The backlash comes as concerns have been mounting against Twitch for a plethora of reasons including creator pay, gambling streams, and more. 

In recent months, some of the platform’s biggest names have left Twitch in favor of rival services like YouTube Gaming. 

See what others are saying: (Dexerto) (The Verge) (Metro)

Continue Reading

Entertainment

“Dahmer” Series Breaks Netflix Records Amid Backlash For Exploiting Victims’ Stories

Published

on

Family members of some of the murderer’s victims say the program is “retraumatizing.”


“Dahmer” Lands Successful Week on Netflix

While criticisms mount against “Dahmer – Monster: The Jeffrey Dahmer Story,” the true crime series broke Netflix’s record as the most-watched first week for a series debut.

According to data provided by the streaming giant, the Evan Peters-led show was watched for over 196 million hours between its release on Sept. 21 and Sept. 25.

“Dahmer” is the newest of several pieces of fiction and media based on the famous serial killer. Created by Ryan Murphy and Ian Brennan, the series quickly generated a lot of attention online, primarily from those concerned the show is exploiting a gruesome true story. 

Critics have echoed those fears, giving the show a mixed 50% rating on Rotten Tomatoes. The “Critic’s Consensus” blurb on the site states that while the show is “seemingly self-aware of the peril in glorifying Jeffrey Dahmer” the story still “tilts this horror story into the realm of queasy exploitation.”

Victims’ Families Speak Out

The family of Errol Lindsey, one of Dahmer’s victims, has also spoken out against the series. In a viral tweet, Lindsey’s cousin Eric Perry said his family is “pissed about the show.”

“It’s retraumatizing over and over again, and for what?” he wrote. “How many movies/shows/documentaries do we need?”

In much of the promotion for the series, Netflix claimed it would be told from the perspective of the victims. Perry slammed that narrative, noting that his family was never even contacted by the streamer about the project.

“So when they say they’re doing this ‘with respect to the victims’ or ‘honoring the dignity of the families’, no one contacts them,” he wrote. “My cousins wake up every few months at this point with a bunch of calls and messages and they know there’s another Dahmer show. It’s cruel.”

Lindsey’s sister, Rita Isbell, echoed that claim in an essay she wrote for Insider, noting that Netflix did not notify her of the show, or ask her any questions about her brother. 

She said that watching the show “felt like reliving it all over again.”

“It brought back all the emotions I was feeling back then,” she wrote. 

“It’s sad that they’re just making money off of this tragedy. That’s just greed,” she continued. 

Obsession With Dahmer

Controversy has also grown from some of the responses to the series, as many viewers have posted fan edits of the show that romanticize Dahmer. Some pair clips of Peters’ Dahmer with his victims to love songs or pop ballads, leaving a bad taste in the mouths of those who do not understand why someone would make content glorifying the killer. 

Others have responded to the show by calling Dahmer “hot” or posting thirst tweets about his mug shot. This has resulted in a backlash of its own. 

“Jeffrey Dahmer molested and murdered people, mostly black men and boys,” one person wrote. “So to see people making edits and thirst traps of him is a little off putting.”

“if I see anyone tweeting thirst tweets about Jeffrey Dahmer I’m immediately unfollowing,” another person said. “That’s so fuckin nasty.”

Concerns that this kind of media results in more people admiring Dahmer are also mounting in Milwaukee, where many of his crimes took place. According to TMZ, the city is considering creating something to honor the victims, but officials fear a physical memorial would turn into a “mecca” for Dahmer’s fans. 

See what others are saying: (Insider) (IndieWire) (Vox)

Continue Reading

Entertainment

YouTube Removes Age Restriction From Nicki Minaj Video After Singer Calls Company a “Bogus Platform”

Published

on

Even though her video can now be viewed by all YouTuber users, Minaj made it clear she was upset that the age-gate tanked its view count in the first 24 hours.


Nicki Minaj Vs. YouTube

Nicki Minaj called out YouTube on Monday after the platform age-restricted her new music video for “Likkle Miss Remix” featuring Skeng. 

By age-restricting a video, YouTube blocks users who are under 18 or not logged into a Google account from viewing the content. 

Minaj’s video features close-up shots of people in skimpy outfits twerking, but several videos on YouTube with similar imagery have not been gated. Cardi B and Megan Thee Stallion’s “WAP” video is available for everyone, as is Minaj’s own “Anaconda” video. 

In a since-deleted Instagram post, Minaj accused YouTube of being inconsistent and playing favorites. 

“They restricted my fucking video but have things a million fucking times worse on their BOGUS FKNG PLATFORM,” she wrote in a post that included a screenshot of YouTube’s age-restriction notice. “This is what they do to keep you from winning while doing ads for another ppl and posting fake fkng stats. Because the same ppl who run YouTube are in bed with a certain record label and mngmnt company.”

Minaj further alleged that YouTube’s actions were done to prevent her from getting a significant number of views in the video’s first 24 hours, which is often the most crucial timeframe for a video’s success. She continued to assert that the Google-owned company has a bias toward certain music labels.

YouTube Walks Back Restriction

“How long have yall been playing the numbers game to lie & pretend ppl r doing ‘good’ when they r not?!?!!” Minaj continued in another post. “How much ad space did these duds purchase to be promoted on my channel in the last 5 years?!??!!!!”

Later on Monday, YouTube removed the restriction from Minaj’s video, per Variety. The company said the content in it did not violate its rules and guidelines. 

While Minaj ended up deleting her Instagram posts calling YouTube out, she made it clear she was still frustrated by the debacle. 

“FUCK THEM DUDS,” she tweeted. “THEY CANT GIVE US BACK OUR FIRST 24 HOURS CAN THEY?!?!!!”

As of Monday afternoon, her video had been viewed over one million times.

See what others are saying: (Variety) (The Independent) (Billboard)

Continue Reading