- Netflix released a trailer for its new docuseries executive produced by Selena Gomez titled “Living Undocumented,” which follows eight families as they work to gain legal status amid fears of deportation.
- Some are praising the project for shining a light on immigration issues, while others fear the show will exploit the pain and trauma immigrants in the U.S. experience.
- Others also criticized Gomez for only now stepping into the immigration conversation; however, Gomez has been vocal about some immigration issues in the past.
“Living Undocumented” Announced
Netflix released a trailer on Tuesday for its new docuseries Living Undocumented, which was met with both praise and criticism largely directed at its star executive producer Selena Gomez.
The docuseries, which is scheduled for an Oct. 2 release, follows eight different families who are struggling to gain legal status amid fears of deportation.
“I knew I wasn’t born here,” a young girl says in the trailer. “I just didn’t know that not being born here was something that was dangerous. And I always have to do everything scared.”
“That’s the dream, isn’t it?” a man says in Spanish. “To be able to say: we belong in this society.”
In a statement about the project Gomez said, “I chose to produce this series, Living Undocumented, because over the past few years, the word immigrant has seemingly become a negative word.”
In a separate Instagram post, she added that the show will star real people facing issues that are more complex than one administration or law.
Mixed Response Online
After watching the trailer and learning of Gomez’s involvement, many people online began praising the series.
“Just watched the previews for #livingundocumented and it brought tears to my eyes,” one Twitter user wrote. “My parents came to the us undocumented and I remembered what it felt like living in that fear. can’t wait to watch @selenagomez”
On the opposite side of the spectrum, others worried the show might exploit undocumented immigrants. Some also criticized Gomez, claiming she hasn’t done enough for the undocumented community.
“People want to claim their communities issues when those issues become monetary gain,” one person said. “Selena Gomez gets to make this one documentary and pretend to do any work for the undocumented community. She gets to make these people relive trauma and walk away with a Netflix check.”
Several concerns stemmed from the fact that Gomez herself was born in Texas, making her a legal citizen.
“The undocumented community has emphasized so much that we don’t like when people try to be the voice of the voiceless,” one person said. “She’s not undocumented and doesn’t fully understand that experience so when people try to speak for us it can come off inaccurately”
The undocumented community has emphasized so much that we don’t like when people try to be the voice of the voiceless. She’s not undocumented and doesn’t fully understand that experience so when people try to speak for us it can come off inaccurately— Leidy (@leidythelady) September 17, 2019
Other people who also said they are undocumented, however, supported Gomez and the show for shedding light on the issue by bringing the narrative to undocumented families.
“Why is it a problem when Selena helps?” one person tweeted. “It’s almost like you guys wait for her to breath to tell her she’s doing it wrong. I’m an undocumented [immigrant] and I am very happy she did this. Why aren’t you? She’s literally bringing more attention to it which we need. Be grateful sheeeeessh”
Others noted that she is using her platform to bring attention to undocumented families, who are the ones voicing their own stories in the show.
Gomez’s Previous Support for Immigrants
In June, Gomez criticized housing conditions for children at migrant detention facilities, a story which attracted widespread scrutiny.
“Kids in cages!” the singer said in an Instagram post. “Sleeping on concrete floors with aluminum blankets! No access to simple dignities! How is this still happening??? It’s absolutely inhumane to treat anyone like this let alone children. I can’t even imagine what they are going through. We need to get this to finally stop! Don’t stay silent on this human rights issue.”
Gomez then urged her fans to call their state representatives in D.C.
In 2018, Gomez wrote a piece for Cristina Jiminez, who was being honored as one of Time’s Most Influential People that year. Jiminez came to the United States as an undocumented immigrant and later co-founding the immigration activist organization United We Dream.
As a nation of immigrants,” Gomez wrote, “the country is filled with those who believe in the American Dream: the ideal that everyone should have an equal opportunity to achieve success and prosperity through hard work and determination. Cristina Jiménez is the American Dream.”
Other Executive Producers
Gomez will join five other executive producers, including her mother, Mandy Teefey, and the show’s co-directors.
One of those directors, Aaron Saidman, reiterated that the show is about the immigrants featured in it.
“Living Undocumented is designed to illuminate one of the most important issues of our time,” he said. “But rather than discussing this issue with only statistics and policy debates, we wanted viewers to hear directly from the immigrants themselves, in their own words, with all the power and emotion that these stories reflect.”
See what others are saying: (Deadline) (Elle) (Entertainment Weekly)
D.A.R.E. Accuses HBO’s “Euphoria” of Glorifying Drug Use
The organization believes the drama series could have “negative consequences on school-age children who today face unparalleled risks and mental health challenges.
D.A.R.E. Slams “Euphoria”
HBO’s “Euphoria” has become synonymous with its explicit depictions of teen sex, violence, and addiction. The substance abuse awareness organization D.A.R.E. condemned the series for its lurid content, arguing that it glorifies drug use.
While drugs can weasel their way into any aspect of the show at a moment’s notice, the primary storyline around addiction follows Rue, a high schooler who often resists the help she needs to recover. Zendaya won an Emmy for portraying the struggling protagonist in 2020.
D.A.R.E., also known as Drug Abuse Resistance Education, told TMZ on Wednesday that “Euphoria” is reckless in its handling of such weighted subject matter.
“Rather than further each parent’s desire to keep their children safe from the potentially horrific consequences of drug abuse and other high-risk behavior, HBO’s television drama, Euphoria, chooses to misguidedly glorify and erroneously depict high school student drug use, addiction, anonymous sex, violence, and other destructive behaviors as common and widespread in today’s world,” a representative for the group told the outlet.
“It is unfortunate that HBO, social media, television program reviewers, and paid advertising have chosen to refer to the show as ‘groundbreaking,’ rather than recognizing the potential negative consequences on school-age children who today face unparalleled risks and mental health challenges,” the representative continued.
“Euphoria” Cast and Creator Speak on Heavy Subject Matter
Ahead of the season two premiere, Zendaya warned her followers that much of the content in “Euphoria” is not suitable for all viewers.
“I know I’ve said this before, but I do want to reiterate to everyone that Euphoria is for mature audiences,” she wrote on Instagram. “This season, maybe more so than the last, is deeply emotional and deals with subject matter that can be triggering and difficult to watch. Please only watch it if you feel comfortable.”
Sam Levinson, the creator of “Euphoria,” has been open about his own experience with addiction. Now over a decade sober, Levinson struggled with substance abuse as a teenager, much like Zendaya’s Rue. He feels a personal connection to the story, and therefore, a responsibility to honestly represent the tribulations of addiction.
“The hardest thing about portraying a drug addict is — there are a lot of cautionary tales, there are a lot of after-school specials — but what I really wanted to get to the core of is the pain and the shame about what you’re doing and you’re inability to get clean despite the havoc and destruction you’re wreaking around you,” Levinson said of the show during the ATX Television Festival in 2019, per Deadline.
Levinson noted that he does have to be “mindful of” the risk of glamorizing drug use “just by the sheer nature of it being on screen.”
“We have to be authentic about it,” he explained. “If we’re pulling our punches and we’re not showing the relief that drugs can bring it starts to lose its impact. Drugs are not the solution but they can feel like it at times, and that’s what makes them so destructive.”
Drug Use on Euphoria
Still, D.A.R.E. is far from the first group to express concern over the impact “Euphoria” might have on younger viewers. Before the second season debuted earlier this month, the Parents Television and Media Council released a statement warning of the show’s “imminent threat to the health and well-being of children.”
Before each episode of “Euphoria” airs, HBO flashes a warning to alert viewers of the drug abuse, language, violence, nudity, and sex that will appear in the program. The show might be cavalier in the casual and frequent manner it depicts drug use and other dangerous behavior, but more often than not, characters await the consequences of their actions.
In the most recent episode of “Euphoria,” Rue’s addiction lands her in a visceral screaming match with her sister. The scene underscores the tragic and harsh reality of substance abuse.
While critics push back against the show for a variety of other reasons, they generally praise Rue’s arc, largely thanks to Zendaya’s gripping performance.
But D.A.R.E. argued that the show goes a bridge too far and offered to meet with HBO to hash out the issues.
“We would welcome the opportunity for our team, including members of our high school-aged Youth Advocacy Board, to meet with individuals at HBO who are involved with producing Euphoria to present our concerns directly,” D.A.R.E.’s representative told TMZ.
HBO has not publicly responded to the criticisms.
See what others are saying: (TMZ) (Vanity Fair) (Complex)
Neil Young Asks For His Music to Be Removed From Spotify Over Vaccine Misinformation
The “Harvest Moon” singer told his representatives that the streaming service “can have Rogan or Young. Not both.”
Neil Young Wants Music His Off Of Spotify
Musician Neil Young wrote an open letter to his management and record label demanding that his music be taken down from Spotify over concerns about vaccine misinformation.
The “Heart of Gold” singer initially posted the letter on his website, but it has since been removed. According to Rolling Stone, which reported on the document before it was taken down, Young specifically took issue with podcast host Joe Rogan.
“I want you to let Spotify know immediately TODAY that I want all my music off their platform,” he wrote. “They can have Rogan or Young. Not both.”
“The Joe Rogan Experience” is exclusive to Spotify and was the most popular podcast on the platform in 2021. Rogan has regularly received criticism for spreading COVID-19 misinformation that contradicts public health recommendations, specifically when it comes to COVID-19 vaccines.
Rogan previously said that young people should not worry about getting vaccinated against the coronavirus. He has also regularly cited faulty studies questioning their efficacy and interviewed controversial medical personalities who are known for promoting conspiracy theories about the vaccine.
Young said he is afraid of the ramifications of these kinds of remarks.
“I am doing this because Spotify is spreading fake information about vaccines – potentially causing death to those who believe the disinformation being spread by them,” the singer wrote. “Please act on this immediately today and keep me informed of the time schedule.”
Concerns About Joe Rogan’s Vaccine Comments
Young’s manager, Frank Gironda, confrimed the authenticity of the letter to The Daily Beast.
“It’s something that’s really important to Neil,” Gironda said. “He’s very upset about this disinformation. We’re trying to figure this out right now.”
Young is far from the first person to express frustrations over the anti-vax views on the audio streaming service platforms. Earlier this month, a group of doctors and other medical professionals wrote a letter to Spotify urging the company to implement a policy to fight disinformation.
“We are calling on Spotify to take action against the mass-misinformation events which continue to occur on its platform,” the letter said. “With an estimated 11 million listeners per episode, [The Joe Rogan Experience] is the world’s largest podcast and has tremendous influence. Though Spotify has a responsibility to mitigate the spread of misinformation on its platform, the company presently has no misinformation policy.”
“This is not only a scientific or medical concern; it is a sociological issue of devastating proportions and Spotify is responsible for allowing this activity to thrive on its platform,” the expert cautioned.
Spotify has not made a public statement regarding Young’s letter.
See what others are saying: (Rolling Stone) (The Daily Beast) (The Verge)
Ana de Armas Fans Sue Universal For Removing Actress From “Yesterday” Film
The fans argue that because there were no scenes with de Armas as promised in the trailer, “consumers were not provided with any value for their rental or purchase.”
Ana de Armas Scenes Cut From “Yesterday”
Two fans of Ana de Armas are suing Universal Pictures for including the actress in a trailer for the 2019 film “Yesterday” even though she does not appear in the final cut of the picture.
In a class-action lawsuit filed in California, Conor Woulfe and Peter Michael Rosza said they each spent $3.99 to watch the film after viewing the accompanying trailer on Amazon. They argue the studio’s “advertising and promotion of the movie Yesterday is false, misleading, and deceptive.”
The Danny Boyle-directed comedy follows a man, played by Himesh Patel, who wakes up in a world where no one knows who The Beatles are but him, so he starts playing their music and claiming it as his own. De Armas appears briefly in the trailer as a character competing with the primary love interest, played by Lily James. Writer Richard Curtis said they had to cut de Armas’ part to strengthen the character arcs.
“That was a very traumatic cut, because she was brilliant in it,” Curtis previously told Cinema Blend. “I mean really radiant. And [that] turned out to be the problem…I think the audience did not like the fact that his eyes even strayed. Because then some people would go, ‘Oh, he really doesn’t deserve her. He really doesn’t deserve Lily.’ You know, it’s one of those things where it’s some of our favorite scenes from the film, but we had to cut them for the sake of the whole.”
For Woulfe and Rosza, the choice to cut de Armas is a dealbreaker. They are seeking $5 million on behalf of all impacted consumers.
Fans File Lawsuit Against Universal
“Because consumers were promised a movie with Ana De Armas by the trailer for Yesterday, but did not receive a movie with any appearance of Ana De Armas at all, such consumers were not provided with any value for their rental or purchase,” the lawsuit states.
Patel and James each had credits of their own prior to the release of “Yesterday.” Still, the fans believe that Universal instead used the star power of De Armas, who had recently appeared in “Blade Runner 2049,” to “entice viewership.”
“Unable to rely on fame of the actors playing Jack Malik or Ellie to maximize ticket and movie sales and rentals, Defendant consequently used Ms. De Armas’s fame, radiance and brilliance to promote the film,” the suit continued.
Just a few months after the release of “Yesterday,” de Armas would go on to receive critical acclaim for her role in “Knives Out.” She has since appeared in the latest James Bond film, “No Time to Die.”
Now a much bigger name than in spring of 2019, the lawsuit claims de Armas still appears in trailers on services like Amazon and Google.
“Despite knowing that Ms. De Armas was not in the released version of the movie Yesterday, Defendant has consistently promoted Ms. De Armas as a character starring in the film, by including her scenes in Yesterday’s movie trailers,” the suit states. “Indeed, Defendant continues to promote Ms. De Armas as appearing in the film more than two years after its initial release, in advertisements for movie sales and rentals.”
Universal has not released a statement in response to the lawsuit.