- Shortly after SNL announced Shane Gillis as a new show regular, the comedian faced backlash for several racist, homophobic, and sexist comments he made in old podcasts.
- Gillis then deleted his entire library of podcasts from YouTube and issued an apology for his past jokes on Twitter, saying “I’m a comedian who pushes boundaries.”
Gillis Apologizes for Previous Comments
As Saturday Night Live adds its first gay Asian American series regular to its upcoming 45th season, another new cast member is coming under fire for using both racist and homophobic slurs.
Thursday afternoon, SNL announced it was adding Chloe Fineman, Bowen Yang, and Shane Gillis to its roster, the latter of which has now apologized for remarks he made in a series of podcasts posted to YouTube with fellow comedian Matt McCusker.
“Let the fucking ch***s live there,” Gillis said in a September 2018 podcast in reference to New York’s Chinatown.
In the same podcast, Gillis also refers to noodles as “nooders.”
“And the translation between you and the waiter,” Gillis said of Chinese restaurant staff, “it’s just such a fucking hassle. It’s like, can you, I’m pointing at it. Like this is the fucking nooder.”
Following the controversy, Gillis then deleted every video on his YouTube page, titled “Matt and Shane’s Secret Podcast.” Gillis possibly deleted all videos to shield himself against further controversy; however, copies of his podcasts have circulated online.
Later the same day of his announcement, Gillis apologized for his comments on Twitter.
“I’m a comedian who pushes boundaries,” he said in the post. “I sometimes miss. If you go through my 10 years of comedy, most of it bad, you’re going to find a lot of bad misses. I’m happy to apologize to anyone who’s actually offended by anything I’ve said. My intention is never to hurt anyone but I’m trying to be the best comedian I can be and sometimes that requires risks.”
Gillis’ Past Comments
A variety of media sites and people online have uncovered a plethora of now not-so-secret podcasts, where Gillis makes a wide range of racist comments about Asian, Latino, Middle Eastern, and Jewish people. Gillis can also be heard making further homophobic and sexist comments.
In one podcast, Gillis criticizes comedian Sarah Silverman for discussing women’s rights.
Later, in the same podcast, Gillis criticized comedians who talk about their depression in their stand up routines, calling them “gay.”
“Those guys are fucking gayer than Isis,” Gillis said, then breaking into a caricatured accent. “At least Isis is out there, ‘We need to get the pussy. After we blow ourselves up, we get a bunch of pussy. These white, faggot comics they’re like, ‘I’m just sad life is hard and I’m gay.’”
In the same podcast, Gillis continues to make homophobic comments, using “faggot” and other slurs several more times.
“Stop calling me fucking gay, dude,” Gillis said in the podcast. “I ain’t no queer.”
After McCusker said he was not impressed with a Latino stand-up comedian, Gillis said he should have told the comic to go back to the Spanish-language TV station Univision.
Because of those comments like those, Kate Banford, who co-owns the Good Good Comedy Theatre, told Vulture that the theatre broke ties with Gillis over his history with slurs.
“Good Good Comedy Theatre stopped working with him within the past few years because of racist, homophobic, and sexist things he’s said on and offstage,” she said to Vulture.
Bowen Yang’s Addition
With Yang’s addition, many media outlets originally credited him as the show’s third openly gay cast member and first since John Milhiser’s exit in 2014; however, Yang joins Kate McKinnon, who is openly gay and has been on the show since 2012.
Many other outlets also originally described Yang as the first Asian American cast member, yet both Fred Armisen, who is half-Korean and appeared on the show from 2002-2013, and Rob Schneider, who is a quarter Filipino and starred on the show in the 1990s, are of Asian descent.
Yang began his time at SNL last year during its 44th season as a writer. Yang also portrayed North Korean dictator Kim Jong-un during an episode hosted by Sandra Oh.
In recent years, SNL has come under fire for its lack of Asian cast members, with Vanity Fair reporting that the skit comedy show has featured so few Asian actors that it, at times, has used its production designer Akira Yoshimura to play Sulu from Star Trek. Yoshimura first appeared on the show in 1976 and has appeared as recently as 2017.
See what others are saying: (Washington Post) (NBC News) (Indie Wire)
Bruce Willis Denies Rumors He Sold His Likeness For Deepfake Use
Deepfakes face criticism from Hollywood to social media.
Willis Debunks Rumors
Actor Bruce Willis denied rumors over the weekend that he sold his likeness to the deepfake company DeepCake.
Willis agreed last year for his face to be used in a commercial for a Russian telecoms company. For this commercial, DeepCake digitally edited Willis’ face onto a Russian actor. This sparked rumors that Willis had sold the rights to his likeness for the company to use in future projects.
However, both management for Willis and DeepCake itself denied any partnership or agreement for these rights.
“Bruce couldn’t sell anyone any rights, they are his by default,” DeepCake said.
Agreements for the AI generation of actors have been heard of before, however. Recently, actor James Earl Jones agreed for his voice to be technologically generated for the voice of Darth Vader in the Star Wars franchise.
This comes as deepfakes are facing mounting criticism online, including from prominent YouTube personality and author, Hank Green. He recently tweeted about a channel that uses similar deepfake technology and AI-voice generation to parody popular YouTube creators. He stressed his concern that while the channel in question may not be nefarious, this technology could end up being harmful.
“There are ways to do this that would be much worse, more mean spirited, and more exploitative than this,” Green said. “And I’m very worried about what that will look like, because if this is working (and allowed), people will do it.”
Among other issues, Green mentioned these videos could abuse monetization and sponsorship opportunities while exploiting someone else’s face and brand. Green even implored YouTube to evaluate its terms of service as the popularity of deepfakes rise.
See what others are saying: (BBC) (Mashable) (The Telegraph)
Twitch Faces Backlash After Booking Megan Thee Stallion At TwitchCon Amid Creator Pay Cuts
The cut in revenue share has ignited severe backlash on Twitch, where users argue pay for creators should be increased, not slashed.
Revenue Share Shake Up
Twitch users are criticizing the company for hiring artist Megan Thee Stallion to perform at TwitchCon just one week after announcing cutbacks to top creator pay.
Last week, the video and streaming platform said that starting in June of next year, some creators will receive less revenue from their subscriptions. While the standard split for subscription revenue is 50/50, some major streamers previously received a more favorable 70/30 share in premium agreement terms.
Many creators have long argued that everyone should get that 70/30 share, but Twitch took a step in the opposite direction. In the future, streamers with premium terms will only get the 70/30 slice for their first $100,000 from subscription revenue. After that, they will get bumped down to the regular 50/50 cut.
The company argued the move was necessary as the premium terms previously lacked transparency and consistency, insisting it tried to modify the policy in a way that impacted the least amount of creators. According to Twitch’s statement, 90% of streamers on standard agreements will not even be impacted by the change.
Still, this move outraged Twitch users who were furious the company was not investing more in the creators that bring so many viewers to its platform. Those frustrations were exacerbated on Wednesday when the company announced Megan Thee Stallion would make an appearance at TwitchCon, a weekend-long event set to take place in San Diego in early October.
Backlash Continues to Mount
While no details of Megan Thee Stallion’s agreement to perform have been disclosed, one can assume she charges a pretty penny to book at an event of this nature. Critics argued that if Twitch is willing to spend money on her, it should be willing to spend it on its own streamers.
“So Twitch can’t afford to pay their creators 70/30, can’t fix their media player that crashes after each ad, can’t enforce their policies so people aren’t doing inappropriate things on stream, but they can afford paying celebrities to promote their streaming site?” one person wrote.
“It’s weird that a company that just announced a bunch of budget cuts due to infrastructure costs goes out and grabs an A-list musician instead of promoting their own musicians that run on their platform,” another person claimed.
“Instead of giving your creators a cut they deserve when they do so much work, this is what you do…?” one user asked. “Maybe give your creators a better deal instead of wasting their hard earned money on things we don’t even want.”
Twitch has not responded to the outrage, but Megan Thee Stallion was not the only music act the Amazon-owned service booked for the event. Kim Petras and Meet Me at the Altar will also take the stage at TwitchCon.
The backlash comes as concerns have been mounting against Twitch for a plethora of reasons including creator pay, gambling streams, and more.
In recent months, some of the platform’s biggest names have left Twitch in favor of rival services like YouTube Gaming.
“Dahmer” Series Breaks Netflix Records Amid Backlash For Exploiting Victims’ Stories
Family members of some of the murderer’s victims say the program is “retraumatizing.”
“Dahmer” Lands Successful Week on Netflix
While criticisms mount against “Dahmer – Monster: The Jeffrey Dahmer Story,” the true crime series broke Netflix’s record as the most-watched first week for a series debut.
According to data provided by the streaming giant, the Evan Peters-led show was watched for over 196 million hours between its release on Sept. 21 and Sept. 25.
“Dahmer” is the newest of several pieces of fiction and media based on the famous serial killer. Created by Ryan Murphy and Ian Brennan, the series quickly generated a lot of attention online, primarily from those concerned the show is exploiting a gruesome true story.
Critics have echoed those fears, giving the show a mixed 50% rating on Rotten Tomatoes. The “Critic’s Consensus” blurb on the site states that while the show is “seemingly self-aware of the peril in glorifying Jeffrey Dahmer” the story still “tilts this horror story into the realm of queasy exploitation.”
Victims’ Families Speak Out
The family of Errol Lindsey, one of Dahmer’s victims, has also spoken out against the series. In a viral tweet, Lindsey’s cousin Eric Perry said his family is “pissed about the show.”
“It’s retraumatizing over and over again, and for what?” he wrote. “How many movies/shows/documentaries do we need?”
In much of the promotion for the series, Netflix claimed it would be told from the perspective of the victims. Perry slammed that narrative, noting that his family was never even contacted by the streamer about the project.
“So when they say they’re doing this ‘with respect to the victims’ or ‘honoring the dignity of the families’, no one contacts them,” he wrote. “My cousins wake up every few months at this point with a bunch of calls and messages and they know there’s another Dahmer show. It’s cruel.”
Lindsey’s sister, Rita Isbell, echoed that claim in an essay she wrote for Insider, noting that Netflix did not notify her of the show, or ask her any questions about her brother.
She said that watching the show “felt like reliving it all over again.”
“It brought back all the emotions I was feeling back then,” she wrote.
“It’s sad that they’re just making money off of this tragedy. That’s just greed,” she continued.
Obsession With Dahmer
Controversy has also grown from some of the responses to the series, as many viewers have posted fan edits of the show that romanticize Dahmer. Some pair clips of Peters’ Dahmer with his victims to love songs or pop ballads, leaving a bad taste in the mouths of those who do not understand why someone would make content glorifying the killer.
Others have responded to the show by calling Dahmer “hot” or posting thirst tweets about his mug shot. This has resulted in a backlash of its own.
“Jeffrey Dahmer molested and murdered people, mostly black men and boys,” one person wrote. “So to see people making edits and thirst traps of him is a little off putting.”
“if I see anyone tweeting thirst tweets about Jeffrey Dahmer I’m immediately unfollowing,” another person said. “That’s so fuckin nasty.”
Concerns that this kind of media results in more people admiring Dahmer are also mounting in Milwaukee, where many of his crimes took place. According to TMZ, the city is considering creating something to honor the victims, but officials fear a physical memorial would turn into a “mecca” for Dahmer’s fans.